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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B1F3 it is the complementary color #AC4E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B1F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B1F3 shade: #58B1EE, #69C3FF, #7AD5FF, #8BE7FF and #9CF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B1F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B1F3 shade: #53B1F3, #429FE0, #318DCD, #207BBA and #0F69A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B1F3 shade: #53B1F3, #5386F3, #535BF3, #7653F3 and #A153F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B1F3 shade: #53B1F3, #5386F3, #535BF3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B1F3 shade matches the following richer shades: #53B1F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B1F3 shade: #53B1F3, #62AEE4, #71ABD5, #7FA9C6 and #8EA6B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B1F3 shade: #53F3DD, #53DDF3, #53B3F3, #5388F3 and #535DF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B1F3 shade: #0F8CE4, #2C9FF0, #53B1F3, #79C2F5 and #A0D4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B1F3 shade: #53B1F3, #B353F3 and #F3F353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B1F3 shade: #53B1F3, #F353B3 and #B3F353

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B1F3 shade: #53B1F3, #B353F3, #F39353 and #93F353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B1F3 shade: #53B1F3, #E353F3, #F39353 and #63F353

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

Complementary color

CMYK 0 / 55 / 93 / 33

HEX #AC4E0C

RGB 172 78 12

HSL 24.75, 0.87%, 0.36%

LAB 44.58, 35.28, 51.22

 

CMYK 63 / 26 / 0 / 7

HEX #58B1EE

RGB 88 177 238

HSL 204.4, 0.82%, 0.64%

LAB 69.25, -8.46, -38.39

 

CMYK 59 / 24 / 0 / 0

HEX #69C3FF

RGB 105 195 255

HSL 204, 1%, 0.71%

LAB 75.61, -9.87, -37.64

 

CMYK 52 / 16 / 0 / 0

HEX #7AD5FF

RGB 122 213 255

HSL 198.95, 1%, 0.74%

LAB 81.26, -15.95, -28.86

 

CMYK 45 / 9 / 0 / 0

HEX #8BE7FF

RGB 139 231 255

HSL 192.41, 1%, 0.77%

LAB 86.93, -21.34, -20.18

 

CMYK 39 / 2 / 0 / 0

HEX #9CF9FF

RGB 156 249 255

HSL 183.64, 1%, 0.81%

LAB 92.59, -26.12, -11.6

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 71 / 29 / 0 / 12

HEX #429FE0

RGB 66 159 224

HSL 204.68, 0.72%, 0.57%

LAB 62.79, -6.53, -40.85

 

CMYK 76 / 31 / 0 / 20

HEX #318DCD

RGB 49 141 205

HSL 204.62, 0.61%, 0.5%

LAB 56.2, -5.09, -40.63

 

CMYK 83 / 34 / 0 / 27

HEX #207BBA

RGB 32 123 186

HSL 204.55, 0.71%, 0.43%

LAB 49.52, -3.25, -40.37

 

CMYK 91 / 37 / 0 / 35

HEX #0F69A7

RGB 15 105 167

HSL 204.47, 0.84%, 0.36%

LAB 42.76, -0.87, -40.03

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 66 / 45 / 0 / 5

HEX #5386F3

RGB 83 134 243

HSL 220.88, 0.87%, 0.64%

LAB 57.42, 17.27, -59.84

 

CMYK 66 / 63 / 0 / 5

HEX #535BF3

RGB 83 91 243

HSL 237, 0.87%, 0.64%

LAB 46.7, 43.5, -77.2

 

CMYK 51 / 66 / 0 / 5

HEX #7653F3

RGB 118 83 243

HSL 253.13, 0.87%, 0.64%

LAB 47.64, 53.34, -75.57

 

CMYK 34 / 66 / 0 / 5

HEX #A153F3

RGB 161 83 243

HSL 269.25, 0.87%, 0.64%

LAB 52.1, 61.29, -68.11

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 66 / 45 / 0 / 5

HEX #5386F3

RGB 83 134 243

HSL 220.88, 0.87%, 0.64%

LAB 57.42, 17.27, -59.84

 

CMYK 66 / 63 / 0 / 5

HEX #535BF3

RGB 83 91 243

HSL 237, 0.87%, 0.64%

LAB 46.7, 43.5, -77.2

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 57 / 24 / 0 / 11

HEX #62AEE4

RGB 98 174 228

HSL 204.92, 0.71%, 0.64%

LAB 68.37, -8.1, -34.27

 

