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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53FD94 it is the complementary color #AC026B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53FD94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53FD94 shade: #58FD8F, #69FFA2, #7AFFB5, #8BFFC8 and #9CFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53FD94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53FD94 shade: #53FD94, #42EB81, #31D96E, #20C75B and #0FB548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53FD94 shade: #53FD94, #53FD66, #6EFD53, #9BFD53 and #C9FD53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53FD94 shade: #53FD94, #53FDC2, #53FDEF, #53DCFD and #53AEFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53FD94 shade matches the following richer shades: #53FD94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53FD94 shade: #53FD94, #61EF97, #6FE19A, #7DD39E and #8BC5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53FD94 shade: #6FFD53, #53FD64, #53FD91, #53FDBE and #53FDEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53FD94 shade: #02FB61, #2AFC7A, #53FD94, #7CFDAD and #A5FEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53FD94 shade: #53FD94, #539CFD and #FD5358

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53FD94 shade: #53FD94, #9153FD and #FD9153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53FD94 shade: #53FD94, #539CFD, #FD53BE and #FDB353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53FD94 shade: #53FD94, #5369FD, #FD53BE and #FDE653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

Complementary color

CMYK 0 / 99 / 38 / 33

HEX #AC026B

RGB 172 2 107

HSL 322.94, 0.98%, 0.34%

LAB 37.62, 64.73, -10.34

 

CMYK 65 / 0 / 43 / 1

HEX #58FD8F

RGB 88 253 143

HSL 140, 0.98%, 0.67%

LAB 89.07, -65.77, 40.33

 

CMYK 59 / 0 / 36 / 0

HEX #69FFA2

RGB 105 255 162

HSL 142.8, 1%, 0.71%

LAB 90.38, -60.08, 32.77

 

CMYK 52 / 0 / 29 / 0

HEX #7AFFB5

RGB 122 255 181

HSL 146.62, 1%, 0.74%

LAB 91.23, -52.93, 24.44

 

CMYK 45 / 0 / 22 / 0

HEX #8BFFC8

RGB 139 255 200

HSL 151.55, 1%, 0.77%

LAB 92.21, -45.19, 16.19

 

CMYK 39 / 0 / 14 / 0

HEX #9CFFDB

RGB 156 255 219

HSL 158.18, 1%, 0.81%

LAB 93.32, -36.98, 8.09

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 72 / 0 / 45 / 8

HEX #42EB81

RGB 66 235 129

HSL 142.37, 0.81%, 0.59%

LAB 83, -65.23, 39.29

 

CMYK 77 / 0 / 49 / 15

HEX #31D96E

RGB 49 217 110

HSL 141.79, 0.69%, 0.52%

LAB 76.92, -64.34, 40.84

 

CMYK 84 / 0 / 54 / 22

HEX #20C75B

RGB 32 199 91

HSL 141.2, 0.72%, 0.45%

LAB 70.81, -63.01, 42.44

 

CMYK 92 / 0 / 60 / 29

HEX #0FB548

RGB 15 181 72

HSL 140.6, 0.85%, 0.38%

LAB 64.66, -61.11, 44.04

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 0 / 60 / 1

HEX #53FD66

RGB 83 253 102

HSL 126.71, 0.98%, 0.66%

LAB 88.47, -72.24, 58.47

 

CMYK 57 / 0 / 67 / 1

HEX #6EFD53

RGB 110 253 83

HSL 110.47, 0.98%, 0.66%

LAB 89.01, -68.45, 66.93

 

CMYK 39 / 0 / 67 / 1

HEX #9BFD53

RGB 155 253 83

HSL 94.59, 0.98%, 0.66%

LAB 90.71, -55.77, 69.23

 

CMYK 21 / 0 / 67 / 1

HEX #C9FD53

RGB 201 253 83

HSL 78.35, 0.98%, 0.66%

LAB 93.14, -39.69, 72.52

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 0 / 23 / 1

HEX #53FDC2

RGB 83 253 194

HSL 159.18, 0.98%, 0.66%

LAB 89.85, -56.9, 15.71

 

CMYK 67 / 0 / 6 / 1

HEX #53FDEF

RGB 83 253 239

HSL 175.06, 0.98%, 0.66%

LAB 90.93, -46.08, -6.03

 

CMYK 67 / 13 / 0 / 1

HEX #53DCFD

RGB 83 220 253

HSL 191.65, 0.98%, 0.66%

LAB 81.9, -26.91, -26.94

 

CMYK 67 / 31 / 0 / 1

HEX #53AEFD

RGB 83 174 253

HSL 207.88, 0.98%, 0.66%

LAB 68.9, -2.73, -47.1

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 59 / 0 / 37 / 6

HEX #61EF97

RGB 97 239 151

HSL 142.82, 0.82%, 0.66%

LAB 85.26, -57.48, 31.42

 

