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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53FA0F it is the complementary color #AC05F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53FA0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53FA0F shade: #58FA0A, #69FF1D, #7AFF30, #8BFF43 and #9CFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53FA0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53FA0F shade: #53FA0F, #42E800, #31D600, #20C400 and #0FB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53FA0F shade: #53FA0F, #92FA0F, #D1FA0F, #FAE20F and #FAA30F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53FA0F shade: #53FA0F, #13FA0F, #0FFA49, #0FFA89 and #0FFAC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53FA0F shade matches the following richer shades: #53FA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53FA0F shade: #53FA0F, #5BE622, #63D236, #6CBE4A and #74AA5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53FA0F shade: #D2FA0F, #94FA0F, #55FA0F, #16FA0F and #0FFA45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53FA0F shade: #36B303, #42DB04, #53FA0F, #70FA37 and #8DFB5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53FA0F shade: #53FA0F, #0FFAE2 and #FA0FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53FA0F shade: #53FA0F, #0F55FA and #FA0F55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53FA0F shade: #53FA0F, #0FFAE2, #B30FFA and #FA0F26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53FA0F shade: #53FA0F, #0FCBFA, #B30FFA and #FA3E0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

Complementary color

CMYK 28 / 98 / 0 / 6

HEX #AC05F0

RGB 172 5 240

HSL 282.64, 0.96%, 0.48%

LAB 45.87, 84.03, -76.5

 

CMYK 65 / 0 / 96 / 2

HEX #58FA0A

RGB 88 250 10

HSL 100.5, 0.96%, 0.51%

LAB 87.23, -75.74, 82.43

 

CMYK 59 / 0 / 89 / 0

HEX #69FF1D

RGB 105 255 29

HSL 99.82, 1%, 0.56%

LAB 89.21, -73.24, 82.01

 

CMYK 52 / 0 / 81 / 0

HEX #7AFF30

RGB 122 255 48

HSL 98.55, 1%, 0.59%

LAB 89.8, -68.31, 78.88

 

CMYK 45 / 0 / 74 / 0

HEX #8BFF43

RGB 139 255 67

HSL 97.02, 1%, 0.63%

LAB 90.51, -62.54, 74.38

 

CMYK 39 / 0 / 66 / 0

HEX #9CFF56

RGB 156 255 86

HSL 95.15, 1%, 0.67%

LAB 91.35, -56.02, 68.79

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 72 / 0 / 100 / 9

HEX #42E800

RGB 66 232 0

HSL 102.93, 1%, 0.45%

LAB 81.22, -74.5, 78.22

 

CMYK 77 / 0 / 100 / 16

HEX #31D600

RGB 49 214 0

HSL 106.26, 1%, 0.42%

LAB 75.29, -71.81, 73.37

 

CMYK 84 / 0 / 100 / 23

HEX #20C400

RGB 32 196 0

HSL 110.2, 1%, 0.38%

LAB 69.32, -68.7, 68.5

 

CMYK 92 / 0 / 100 / 30

HEX #0FB200

RGB 15 178 0

HSL 114.94, 1%, 0.35%

LAB 63.3, -65.04, 63.62

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 42 / 0 / 94 / 2

HEX #92FA0F

RGB 146 250 15

HSL 86.55, 0.96%, 0.52%

LAB 89.17, -60.38, 84.37

 

CMYK 16 / 0 / 94 / 2

HEX #D1FA0F

RGB 209 250 15

HSL 70.47, 0.96%, 0.52%

LAB 92.56, -37.66, 88.49

 

CMYK 0 / 10 / 94 / 2

HEX #FAE20F

RGB 250 226 15

HSL 53.87, 0.96%, 0.52%

LAB 89.28, -9.44, 87.34

 

CMYK 0 / 35 / 94 / 2

HEX #FAA30F

RGB 250 163 15

HSL 37.79, 0.96%, 0.52%

LAB 73.9, 23.01, 76.18

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 92 / 0 / 94 / 2

HEX #13FA0F

RGB 19 250 15

HSL 118.98, 0.96%, 0.52%

LAB 86.28, -84.05, 80.82

 

CMYK 94 / 0 / 71 / 2

HEX #0FFA49

RGB 15 250 73

HSL 134.81, 0.96%, 0.52%

LAB 86.48, -81.36, 67.46

 

CMYK 94 / 0 / 45 / 2

HEX #0FFA89

RGB 15 250 137

HSL 151.15, 0.96%, 0.52%

LAB 87.13, -73.32, 40.58

 

CMYK 94 / 0 / 20 / 2

HEX #0FFAC8

RGB 15 250 200

HSL 167.23, 0.96%, 0.52%

LAB 88.28, -60.33, 10.27

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 60 / 0 / 85 / 10

HEX #5BE622

RGB 91 230 34

HSL 102.55, 0.8%, 0.52%

LAB 81.25, -68.14, 74.1

 

