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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F2CF it is the complementary color #AC0D30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F2CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F2CF shade: #58F2CA, #69FFDD, #7AFFF0, #8BFFFF and #9CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F2CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F2CF shade: #53F2CF, #42E0BC, #31CEA9, #20BC96 and #0FAA83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F2CF shade: #54F2CF, #54F2A4, #54F27A, #58F254 and #83F254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F2CF shade: #54F2CF, #54EAF2, #54BFF2, #5495F2 and #546AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F2CF shade matches the following richer shades: #54F2CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F2CF shade: #54F2CF, #63E3C7, #71D4BE, #80C5B6 and #8FB6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F2CF shade: #54F279, #54F2A3, #54F2CD, #54ECF2 and #54C2F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F2CF shade: #11E2B4, #2DEFC4, #54F2CF, #7AF5DA and #A0F7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F2CF shade: #53F2CF, #5459F2 and #F28E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F2CF shade: #53F2CF, #CD54F2 and #F2CD54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F2CF shade: #53F2CF, #5459F2, #F25479 and #F2EC54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F2CF shade: #53F2CF, #7E54F2, #F25479 and #C8F254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

Complementary color

CMYK 0 / 92 / 72 / 33

HEX #AC0D30

RGB 172 13 48

HSL 346.79, 0.86%, 0.36%

LAB 36.5, 59.17, 26.01

 

CMYK 64 / 0 / 17 / 5

HEX #58F2CA

RGB 88 242 202

HSL 164.42, 0.86%, 0.65%

LAB 86.92, -49.82, 7.41

 

CMYK 59 / 0 / 13 / 0

HEX #69FFDD

RGB 105 255 221

HSL 166.4, 1%, 0.71%

LAB 91.57, -47.93, 4.31

 

CMYK 52 / 0 / 6 / 0

HEX #7AFFF0

RGB 122 255 240

HSL 173.23, 1%, 0.74%

LAB 92.55, -40.14, -4.03

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

CMYK 71 / 0 / 16 / 12

HEX #42E0BC

RGB 66 224 188

HSL 166.33, 0.72%, 0.57%

LAB 80.79, -48.94, 5.9

 

CMYK 76 / 0 / 18 / 19

HEX #31CEA9

RGB 49 206 169

HSL 165.86, 0.62%, 0.5%

LAB 74.61, -48.25, 7.11

 

CMYK 83 / 0 / 20 / 26

HEX #20BC96

RGB 32 188 150

HSL 165.38, 0.71%, 0.43%

LAB 68.37, -47.26, 8.45

 

CMYK 91 / 0 / 23 / 33

HEX #0FAA83

RGB 15 170 131

HSL 164.9, 0.84%, 0.36%

LAB 62.07, -45.88, 9.94

 

CMYK 65 / 0 / 14 / 5

HEX #54F2CF

RGB 84 242 207

HSL 166.71, 0.86%, 0.64%

LAB 86.94, -49.27, 4.83

 

CMYK 65 / 0 / 32 / 5

HEX #54F2A4

RGB 84 242 164

HSL 150.38, 0.86%, 0.64%

LAB 86.04, -58.66, 25.82

 

CMYK 65 / 0 / 50 / 5

HEX #54F27A

RGB 84 242 122

HSL 134.43, 0.86%, 0.64%

LAB 85.4, -65.77, 45.77

 

CMYK 64 / 0 / 65 / 5

HEX #58F254

RGB 88 242 84

HSL 118.48, 0.86%, 0.64%

LAB 85.11, -69.49, 62.17

 

CMYK 46 / 0 / 65 / 5

HEX #83F254

RGB 131 242 84

HSL 102.15, 0.86%, 0.64%

LAB 86.49, -58.78, 64.07

 

CMYK 65 / 0 / 14 / 5

HEX #54F2CF

RGB 84 242 207

HSL 166.71, 0.86%, 0.64%

LAB 86.94, -49.27, 4.83

 

CMYK 65 / 3 / 0 / 5

HEX #54EAF2

RGB 84 234 242

HSL 183.04, 0.86%, 0.64%

LAB 85.58, -36.62, -15.56

 

CMYK 65 / 21 / 0 / 5

HEX #54BFF2

RGB 84 191 242

HSL 199.37, 0.86%, 0.64%

LAB 73.26, -15.38, -34.34

 

CMYK 65 / 38 / 0 / 5

HEX #5495F2

RGB 84 149 242

HSL 215.32, 0.86%, 0.64%

LAB 61.47, 8.12, -52.83

 

CMYK 65 / 56 / 0 / 5

HEX #546AF2

RGB 84 106 242

HSL 231.65, 0.86%, 0.64%

LAB 50.22, 34.23, -70.91

 

CMYK 65 / 0 / 14 / 5

HEX #54F2CF

RGB 84 242 207

HSL 166.71, 0.86%, 0.64%

LAB 86.94, -49.27, 4.83

 

CMYK 65 / 0 / 14 / 5

HEX #54F2CF

RGB 84 242 207

HSL 166.71, 0.86%, 0.64%

LAB 86.94, -49.27, 4.83

 