CMYK 51 / 0 / 32 / 12

HEX #6FE19A

RGB 111 225 154

HSL 142.63, 0.66%, 0.66%

LAB 81.6, -48.15, 25.04

 

CMYK 41 / 0 / 25 / 17

HEX #7DD39E

RGB 125 211 158

HSL 143.02, 0.49%, 0.66%

LAB 78.12, -37.6, 18.25

 

CMYK 29 / 0 / 18 / 23

HEX #8BC5A1

RGB 139 197 161

HSL 142.76, 0.33%, 0.66%

LAB 74.82, -26.24, 12.13

 

CMYK 56 / 0 / 67 / 1

HEX #6FFD53

RGB 111 253 83

HSL 110.12, 0.98%, 0.66%

LAB 89.04, -68.21, 66.97

 

CMYK 67 / 0 / 60 / 1

HEX #53FD64

RGB 83 253 100

HSL 126, 0.98%, 0.66%

LAB 88.45, -72.46, 59.3

 

CMYK 67 / 0 / 43 / 1

HEX #53FD91

RGB 83 253 145

HSL 141.88, 0.98%, 0.66%

LAB 88.99, -66.31, 39.23

 

CMYK 67 / 0 / 25 / 1

HEX #53FDBE

RGB 83 253 190

HSL 157.76, 0.98%, 0.66%

LAB 89.77, -57.77, 17.65

 

CMYK 67 / 0 / 7 / 1

HEX #53FDEC

RGB 83 253 236

HSL 174, 0.98%, 0.66%

LAB 90.85, -46.86, -4.59

 

CMYK 99 / 0 / 61 / 2

HEX #02FB61

RGB 2 251 97

HSL 142.89, 0.98%, 0.5%

LAB 86.93, -79.65, 58.6

 

CMYK 83 / 0 / 52 / 1

HEX #2AFC7A

RGB 42 252 122

HSL 142.86, 0.97%, 0.58%

LAB 87.74, -74.71, 48.5

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 51 / 0 / 32 / 1

HEX #7CFDAD

RGB 124 253 173

HSL 142.79, 0.97%, 0.74%

LAB 90.58, -53.13, 27.6

 

CMYK 35 / 0 / 22 / 0

HEX #A5FEC7

RGB 165 254 199

HSL 142.92, 0.98%, 0.82%

LAB 93.02, -37.98, 18

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 38 / 0 / 1

HEX #539CFD

RGB 83 156 253

HSL 214.24, 0.98%, 0.66%

LAB 63.92, 7.58, -54.97

 

CMYK 0 / 67 / 65 / 1

HEX #FD5358

RGB 253 83 88

HSL 358.24, 0.98%, 0.66%

LAB 59.68, 64.52, 34.06

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 43 / 67 / 0 / 1

HEX #9153FD

RGB 145 83 253

HSL 261.88, 0.98%, 0.66%

LAB 51.03, 60.7, -75.49

 

CMYK 0 / 43 / 67 / 1

HEX #FD9153

RGB 253 145 83

HSL 21.88, 0.98%, 0.66%

LAB 70.7, 35.73, 49.78

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 38 / 0 / 1

HEX #539CFD

RGB 83 156 253

HSL 214.24, 0.98%, 0.66%

LAB 63.92, 7.58, -54.97

 

CMYK 0 / 67 / 25 / 1

HEX #FD53BE

RGB 253 83 190

HSL 322.24, 0.98%, 0.66%

LAB 62.33, 73.66, -21.15

 

CMYK 0 / 29 / 67 / 1

HEX #FDB353

RGB 253 179 83

HSL 33.88, 0.98%, 0.66%

LAB 78.31, 18.03, 58.2

 

CMYK 67 / 0 / 42 / 1

HEX #53FD94

RGB 83 253 148

HSL 142.94, 0.98%, 0.66%

LAB 89.03, -65.81, 37.82

 

CMYK 67 / 58 / 0 / 1

HEX #5369FD

RGB 83 105 253

HSL 232.24, 0.98%, 0.66%

LAB 50.73, 38.4, -76.21

 

CMYK 0 / 67 / 25 / 1

HEX #FD53BE

RGB 253 83 190

HSL 322.24, 0.98%, 0.66%

LAB 62.33, 73.66, -21.15

 

CMYK 0 / 9 / 67 / 1

HEX #FDE653

RGB 253 230 83

HSL 51.88, 0.98%, 0.66%

LAB 90.83, -8.14, 71.35

 

Description

Color code: HEX #53FD94 | qconv.com Color code: HEX #53FD94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 253 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 253 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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