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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53D9EE it is the complementary color #AC2611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53D9EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53D9EE shade: #58D9E9, #69EBFC, #7AFDFF, #8BFFFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53D9EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53D9EE shade: #53D9EE, #42C7DB, #31B5C8, #20A3B5 and #0F91A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53D9EE shade: #53D9EE, #53AFEE, #5385EE, #535BEE and #7453EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53D9EE shade: #53D9EE, #53AFEE, #5385EE, #535BEE and #5353EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53D9EE shade matches the following richer shades: #53D9EE and #44E4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53D9EE shade: #53D9EE, #62CDDE, #71C2CF, #81B7C0 and #90ACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53D9EE shade: #53EEB0, #53EED9, #53D9EE, #53B0EE and #5386EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53D9EE shade: #15BED9, #2DD0EA, #53D9EE, #78E1F1 and #9EE9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53D9EE shade: #53D9EE, #8653EE and #EEC453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53D9EE shade: #53D9EE, #EE53D9 and #D9EE53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53D9EE shade: #53D9EE, #8653EE, #EE6753 and #BAEE53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53D9EE shade: #53D9EE, #B553EE, #EE6753 and #8CEE53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

Complementary color

CMYK 0 / 78 / 90 / 33

HEX #AC2611

RGB 172 38 17

HSL 8.13, 0.82%, 0.37%

LAB 38.19, 52.51, 44.86

 

CMYK 62 / 7 / 0 / 9

HEX #58D9E9

RGB 88 217 233

HSL 186.62, 0.77%, 0.63%

LAB 80.51, -30.52, -18.42

 

CMYK 58 / 7 / 0 / 1

HEX #69EBFC

RGB 105 235 252

HSL 186.94, 0.96%, 0.7%

LAB 86.73, -30.97, -19.03

 

CMYK 52 / 1 / 0 / 0

HEX #7AFDFF

RGB 122 253 255

HSL 180.9, 1%, 0.74%

LAB 92.4, -35.49, -12.02

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 70 / 9 / 0 / 14

HEX #42C7DB

RGB 66 199 219

HSL 187.84, 0.68%, 0.56%

LAB 74.27, -29.15, -20.4

 

CMYK 76 / 10 / 0 / 22

HEX #31B5C8

RGB 49 181 200

HSL 187.55, 0.61%, 0.49%

LAB 67.93, -28.2, -19.69

 

CMYK 82 / 10 / 0 / 29

HEX #20A3B5

RGB 32 163 181

HSL 187.25, 0.7%, 0.42%

LAB 61.51, -26.96, -18.9

 

CMYK 91 / 10 / 0 / 36

HEX #0F91A2

RGB 15 145 162

HSL 186.94, 0.83%, 0.35%

LAB 55.03, -25.32, -18

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 65 / 26 / 0 / 7

HEX #53AFEE

RGB 83 175 238

HSL 204.39, 0.82%, 0.63%

LAB 68.51, -8.2, -39.55

 

CMYK 65 / 44 / 0 / 7

HEX #5385EE

RGB 83 133 238

HSL 220.65, 0.82%, 0.63%

LAB 56.87, 16.16, -57.96

 

CMYK 65 / 62 / 0 / 7

HEX #535BEE

RGB 83 91 238

HSL 236.9, 0.82%, 0.63%

LAB 46.3, 41.85, -75.04

 

CMYK 51 / 65 / 0 / 7

HEX #7453EE

RGB 116 83 238

HSL 252.77, 0.82%, 0.63%

LAB 47.07, 51.59, -73.69

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 65 / 26 / 0 / 7

HEX #53AFEE

RGB 83 175 238

HSL 204.39, 0.82%, 0.63%

LAB 68.51, -8.2, -39.55

 

CMYK 65 / 44 / 0 / 7

HEX #5385EE

RGB 83 133 238

HSL 220.65, 0.82%, 0.63%

LAB 56.87, 16.16, -57.96

 

CMYK 65 / 62 / 0 / 7

HEX #535BEE

RGB 83 91 238

HSL 236.9, 0.82%, 0.63%

LAB 46.3, 41.85, -75.04

 

CMYK 65 / 65 / 0 / 7

HEX #5353EE

RGB 83 83 238

HSL 240, 0.82%, 0.63%

LAB 44.52, 46.58, -77.97

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 73 / 10 / 0 / 1

HEX #44E4FD

RGB 68 228 253

HSL 188.11, 0.98%, 0.63%

LAB 83.87, -32.68, -23.97

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 56 / 8 / 0 / 13

HEX #62CDDE

RGB 98 205 222

HSL 188.23, 0.65%, 0.63%

LAB 77, -26.01, -17.8

 