CMYK 47 / 20 / 0 / 16

HEX #71ABD5

RGB 113 171 213

HSL 205.2, 0.54%, 0.64%

LAB 67.61, -7.6, -27.15

 

CMYK 36 / 15 / 0 / 22

HEX #7FA9C6

RGB 127 169 198

HSL 204.51, 0.38%, 0.64%

LAB 67.25, -6.95, -19.35

 

CMYK 22 / 9 / 0 / 28

HEX #8EA6B7

RGB 142 166 183

HSL 204.88, 0.22%, 0.64%

LAB 66.86, -4.52, -11.52

 

CMYK 66 / 0 / 9 / 5

HEX #53F3DD

RGB 83 243 221

HSL 171.75, 0.87%, 0.64%

LAB 87.56, -46.38, -1.6

 

CMYK 66 / 9 / 0 / 5

HEX #53DDF3

RGB 83 221 243

HSL 188.25, 0.87%, 0.64%

LAB 81.85, -30.34, -21.71

 

CMYK 66 / 26 / 0 / 5

HEX #53B3F3

RGB 83 179 243

HSL 204, 0.87%, 0.64%

LAB 69.86, -8.77, -40.17

 

CMYK 66 / 44 / 0 / 5

HEX #5388F3

RGB 83 136 243

HSL 220.13, 0.87%, 0.64%

LAB 57.96, 16.06, -58.99

 

CMYK 66 / 62 / 0 / 5

HEX #535DF3

RGB 83 93 243

HSL 236.25, 0.87%, 0.64%

LAB 47.16, 42.3, -76.46

 

CMYK 93 / 39 / 0 / 11

HEX #0F8CE4

RGB 15 140 228

HSL 204.79, 0.88%, 0.48%

LAB 56.54, 1.48, -53.01

 

CMYK 82 / 34 / 0 / 6

HEX #2C9FF0

RGB 44 159 240

HSL 204.8, 0.87%, 0.56%

LAB 63.03, -3.4, -49.33

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 51 / 21 / 0 / 4

HEX #79C2F5

RGB 121 194 245

HSL 204.68, 0.86%, 0.72%

LAB 75.6, -9.05, -32.23

 

CMYK 35 / 15 / 0 / 3

HEX #A0D4F8

RGB 160 212 248

HSL 204.55, 0.86%, 0.8%

LAB 82.56, -8.21, -23

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 26 / 66 / 0 / 5

HEX #B353F3

RGB 179 83 243

HSL 276, 0.87%, 0.64%

LAB 54.28, 64.95, -64.48

 

CMYK 0 / 0 / 66 / 5

HEX #F3F353

RGB 243 243 83

HSL 60, 0.87%, 0.64%

LAB 93.36, -18.59, 73.66

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 0 / 66 / 26 / 5

HEX #F353B3

RGB 243 83 179

HSL 324, 0.87%, 0.64%

LAB 60.33, 69.68, -18.03

 

CMYK 26 / 0 / 66 / 5

HEX #B3F353

RGB 179 243 83

HSL 84, 0.87%, 0.64%

LAB 89.07, -43.41, 67.89

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 26 / 66 / 0 / 5

HEX #B353F3

RGB 179 83 243

HSL 276, 0.87%, 0.64%

LAB 54.28, 64.95, -64.48

 

CMYK 0 / 40 / 66 / 5

HEX #F39353

RGB 243 147 83

HSL 24, 0.87%, 0.64%

LAB 69.86, 30.73, 48.47

 

CMYK 40 / 0 / 66 / 5

HEX #93F353

RGB 147 243 83

HSL 96, 0.87%, 0.64%

LAB 87.45, -54.36, 65.69

 

CMYK 66 / 27 / 0 / 5

HEX #53B1F3

RGB 83 177 243

HSL 204.75, 0.87%, 0.64%

LAB 69.29, -7.68, -41.05

 

CMYK 7 / 66 / 0 / 5

HEX #E353F3

RGB 227 83 243

HSL 294, 0.87%, 0.64%

LAB 60.77, 75.25, -53.72

 

CMYK 0 / 40 / 66 / 5

HEX #F39353

RGB 243 147 83

HSL 24, 0.87%, 0.64%

LAB 69.86, 30.73, 48.47

 

CMYK 59 / 0 / 66 / 5

HEX #63F353

RGB 99 243 83

HSL 114, 0.87%, 0.64%

LAB 85.69, -67.57, 63.29

 

Description

Color code: HEX #53B1F3 | qconv.com Color code: HEX #53B1F3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 177 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 177 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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