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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #500555 it is the complementary color #AFFAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #500555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #500555 shade: #550550, #661763, #772976, #883B89 and #994D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #500555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #500555 shade: #500555, #3F0042, #2E002F, #1D001C and #0C0009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #500555 shade: #510556, #560545, #56052F, #560519 and #560505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #500555 shade: #510556, #3B0556, #250556, #0F0556 and #050556

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #500555 shade matches the following richer shades: #510556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #500555 shade: #510556, #4B0C4F, #441347, #3E1B40 and #372239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #500555 shade: #250556, #3B0556, #510556, #560546 and #560530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #500555 shade: #080008, #2C022F, #510556, #76077D and #9B09A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #500555 shade: #500555, #560F05 and #055630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #500555 shade: #500555, #565105 and #055651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #500555 shade: #500555, #560F05, #0A5605 and #054B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #500555 shade: #500555, #562805, #0A5605 and #053356

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

Complementary color

CMYK 30 / 0 / 32 / 2

HEX #AFFAAA

RGB 175 250 170

HSL 116.25, 0.89%, 0.82%

LAB 91.86, -38.1, 31.22

 

CMYK 0 / 94 / 6 / 67

HEX #550550

RGB 85 5 80

HSL 303.75, 0.89%, 0.18%

LAB 18.45, 41.92, -23.73

 

CMYK 0 / 77 / 3 / 60

HEX #661763

RGB 102 23 99

HSL 302.28, 0.63%, 0.25%

LAB 24.76, 43.78, -26.19

 

CMYK 0 / 66 / 1 / 53

HEX #772976

RGB 119 41 118

HSL 300.77, 0.49%, 0.31%

LAB 31.38, 44.28, -27.74

 

CMYK 1 / 57 / 0 / 46

HEX #883B89

RGB 136 59 137

HSL 299.23, 0.4%, 0.38%

LAB 38.14, 44.03, -28.75

 

CMYK 2 / 51 / 0 / 39

HEX #994D9C

RGB 153 77 156

HSL 297.72, 0.34%, 0.46%

LAB 44.91, 43.46, -29.45

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 5 / 100 / 0 / 74

HEX #3F0042

RGB 63 0 66

HSL 297.27, 1%, 0.13%

LAB 12.29, 36.67, -24.13

 

CMYK 2 / 100 / 0 / 82

HEX #2E002F

RGB 46 0 47

HSL 298.72, 1%, 0.09%

LAB 7.1, 29.63, -18.88

 

CMYK 0 / 100 / 3 / 89

HEX #1D001C

RGB 29 0 28

HSL 302.07, 1%, 0.06%

LAB 3.12, 15.91, -10.63

 

CMYK 0 / 100 / 25 / 95

HEX #0C0009

RGB 12 0 9

HSL 315, 1%, 0.02%

LAB 0.88, 4.42, -2.29

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 0 / 94 / 20 / 66

HEX #560545

RGB 86 5 69

HSL 312.59, 0.89%, 0.18%

LAB 17.99, 40.4, -16.88

 

CMYK 0 / 94 / 45 / 66

HEX #56052F

RGB 86 5 47

HSL 328.89, 0.89%, 0.18%

LAB 16.95, 37.57, -2.91

 

CMYK 0 / 94 / 71 / 66

HEX #560519

RGB 86 5 25

HSL 345.19, 0.89%, 0.18%

LAB 16.29, 35.7, 12.16

 

CMYK 0 / 94 / 94 / 66

HEX #560505

RGB 86 5 5

HSL 0, 0.89%, 0.18%

LAB 15.99, 34.84, 22.68

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 31 / 94 / 0 / 66

HEX #3B0556

RGB 59 5 86

HSL 280, 0.89%, 0.18%

LAB 13.89, 38.12, -35.42

 

CMYK 57 / 94 / 0 / 66

HEX #250556

RGB 37 5 86

HSL 263.7, 0.89%, 0.18%

LAB 10.36, 35.01, -41.34

 

CMYK 83 / 94 / 0 / 66

HEX #0F0556

RGB 15 5 86

HSL 247.41, 0.89%, 0.18%

LAB 7.97, 33.13, -45.39

 

CMYK 94 / 94 / 0 / 66

HEX #050556

RGB 5 5 86

HSL 240, 0.89%, 0.18%

LAB 7.34, 32.58, -46.44

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 5 / 85 / 0 / 69

HEX #4B0C4F

RGB 75 12 79

HSL 296.42, 0.74%, 0.18%

LAB 17.1, 37.46, -25.32

 

