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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53E7FF it is the complementary color #AC1800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53E7FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53E7FF shade: #58E7FA, #69F9FF, #7AFFFF, #8BFFFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53E7FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53E7FF shade: #53E7FF, #42D5EC, #31C3D9, #20B1C6 and #0F9FB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53E7FF shade: #51E6FF, #51B8FF, #5189FF, #515AFF and #7751FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53E7FF shade: #51E6FF, #51B8FF, #5189FF, #515AFF and #5151FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53E7FF shade matches the following richer shades: #51E6FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53E7FF shade: #51E6FF, #5FDCF0, #6DD2E2, #7BC8D4 and #89BEC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53E7FF shade: #51FFB9, #51FFE7, #51E7FF, #51B9FF and #518BFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53E7FF shade: #00DAFE, #28E1FF, #51E6FF, #7AECFF and #A4F2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53E7FF shade: #53E7FF, #8B51FF and #FFD051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53E7FF shade: #53E7FF, #FF51E7 and #E7FF51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53E7FF shade: #53E7FF, #8B51FF, #FF6851 and #C5FF51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53E7FF shade: #53E7FF, #BF51FF, #FF6851 and #91FF51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

Complementary color

CMYK 0 / 86 / 100 / 33

HEX #AC1800

RGB 172 24 0

HSL 8.37, 1%, 0.34%

LAB 36.79, 56.04, 50.48

 

CMYK 65 / 8 / 0 / 2

HEX #58E7FA

RGB 88 231 250

HSL 187.04, 0.94%, 0.66%

LAB 85.06, -32.37, -20.54

 

CMYK 59 / 2 / 0 / 0

HEX #69F9FF

RGB 105 249 255

HSL 182.4, 1%, 0.71%

LAB 90.77, -36.72, -14.52

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 72 / 10 / 0 / 7

HEX #42D5EC

RGB 66 213 236

HSL 188.12, 0.82%, 0.59%

LAB 78.93, -30.82, -22.46

 

CMYK 77 / 10 / 0 / 15

HEX #31C3D9

RGB 49 195 217

HSL 187.86, 0.69%, 0.52%

LAB 72.69, -29.78, -21.75

 

CMYK 84 / 11 / 0 / 22

HEX #20B1C6

RGB 32 177 198

HSL 187.59, 0.72%, 0.45%

LAB 66.39, -28.44, -20.95

 

CMYK 92 / 11 / 0 / 30

HEX #0F9FB3

RGB 15 159 179

HSL 187.32, 0.85%, 0.38%

LAB 60.03, -26.72, -20.06

 

CMYK 68 / 10 / 0 / 0

HEX #51E6FF

RGB 81 230 255

HSL 188.62, 1%, 0.66%

LAB 84.77, -31.44, -23.62

 

CMYK 68 / 28 / 0 / 0

HEX #51B8FF

RGB 81 184 255

HSL 204.48, 1%, 0.66%

LAB 71.72, -7.9, -43.75

 

CMYK 68 / 46 / 0 / 0

HEX #5189FF

RGB 81 137 255

HSL 220.69, 1%, 0.66%

LAB 58.85, 19.29, -64.18

 

CMYK 68 / 65 / 0 / 0

HEX #515AFF

RGB 81 90 255

HSL 236.9, 1%, 0.66%

LAB 47.34, 47.76, -82.85

 

CMYK 53 / 68 / 0 / 0

HEX #7751FF

RGB 119 81 255

HSL 253.1, 1%, 0.66%

LAB 48.29, 57.92, -81.18

 

CMYK 68 / 10 / 0 / 0

HEX #51E6FF

RGB 81 230 255

HSL 188.62, 1%, 0.66%

LAB 84.77, -31.44, -23.62

 

CMYK 68 / 28 / 0 / 0

HEX #51B8FF

RGB 81 184 255

HSL 204.48, 1%, 0.66%

LAB 71.72, -7.9, -43.75

 

CMYK 68 / 46 / 0 / 0

HEX #5189FF

RGB 81 137 255

HSL 220.69, 1%, 0.66%

LAB 58.85, 19.29, -64.18

 

CMYK 68 / 65 / 0 / 0

HEX #515AFF

RGB 81 90 255

HSL 236.9, 1%, 0.66%

LAB 47.34, 47.76, -82.85

 

CMYK 68 / 68 / 0 / 0

HEX #5151FF

RGB 81 81 255

HSL 240, 1%, 0.66%

LAB 45.43, 52.91, -85.98

 

CMYK 68 / 10 / 0 / 0

HEX #51E6FF

RGB 81 230 255

HSL 188.62, 1%, 0.66%

LAB 84.77, -31.44, -23.62

 

CMYK 68 / 10 / 0 / 0

HEX #51E6FF

RGB 81 230 255

HSL 188.62, 1%, 0.66%

LAB 84.77, -31.44, -23.62

 

