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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #501366 it is the complementary color #AFEC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #501366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #501366 shade: #551361, #662574, #773787, #88499A and #995BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #501366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #501366 shade: #501366, #3F0153, #2E0040, #1D002D and #0C001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #501366 shade: #511267, #671267, #671250, #671239 and #671222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #501366 shade: #511267, #3A1267, #231267 and #121267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #501366 shade matches the following richer shades: #511267 and #550971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #501366 shade: #511267, #4C1C5D, #472653, #433049 and #3E3A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #501366 shade: #231267, #3A1267, #501267, #671267 and #671250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #501366 shade: #1A0621, #350C44, #511267, #6C198A and #871FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #501366 shade: #501366, #671218 and #12672F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #501366 shade: #501366, #675012 and #126750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #501366 shade: #501366, #671218, #296712 and #126761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #501366 shade: #501366, #672612, #296712 and #125367

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

Complementary color

CMYK 26 / 0 / 35 / 7

HEX #AFEC99

RGB 175 236 153

HSL 104.1, 0.69%, 0.76%

LAB 87.68, -34.26, 34.22

 

CMYK 12 / 80 / 0 / 62

HEX #551361

RGB 85 19 97

HSL 290.77, 0.67%, 0.23%

LAB 21.06, 40.86, -30.96

 

CMYK 12 / 68 / 0 / 55

HEX #662574

RGB 102 37 116

HSL 289.37, 0.52%, 0.3%

LAB 27.87, 41.26, -32.22

 

CMYK 12 / 59 / 0 / 47

HEX #773787

RGB 119 55 135

HSL 288, 0.42%, 0.37%

LAB 34.81, 40.88, -32.94

 

CMYK 12 / 53 / 0 / 40

HEX #88499A

RGB 136 73 154

HSL 286.67, 0.36%, 0.45%

LAB 41.74, 40.2, -33.4

 

CMYK 12 / 47 / 0 / 32

HEX #995BAD

RGB 153 91 173

HSL 285.37, 0.33%, 0.52%

LAB 48.6, 39.42, -33.72

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 24 / 99 / 0 / 67

HEX #3F0153

RGB 63 1 83

HSL 285.37, 0.98%, 0.16%

LAB 13.84, 39.62, -33.42

 

CMYK 28 / 100 / 0 / 75

HEX #2E0040

RGB 46 0 64

HSL 283.13, 1%, 0.13%

LAB 8.58, 33.29, -28.89

 

CMYK 36 / 100 / 0 / 82

HEX #1D002D

RGB 29 0 45

HSL 278.67, 1%, 0.09%

LAB 4.07, 22.33, -22.38

 

CMYK 54 / 100 / 0 / 90

HEX #0C001A

RGB 12 0 26

HSL 267.69, 1%, 0.05%

LAB 1.38, 7.9, -11.76

 

CMYK 21 / 83 / 0 / 60

HEX #511267

RGB 81 18 103

HSL 284.47, 0.7%, 0.24%

LAB 20.68, 41.63, -35.55

 

CMYK 0 / 83 / 0 / 60

HEX #671267

RGB 103 18 103

HSL 300, 0.7%, 0.24%

LAB 24.63, 46.35, -29.01

 

CMYK 0 / 83 / 22 / 60

HEX #671250

RGB 103 18 80

HSL 316.24, 0.7%, 0.24%

LAB 23.32, 42.63, -15.83

 

CMYK 0 / 83 / 45 / 60

HEX #671239

RGB 103 18 57

HSL 332.47, 0.7%, 0.24%

LAB 22.34, 39.7, -1.59

 

CMYK 0 / 83 / 67 / 60

HEX #671222

RGB 103 18 34

HSL 348.71, 0.7%, 0.24%

LAB 21.7, 37.69, 13.54

 

CMYK 21 / 83 / 0 / 60

HEX #511267

RGB 81 18 103

HSL 284.47, 0.7%, 0.24%

LAB 20.68, 41.63, -35.55

 

CMYK 44 / 83 / 0 / 60

HEX #3A1267

RGB 58 18 103

HSL 268.24, 0.7%, 0.24%

LAB 17.04, 37.23, -41.63

 

CMYK 66 / 83 / 0 / 60

HEX #231267

RGB 35 18 103

HSL 252, 0.7%, 0.24%

LAB 14.23, 33.77, -46.36

 

CMYK 83 / 83 / 0 / 60

HEX #121267

RGB 18 18 103

HSL 240, 0.7%, 0.24%

LAB 12.86, 32.08, -48.66

 

CMYK 21 / 83 / 0 / 60

HEX #511267

RGB 81 18 103

HSL 284.47, 0.7%, 0.24%

LAB 20.68, 41.63, -35.55

 

CMYK 25 / 92 / 0 / 56

HEX #550971

RGB 85 9 113

HSL 283.85, 0.85%, 0.24%

LAB 21.28, 47.14, -41.05

 