CMYK 53 / 0 / 74 / 18

HEX #63D236

RGB 99 210 54

HSL 102.69, 0.63%, 0.52%

LAB 75.46, -58.16, 63.34

 

CMYK 43 / 0 / 61 / 25

HEX #6CBE4A

RGB 108 190 74

HSL 102.41, 0.47%, 0.52%

LAB 69.83, -46.08, 49.66

 

CMYK 32 / 0 / 45 / 33

HEX #74AA5E

RGB 116 170 94

HSL 102.63, 0.31%, 0.52%

LAB 64.38, -32.21, 33.56

 

CMYK 16 / 0 / 94 / 2

HEX #D2FA0F

RGB 210 250 15

HSL 70.21, 0.96%, 0.52%

LAB 92.62, -37.26, 88.56

 

CMYK 41 / 0 / 94 / 2

HEX #94FA0F

RGB 148 250 15

HSL 86.04, 0.96%, 0.52%

LAB 89.25, -59.74, 84.47

 

CMYK 66 / 0 / 94 / 2

HEX #55FA0F

RGB 85 250 15

HSL 102.13, 0.96%, 0.52%

LAB 87.16, -76.26, 81.91

 

CMYK 91 / 0 / 94 / 2

HEX #16FA0F

RGB 22 250 15

HSL 118.21, 0.96%, 0.52%

LAB 86.29, -83.9, 80.84

 

CMYK 94 / 0 / 72 / 2

HEX #0FFA45

RGB 15 250 69

HSL 133.79, 0.96%, 0.52%

LAB 86.46, -81.68, 68.82

 

CMYK 70 / 0 / 98 / 30

HEX #36B303

RGB 54 179 3

HSL 102.61, 0.97%, 0.36%

LAB 64.19, -60.33, 64.18

 

CMYK 70 / 0 / 98 / 14

HEX #42DB04

RGB 66 219 4

HSL 102.7, 0.96%, 0.44%

LAB 77.18, -70.53, 74.63

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 55 / 0 / 78 / 2

HEX #70FA37

RGB 112 250 55

HSL 102.46, 0.95%, 0.6%

LAB 88.01, -68.84, 75.27

 

CMYK 44 / 0 / 62 / 2

HEX #8DFB5F

RGB 141 251 95

HSL 102.31, 0.95%, 0.68%

LAB 89.62, -58.34, 63.18

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 94 / 0 / 10 / 2

HEX #0FFAE2

RGB 15 250 226

HSL 173.87, 0.96%, 0.52%

LAB 88.91, -53.7, -2.33

 

CMYK 0 / 94 / 28 / 2

HEX #FA0FB3

RGB 250 15 179

HSL 318.13, 0.96%, 0.52%

LAB 56.01, 87.05, -24.55

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 94 / 66 / 0 / 2

HEX #0F55FA

RGB 15 85 250

HSL 222.13, 0.96%, 0.52%

LAB 43.51, 44.33, -86.45

 

CMYK 0 / 94 / 66 / 2

HEX #FA0F55

RGB 250 15 85

HSL 342.13, 0.96%, 0.52%

LAB 53.3, 79.81, 27.66

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 94 / 0 / 10 / 2

HEX #0FFAE2

RGB 15 250 226

HSL 173.87, 0.96%, 0.52%

LAB 88.91, -53.7, -2.33

 

CMYK 28 / 94 / 0 / 2

HEX #B30FFA

RGB 179 15 250

HSL 281.87, 0.96%, 0.52%

LAB 48.04, 85.78, -78.52

 

CMYK 0 / 94 / 85 / 2

HEX #FA0F26

RGB 250 15 38

HSL 354.13, 0.96%, 0.52%

LAB 52.74, 78.25, 53.47

 

CMYK 67 / 0 / 94 / 2

HEX #53FA0F

RGB 83 250 15

HSL 102.64, 0.96%, 0.52%

LAB 87.12, -76.65, 81.86

 

CMYK 94 / 19 / 0 / 2

HEX #0FCBFA

RGB 15 203 250

HSL 192, 0.96%, 0.52%

LAB 75.89, -25.16, -34.66

 

CMYK 28 / 94 / 0 / 2

HEX #B30FFA

RGB 179 15 250

HSL 281.87, 0.96%, 0.52%

LAB 48.04, 85.78, -78.52

 

CMYK 0 / 75 / 94 / 2

HEX #FA3E0F

RGB 250 62 15

HSL 12, 0.96%, 0.52%

LAB 55.89, 68.63, 64.41

 

Description

Color code: HEX #53FA0F | qconv.com Color code: HEX #53FA0F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 250 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 250 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 94 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 94% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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