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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53D8E8 it is the complementary color #AC2717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53D8E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53D8E8 shade: #58D8E3, #69EAF6, #7AFCFF, #8BFFFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53D8E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53D8E8 shade: #53D8E8, #42C6D5, #31B4C2, #20A2AF and #0F909C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53D8E8 shade: #54D7E7, #54B0E7, #5488E7, #5460E7 and #6F54E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53D8E8 shade: #54D7E7, #54B0E7, #5488E7, #5460E7 and #5454E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53D8E8 shade matches the following richer shades: #54D7E7 and #44E4F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53D8E8 shade: #54D7E7, #64CBD8, #73BFC8, #83B2B8 and #93A6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53D8E8 shade: #54E7A7, #54E7CF, #54D9E7, #54B1E7 and #548AE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53D8E8 shade: #1CBACD, #30CFE2, #54D7E7, #78E0EC and #9DE8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53D8E8 shade: #53D8E8, #8054E7 and #E7BB54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53D8E8 shade: #53D8E8, #E754D9 and #D9E754

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53D8E8 shade: #53D8E8, #8054E7, #E76354 and #BBE754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53D8E8 shade: #53D8E8, #AC54E7, #E76354 and #8FE754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

Complementary color

CMYK 0 / 77 / 87 / 33

HEX #AC2717

RGB 172 39 23

HSL 6.44, 0.76%, 0.38%

LAB 38.35, 52.31, 42.26

 

CMYK 61 / 5 / 0 / 11

HEX #58D8E3

RGB 88 216 227

HSL 184.75, 0.71%, 0.62%

LAB 80.03, -31.74, -15.94

 

CMYK 57 / 5 / 0 / 4

HEX #69EAF6

RGB 105 234 246

HSL 185.11, 0.89%, 0.69%

LAB 86.26, -32.13, -16.58

 

CMYK 52 / 1 / 0 / 0

HEX #7AFCFF

RGB 122 252 255

HSL 181.35, 1%, 0.74%

LAB 92.12, -35.02, -12.44

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

CMYK 69 / 7 / 0 / 16

HEX #42C6D5

RGB 66 198 213

HSL 186.12, 0.64%, 0.55%

LAB 73.77, -30.45, -17.9

 

CMYK 75 / 7 / 0 / 24

HEX #31B4C2

RGB 49 180 194

HSL 185.79, 0.6%, 0.48%

LAB 67.42, -29.57, -17.15

 

CMYK 82 / 7 / 0 / 31

HEX #20A2AF

RGB 32 162 175

HSL 185.45, 0.69%, 0.41%

LAB 61, -28.39, -16.31

 

CMYK 90 / 8 / 0 / 39

HEX #0F909C

RGB 15 144 156

HSL 185.11, 0.82%, 0.34%

LAB 54.5, -26.82, -15.37

 

CMYK 64 / 7 / 0 / 9

HEX #54D7E7

RGB 84 215 231

HSL 186.53, 0.75%, 0.62%

LAB 79.76, -30.77, -18.49

 

CMYK 64 / 24 / 0 / 9

HEX #54B0E7

RGB 84 176 231

HSL 202.45, 0.75%, 0.62%

LAB 68.54, -10.83, -35.69

 

CMYK 64 / 41 / 0 / 9

HEX #5488E7

RGB 84 136 231

HSL 218.78, 0.75%, 0.62%

LAB 57.33, 12.13, -53.33

 

CMYK 64 / 58 / 0 / 9

HEX #5460E7

RGB 84 96 231

HSL 235.1, 0.75%, 0.62%

LAB 47, 36.66, -69.96

 

CMYK 52 / 64 / 0 / 9

HEX #6F54E7

RGB 111 84 231

HSL 251.02, 0.75%, 0.62%

LAB 46.3, 48.16, -71.02

 

CMYK 64 / 7 / 0 / 9

HEX #54D7E7

RGB 84 215 231

HSL 186.53, 0.75%, 0.62%

LAB 79.76, -30.77, -18.49

 

CMYK 64 / 24 / 0 / 9

HEX #54B0E7

RGB 84 176 231

HSL 202.45, 0.75%, 0.62%

LAB 68.54, -10.83, -35.69

 

CMYK 64 / 41 / 0 / 9

HEX #5488E7

RGB 84 136 231

HSL 218.78, 0.75%, 0.62%

LAB 57.33, 12.13, -53.33

 

CMYK 64 / 58 / 0 / 9

HEX #5460E7

RGB 84 96 231

HSL 235.1, 0.75%, 0.62%

LAB 47, 36.66, -69.96

 

CMYK 64 / 64 / 0 / 9

HEX #5454E7

RGB 84 84 231

HSL 240, 0.75%, 0.62%

LAB 44.23, 43.87, -74.49

 

CMYK 64 / 7 / 0 / 9

HEX #54D7E7

RGB 84 215 231

HSL 186.53, 0.75%, 0.62%

LAB 79.76, -30.77, -18.49

 

CMYK 72 / 8 / 0 / 3

HEX #44E4F7

RGB 68 228 247

HSL 186.37, 0.92%, 0.62%

LAB 83.67, -34.46, -21.11

 