CMYK 21 / 83 / 0 / 60

HEX #511267

RGB 81 18 103

HSL 284.47, 0.7%, 0.24%

LAB 20.68, 41.63, -35.55

 

CMYK 18 / 70 / 0 / 64

HEX #4C1C5D

RGB 76 28 93

HSL 284.31, 0.54%, 0.24%

LAB 20.66, 33.85, -29.03

 

CMYK 14 / 54 / 0 / 67

HEX #472653

RGB 71 38 83

HSL 284, 0.37%, 0.24%

LAB 21.4, 24.3, -21.25

 

CMYK 8 / 34 / 0 / 71

HEX #433049

RGB 67 48 73

HSL 285.6, 0.21%, 0.24%

LAB 22.96, 13.95, -12.15

 

CMYK 2 / 8 / 0 / 75

HEX #3E3A3F

RGB 62 58 63

HSL 288, 0.04%, 0.24%

LAB 24.98, 2.85, -2.47

 

CMYK 66 / 83 / 0 / 60

HEX #231267

RGB 35 18 103

HSL 252, 0.7%, 0.24%

LAB 14.23, 33.77, -46.36

 

CMYK 44 / 83 / 0 / 60

HEX #3A1267

RGB 58 18 103

HSL 268.24, 0.7%, 0.24%

LAB 17.04, 37.23, -41.63

 

CMYK 22 / 83 / 0 / 60

HEX #501267

RGB 80 18 103

HSL 283.76, 0.7%, 0.24%

LAB 20.51, 41.42, -35.84

 

CMYK 0 / 83 / 0 / 60

HEX #671267

RGB 103 18 103

HSL 300, 0.7%, 0.24%

LAB 24.63, 46.35, -29.01

 

CMYK 0 / 83 / 22 / 60

HEX #671250

RGB 103 18 80

HSL 316.24, 0.7%, 0.24%

LAB 23.32, 42.63, -15.83

 

CMYK 21 / 82 / 0 / 87

HEX #1A0621

RGB 26 6 33

HSL 284.44, 0.69%, 0.08%

LAB 4.15, 13.47, -13.06

 

CMYK 22 / 82 / 0 / 73

HEX #350C44

RGB 53 12 68

HSL 283.93, 0.7%, 0.16%

LAB 12.2, 29.92, -25.78

 

CMYK 21 / 83 / 0 / 60

HEX #511267

RGB 81 18 103

HSL 284.47, 0.7%, 0.24%

LAB 20.68, 41.63, -35.55

 

CMYK 22 / 82 / 0 / 46

HEX #6C198A

RGB 108 25 138

HSL 284.07, 0.69%, 0.32%

LAB 28.69, 51.91, -44.7

 

CMYK 22 / 82 / 0 / 32

HEX #871FAD

RGB 135 31 173

HSL 283.94, 0.7%, 0.4%

LAB 36.27, 61.97, -53.54

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 0 / 83 / 77 / 60

HEX #671218

RGB 103 18 24

HSL 355.76, 0.7%, 0.24%

LAB 21.51, 37.11, 20.15

 

CMYK 83 / 0 / 54 / 60

HEX #12672F

RGB 18 103 47

HSL 140.47, 0.7%, 0.24%

LAB 37.9, -37.64, 24.67

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 0 / 22 / 83 / 60

HEX #675012

RGB 103 80 18

HSL 43.76, 0.7%, 0.24%

LAB 35.33, 2.97, 37.62

 

CMYK 83 / 0 / 22 / 60

HEX #126750

RGB 18 103 80

HSL 163.76, 0.7%, 0.24%

LAB 38.57, -30.23, 6.15

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 0 / 83 / 77 / 60

HEX #671218

RGB 103 18 24

HSL 355.76, 0.7%, 0.24%

LAB 21.51, 37.11, 20.15

 

CMYK 60 / 0 / 83 / 60

HEX #296712

RGB 41 103 18

HSL 103.76, 0.7%, 0.24%

LAB 38.23, -36.05, 38.74

 

CMYK 83 / 0 / 6 / 60

HEX #126761

RGB 18 103 97

HSL 175.76, 0.7%, 0.24%

LAB 39.06, -25.19, -3.53

 

CMYK 22 / 81 / 0 / 60

HEX #501366

RGB 80 19 102

HSL 284.1, 0.69%, 0.24%

LAB 20.56, 40.83, -35.1

 

CMYK 0 / 63 / 83 / 60

HEX #672612

RGB 103 38 18

HSL 14.12, 0.7%, 0.24%

LAB 24.68, 28.02, 27.33

 

CMYK 60 / 0 / 83 / 60

HEX #296712

RGB 41 103 18

HSL 103.76, 0.7%, 0.24%

LAB 38.23, -36.05, 38.74

 

CMYK 83 / 19 / 0 / 60

HEX #125367

RGB 18 83 103

HSL 194.12, 0.7%, 0.24%

LAB 32.47, -12.17, -17.22

 

Description

Color code: HEX #501366 | qconv.com Color code: HEX #501366 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 19 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 19 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 81 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 81% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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