CMYK 4 / 73 / 0 / 72

HEX #441347

RGB 68 19 71

HSL 296.54, 0.58%, 0.18%

LAB 16.25, 31.25, -21.24

 

CMYK 3 / 58 / 0 / 75

HEX #3E1B40

RGB 62 27 64

HSL 296.76, 0.41%, 0.18%

LAB 16.4, 23.54, -16.22

 

CMYK 4 / 40 / 0 / 78

HEX #372239

RGB 55 34 57

HSL 294.78, 0.25%, 0.18%

LAB 16.76, 14.8, -10.85

 

CMYK 57 / 94 / 0 / 66

HEX #250556

RGB 37 5 86

HSL 263.7, 0.89%, 0.18%

LAB 10.36, 35.01, -41.34

 

CMYK 31 / 94 / 0 / 66

HEX #3B0556

RGB 59 5 86

HSL 280, 0.89%, 0.18%

LAB 13.89, 38.12, -35.42

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 0 / 94 / 19 / 66

HEX #560546

RGB 86 5 70

HSL 311.85, 0.89%, 0.18%

LAB 18.05, 40.55, -17.48

 

CMYK 0 / 94 / 44 / 66

HEX #560530

RGB 86 5 48

HSL 328.15, 0.89%, 0.18%

LAB 16.99, 37.68, -3.57

 

CMYK 0 / 100 / 0 / 97

HEX #080008

RGB 8 0 8

HSL 300, 1%, 0.02%

LAB 0.62, 3.2, -2.29

 

CMYK 6 / 96 / 0 / 82

HEX #2C022F

RGB 44 2 47

HSL 296, 0.92%, 0.1%

LAB 7.08, 27.94, -18.94

 

CMYK 6 / 94 / 0 / 66

HEX #510556

RGB 81 5 86

HSL 296.3, 0.89%, 0.18%

LAB 18.05, 42.15, -28.48

 

CMYK 6 / 94 / 0 / 51

HEX #76077D

RGB 118 7 125

HSL 296.44, 0.89%, 0.26%

LAB 28.07, 55.52, -37.45

 

CMYK 5 / 95 / 0 / 36

HEX #9B09A4

RGB 155 9 164

HSL 296.52, 0.9%, 0.34%

LAB 37.56, 68.09, -45.89

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 83 / 94 / 66

HEX #560F05

RGB 86 15 5

HSL 7.41, 0.89%, 0.18%

LAB 17.14, 31.61, 24.1

 

CMYK 94 / 0 / 44 / 66

HEX #055630

RGB 5 86 48

HSL 151.85, 0.89%, 0.18%

LAB 31.58, -32.28, 15.99

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 6 / 94 / 66

HEX #565105

RGB 86 81 5

HSL 56.3, 0.89%, 0.18%

LAB 33.72, -6.66, 39.96

 

CMYK 94 / 0 / 6 / 66

HEX #055651

RGB 5 86 81

HSL 176.3, 0.89%, 0.18%

LAB 32.44, -23.01, -3.39

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 83 / 94 / 66

HEX #560F05

RGB 86 15 5

HSL 7.41, 0.89%, 0.18%

LAB 17.14, 31.61, 24.1

 

CMYK 88 / 0 / 94 / 66

HEX #0A5605

RGB 10 86 5

HSL 116.3, 0.89%, 0.18%

LAB 31.19, -37.36, 36.13

 

CMYK 94 / 13 / 0 / 66

HEX #054B56

RGB 5 75 86

HSL 188.15, 0.89%, 0.18%

LAB 28.74, -15.25, -12.15

 

CMYK 6 / 94 / 0 / 67

HEX #500555

RGB 80 5 85

HSL 296.25, 0.89%, 0.18%

LAB 17.78, 41.76, -28.25

 

CMYK 0 / 53 / 94 / 66

HEX #562805

RGB 86 40 5

HSL 25.93, 0.89%, 0.18%

LAB 21.97, 18.87, 29.63

 

CMYK 88 / 0 / 94 / 66

HEX #0A5605

RGB 10 86 5

HSL 116.3, 0.89%, 0.18%

LAB 31.19, -37.36, 36.13

 

CMYK 94 / 41 / 0 / 66

HEX #053356

RGB 5 51 86

HSL 205.93, 0.89%, 0.18%

LAB 20.33, 0.12, -25.26

 

Description

Color code: HEX #500555 | qconv.com Color code: HEX #500555 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 5 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 5 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 94 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 94% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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