CMYK 45 / 6 / 0 / 19

HEX #71C2CF

RGB 113 194 207

HSL 188.3, 0.49%, 0.63%

LAB 73.93, -21.36, -14.25

 

CMYK 33 / 5 / 0 / 25

HEX #81B7C0

RGB 129 183 192

HSL 188.57, 0.33%, 0.63%

LAB 71.1, -15.37, -10.22

 

CMYK 18 / 2 / 0 / 31

HEX #90ACB0

RGB 144 172 176

HSL 187.5, 0.17%, 0.63%

LAB 68.44, -8.71, -5.27

 

CMYK 65 / 0 / 26 / 7

HEX #53EEB0

RGB 83 238 176

HSL 156, 0.82%, 0.63%

LAB 85.06, -54.83, 18.29

 

CMYK 65 / 0 / 9 / 7

HEX #53EED9

RGB 83 238 217

HSL 171.87, 0.82%, 0.63%

LAB 86.01, -45.23, -1.78

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 65 / 26 / 0 / 7

HEX #53B0EE

RGB 83 176 238

HSL 204, 0.82%, 0.63%

LAB 68.8, -8.75, -39.11

 

CMYK 65 / 44 / 0 / 7

HEX #5386EE

RGB 83 134 238

HSL 220.26, 0.82%, 0.63%

LAB 57.14, 15.56, -57.53

 

CMYK 90 / 12 / 0 / 15

HEX #15BED9

RGB 21 190 217

HSL 188.27, 0.82%, 0.47%

LAB 70.87, -29.35, -24.55

 

CMYK 81 / 11 / 0 / 8

HEX #2DD0EA

RGB 45 208 234

HSL 188.25, 0.82%, 0.55%

LAB 77.05, -31.15, -24.29

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 50 / 7 / 0 / 5

HEX #78E1F1

RGB 120 225 241

HSL 187.93, 0.81%, 0.71%

LAB 84.07, -26.23, -17.19

 

CMYK 36 / 5 / 0 / 4

HEX #9EE9F5

RGB 158 233 245

HSL 188.28, 0.81%, 0.79%

LAB 88.04, -20.18, -13.18

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 44 / 65 / 0 / 7

HEX #8653EE

RGB 134 83 238

HSL 259.74, 0.82%, 0.63%

LAB 48.79, 54.81, -70.81

 

CMYK 0 / 18 / 65 / 7

HEX #EEC453

RGB 238 196 83

HSL 43.74, 0.82%, 0.63%

LAB 80.9, 2.91, 60.54

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 0 / 65 / 9 / 7

HEX #EE53D9

RGB 238 83 217

HSL 308.13, 0.82%, 0.63%

LAB 61.11, 73.61, -38.54

 

CMYK 9 / 0 / 65 / 7

HEX #D9EE53

RGB 217 238 83

HSL 68.13, 0.82%, 0.63%

LAB 90.1, -26.64, 69.72

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 44 / 65 / 0 / 7

HEX #8653EE

RGB 134 83 238

HSL 259.74, 0.82%, 0.63%

LAB 48.79, 54.81, -70.81

 

CMYK 0 / 57 / 65 / 7

HEX #EE6753

RGB 238 103 83

HSL 7.74, 0.82%, 0.63%

LAB 60.34, 50.79, 37.11

 

CMYK 22 / 0 / 65 / 7

HEX #BAEE53

RGB 186 238 83

HSL 80.13, 0.82%, 0.63%

LAB 88.07, -38.63, 66.97

 

CMYK 65 / 9 / 0 / 7

HEX #53D9EE

RGB 83 217 238

HSL 188.13, 0.82%, 0.63%

LAB 80.54, -29.87, -21.05

 

CMYK 24 / 65 / 0 / 7

HEX #B553EE

RGB 181 83 238

HSL 277.94, 0.82%, 0.63%

LAB 54.22, 64.31, -61.77

 

CMYK 0 / 57 / 65 / 7

HEX #EE6753

RGB 238 103 83

HSL 7.74, 0.82%, 0.63%

LAB 60.34, 50.79, 37.11

 

CMYK 41 / 0 / 65 / 7

HEX #8CEE53

RGB 140 238 83

HSL 97.94, 0.82%, 0.63%

LAB 85.68, -54.58, 63.71

 

Description

Color code: HEX #53D9EE | qconv.com Color code: HEX #53D9EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 217 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 217 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 9 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 9% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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