CMYK 56 / 0 / 12 / 11

HEX #63E3C7

RGB 99 227 199

HSL 166.88, 0.7%, 0.64%

LAB 82.76, -42.09, 3.02

 

CMYK 47 / 0 / 10 / 17

HEX #71D4BE

RGB 113 212 190

HSL 166.67, 0.54%, 0.64%

LAB 78.65, -34.36, 1.89

 

CMYK 35 / 0 / 8 / 23

HEX #80C5B6

RGB 128 197 182

HSL 166.96, 0.37%, 0.64%

LAB 74.76, -25.11, 0.62

 

CMYK 21 / 0 / 4 / 29

HEX #8FB6AE

RGB 143 182 174

HSL 167.69, 0.21%, 0.64%

LAB 71.11, -14.74, -0.24

 

CMYK 65 / 0 / 50 / 5

HEX #54F279

RGB 84 242 121

HSL 134.05, 0.86%, 0.64%

LAB 85.39, -65.92, 46.23

 

CMYK 65 / 0 / 33 / 5

HEX #54F2A3

RGB 84 242 163

HSL 150, 0.86%, 0.64%

LAB 86.02, -58.86, 26.3

 

CMYK 65 / 0 / 15 / 5

HEX #54F2CD

RGB 84 242 205

HSL 165.95, 0.86%, 0.64%

LAB 86.9, -49.75, 5.8

 

CMYK 65 / 2 / 0 / 5

HEX #54ECF2

RGB 84 236 242

HSL 182.28, 0.86%, 0.64%

LAB 86.15, -37.54, -14.7

 

CMYK 65 / 20 / 0 / 5

HEX #54C2F2

RGB 84 194 242

HSL 198.23, 0.86%, 0.64%

LAB 74.11, -16.95, -33.02

 

CMYK 92 / 0 / 20 / 11

HEX #11E2B4

RGB 17 226 180

HSL 166.79, 0.86%, 0.48%

LAB 80.63, -55.87, 9.82

 

CMYK 81 / 0 / 18 / 6

HEX #2DEFC4

RGB 45 239 196

HSL 166.7, 0.86%, 0.56%

LAB 85.14, -55.36, 7.89

 

CMYK 65 / 0 / 14 / 5

HEX #54F2CF

RGB 84 242 207

HSL 166.71, 0.86%, 0.64%

LAB 86.94, -49.27, 4.83

 

CMYK 50 / 0 / 11 / 4

HEX #7AF5DA

RGB 122 245 218

HSL 166.83, 0.86%, 0.72%

LAB 89.16, -40.87, 2.43

 

CMYK 35 / 0 / 8 / 3

HEX #A0F7E4

RGB 160 247 228

HSL 166.9, 0.84%, 0.8%

LAB 91.5, -30.3, 0.83

 

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

CMYK 65 / 63 / 0 / 5

HEX #5459F2

RGB 84 89 242

HSL 238.1, 0.86%, 0.64%

LAB 46.23, 44.49, -77.41

 

CMYK 0 / 41 / 65 / 5

HEX #F28E54

RGB 242 142 84

HSL 22.03, 0.86%, 0.64%

LAB 68.65, 32.99, 46.56

 

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

CMYK 15 / 65 / 0 / 5

HEX #CD54F2

RGB 205 84 242

HSL 285.95, 0.86%, 0.64%

LAB 57.78, 69.86, -58.12

 

CMYK 0 / 15 / 65 / 5

HEX #F2CD54

RGB 242 205 84

HSL 45.95, 0.86%, 0.64%

LAB 83.54, -0, 63.05

 

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

CMYK 65 / 63 / 0 / 5

HEX #5459F2

RGB 84 89 242

HSL 238.1, 0.86%, 0.64%

LAB 46.23, 44.49, -77.41

 

CMYK 0 / 65 / 50 / 5

HEX #F25479

RGB 242 84 121

HSL 345.95, 0.86%, 0.64%

LAB 58.6, 62.99, 13.17

 

CMYK 0 / 2 / 65 / 5

HEX #F2EC54

RGB 242 236 84

HSL 57.72, 0.86%, 0.64%

LAB 91.46, -15.55, 71.33

 

CMYK 66 / 0 / 14 / 5

HEX #53F2CF

RGB 83 242 207

HSL 166.79, 0.86%, 0.64%

LAB 86.92, -49.42, 4.79

 

CMYK 48 / 65 / 0 / 5

HEX #7E54F2

RGB 126 84 242

HSL 255.95, 0.86%, 0.64%

LAB 48.49, 53.91, -73.57

 

CMYK 0 / 65 / 50 / 5

HEX #F25479

RGB 242 84 121

HSL 345.95, 0.86%, 0.64%

LAB 58.6, 62.99, 13.17

 

CMYK 17 / 0 / 65 / 5

HEX #C8F254

RGB 200 242 84

HSL 75.95, 0.86%, 0.64%

LAB 90.06, -35.07, 68.93

 

Description

Color code: HEX #53F2CF | qconv.com Color code: HEX #53F2CF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 242 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 242 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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