CMYK 64 / 7 / 0 / 9

HEX #54D7E7

RGB 84 215 231

HSL 186.53, 0.75%, 0.62%

LAB 79.76, -30.77, -18.49

 

CMYK 54 / 6 / 0 / 15

HEX #64CBD8

RGB 100 203 216

HSL 186.72, 0.6%, 0.62%

LAB 76.3, -26.29, -15.61

 

CMYK 43 / 5 / 0 / 22

HEX #73BFC8

RGB 115 191 200

HSL 186.35, 0.44%, 0.62%

LAB 72.94, -21.19, -11.92

 

CMYK 29 / 3 / 0 / 28

HEX #83B2B8

RGB 131 178 184

HSL 186.79, 0.27%, 0.62%

LAB 69.56, -14.09, -8.11

 

CMYK 13 / 2 / 0 / 34

HEX #93A6A9

RGB 147 166 169

HSL 188.18, 0.11%, 0.62%

LAB 66.78, -5.99, -3.81

 

CMYK 64 / 0 / 28 / 9

HEX #54E7A7

RGB 84 231 167

HSL 153.88, 0.75%, 0.62%

LAB 82.82, -53.75, 19.85

 

CMYK 64 / 0 / 10 / 9

HEX #54E7CF

RGB 84 231 207

HSL 170.2, 0.75%, 0.62%

LAB 83.73, -44.55, 0.15

 

CMYK 64 / 6 / 0 / 9

HEX #54D9E7

RGB 84 217 231

HSL 185.71, 0.75%, 0.62%

LAB 80.34, -31.73, -17.62

 

CMYK 64 / 23 / 0 / 9

HEX #54B1E7

RGB 84 177 231

HSL 202.04, 0.75%, 0.62%

LAB 68.82, -11.37, -35.25

 

CMYK 64 / 40 / 0 / 9

HEX #548AE7

RGB 84 138 231

HSL 217.96, 0.75%, 0.62%

LAB 57.88, 10.93, -52.46

 

CMYK 86 / 9 / 0 / 20

HEX #1CBACD

RGB 28 186 205

HSL 186.44, 0.76%, 0.46%

LAB 69.31, -30.87, -20.37

 

CMYK 79 / 8 / 0 / 11

HEX #30CFE2

RGB 48 207 226

HSL 186.4, 0.75%, 0.54%

LAB 76.52, -32.88, -20.78

 

CMYK 64 / 7 / 0 / 9

HEX #54D7E7

RGB 84 215 231

HSL 186.53, 0.75%, 0.62%

LAB 79.76, -30.77, -18.49

 

CMYK 49 / 5 / 0 / 7

HEX #78E0EC

RGB 120 224 236

HSL 186.21, 0.75%, 0.7%

LAB 83.63, -27.06, -15.2

 

CMYK 35 / 4 / 0 / 5

HEX #9DE8F1

RGB 157 232 241

HSL 186.43, 0.75%, 0.78%

LAB 87.6, -20.89, -11.74

 

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

CMYK 45 / 64 / 0 / 9

HEX #8054E7

RGB 128 84 231

HSL 257.96, 0.75%, 0.62%

LAB 47.88, 51.29, -68.38

 

CMYK 0 / 19 / 64 / 9

HEX #E7BB54

RGB 231 187 84

HSL 42.04, 0.75%, 0.62%

LAB 77.98, 4.73, 56.72

 

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

CMYK 0 / 64 / 6 / 9

HEX #E754D9

RGB 231 84 217

HSL 305.71, 0.75%, 0.62%

LAB 60.19, 71.54, -40.05

 

CMYK 6 / 0 / 64 / 9

HEX #D9E754

RGB 217 231 84

HSL 65.71, 0.75%, 0.62%

LAB 88.23, -23.25, 67.38

 

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

CMYK 45 / 64 / 0 / 9

HEX #8054E7

RGB 128 84 231

HSL 257.96, 0.75%, 0.62%

LAB 47.88, 51.29, -68.38

 

CMYK 0 / 57 / 64 / 9

HEX #E76354

RGB 231 99 84

HSL 6.12, 0.75%, 0.62%

LAB 58.56, 50.23, 34.13

 

CMYK 19 / 0 / 64 / 9

HEX #BBE754

RGB 187 231 84

HSL 77.96, 0.75%, 0.62%

LAB 86.18, -35.03, 64.59

 

CMYK 64 / 7 / 0 / 9

HEX #53D8E8

RGB 83 216 232

HSL 186.44, 0.76%, 0.62%

LAB 80.05, -31.12, -18.58

 

CMYK 26 / 64 / 0 / 9

HEX #AC54E7

RGB 172 84 231

HSL 275.92, 0.75%, 0.62%

LAB 52.82, 60.4, -60.15

 

CMYK 0 / 57 / 64 / 9

HEX #E76354

RGB 231 99 84

HSL 6.12, 0.75%, 0.62%

LAB 58.56, 50.23, 34.13

 

CMYK 38 / 0 / 64 / 9

HEX #8FE754

RGB 143 231 84

HSL 95.92, 0.75%, 0.62%

LAB 83.77, -50.73, 61.29

 

Description

Color code: HEX #53D8E8 | qconv.com Color code: HEX #53D8E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 216 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 216 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 7 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 7% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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