CMYK 60 / 8 / 0 / 6

HEX #5FDCF0

RGB 95 220 240

HSL 188.28, 0.83%, 0.66%

LAB 81.79, -28.83, -20.18

 

CMYK 52 / 7 / 0 / 11

HEX #6DD2E2

RGB 109 210 226

HSL 188.21, 0.67%, 0.66%

LAB 78.95, -25.17, -16.97

 

CMYK 42 / 6 / 0 / 17

HEX #7BC8D4

RGB 123 200 212

HSL 188.09, 0.51%, 0.66%

LAB 76.24, -20.68, -13.46

 

CMYK 31 / 4 / 0 / 22

HEX #89BEC6

RGB 137 190 198

HSL 187.87, 0.35%, 0.66%

LAB 73.69, -15.29, -9.6

 

CMYK 68 / 0 / 27 / 0

HEX #51FFB9

RGB 81 255 185

HSL 155.86, 1%, 0.66%

LAB 90.22, -59.91, 20.83

 

CMYK 68 / 0 / 9 / 0

HEX #51FFE7

RGB 81 255 231

HSL 171.72, 1%, 0.66%

LAB 91.25, -49.26, -1.4

 

CMYK 68 / 9 / 0 / 0

HEX #51E7FF

RGB 81 231 255

HSL 188.28, 1%, 0.66%

LAB 85.06, -31.92, -23.19

 

CMYK 68 / 27 / 0 / 0

HEX #51B9FF

RGB 81 185 255

HSL 204.14, 1%, 0.66%

LAB 72.01, -8.45, -43.31

 

CMYK 68 / 45 / 0 / 0

HEX #518BFF

RGB 81 139 255

HSL 220, 1%, 0.66%

LAB 59.37, 18.08, -63.33

 

CMYK 100 / 14 / 0 / 0

HEX #00DAFE

RGB 0 218 254

HSL 188.5, 1%, 0.5%

LAB 80.35, -31.57, -29.94

 

CMYK 84 / 12 / 0 / 0

HEX #28E1FF

RGB 40 225 255

HSL 188.37, 1%, 0.58%

LAB 82.66, -33.11, -26.91

 

CMYK 68 / 10 / 0 / 0

HEX #51E6FF

RGB 81 230 255

HSL 188.62, 1%, 0.66%

LAB 84.77, -31.44, -23.62

 

CMYK 52 / 7 / 0 / 0

HEX #7AECFF

RGB 122 236 255

HSL 188.57, 1%, 0.74%

LAB 87.65, -27.44, -19.15

 

CMYK 36 / 5 / 0 / 0

HEX #A4F2FF

RGB 164 242 255

HSL 188.57, 1%, 0.82%

LAB 91.06, -20.7, -13.85

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 45 / 68 / 0 / 0

HEX #8B51FF

RGB 139 81 255

HSL 260, 1%, 0.66%

LAB 50.21, 61.14, -77.98

 

CMYK 0 / 18 / 68 / 0

HEX #FFD051

RGB 255 208 81

HSL 43.79, 1%, 0.66%

LAB 85.49, 3.71, 66.72

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 0 / 68 / 9 / 0

HEX #FF51E7

RGB 255 81 231

HSL 308.28, 1%, 0.66%

LAB 64.09, 80.35, -41.52

 

CMYK 9 / 0 / 68 / 0

HEX #E7FF51

RGB 231 255 81

HSL 68.28, 1%, 0.66%

LAB 95.62, -29.17, 76.38

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 45 / 68 / 0 / 0

HEX #8B51FF

RGB 139 81 255

HSL 260, 1%, 0.66%

LAB 50.21, 61.14, -77.98

 

CMYK 0 / 59 / 68 / 0

HEX #FF6851

RGB 255 104 81

HSL 7.93, 1%, 0.66%

LAB 63.14, 56.15, 42.18

 

CMYK 23 / 0 / 68 / 0

HEX #C5FF51

RGB 197 255 81

HSL 80, 1%, 0.66%

LAB 93.44, -42.18, 73.48

 

CMYK 67 / 9 / 0 / 0

HEX #53E7FF

RGB 83 231 255

HSL 188.37, 1%, 0.66%

LAB 85.1, -31.65, -23.11

 

CMYK 25 / 68 / 0 / 0

HEX #BF51FF

RGB 191 81 255

HSL 277.93, 1%, 0.66%

LAB 56.27, 70.77, -67.86

 

CMYK 0 / 59 / 68 / 0

HEX #FF6851

RGB 255 104 81

HSL 7.93, 1%, 0.66%

LAB 63.14, 56.15, 42.18

 

CMYK 43 / 0 / 68 / 0

HEX #91FF51

RGB 145 255 81

HSL 97.93, 1%, 0.66%

LAB 90.84, -59.82, 69.98

 

Description

Color code: HEX #53E7FF | qconv.com Color code: HEX #53E7FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 231 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 231 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 9 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 9% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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