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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #501A78 it is the complementary color #AFE587. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #501A78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #501A78 shade: #551A73, #662C86, #773E99, #8850AC and #9962BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #501A78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #501A78 shade: #501A78, #3F0865, #2E0052, #1D003F and #0C002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #501A78 shade: #511A79, #6A1A79, #791A6E, #791A54 and #791A3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #501A78 shade: #511A79, #371A79, #1D1A79 and #1A1A79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #501A78 shade matches the following richer shades: #511A79, #520E85 and #540291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #501A78 shade: #511A79, #4F266D, #4D3261, #4B3E55 and #494A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #501A78 shade: #1D1A79, #371A79, #501A79, #691A79 and #791A6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #501A78 shade: #230B35, #3A1357, #511A79, #67229B and #7E29BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #501A78 shade: #501A78, #791A30 and #1A792A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #501A78 shade: #501A78, #79501A and #1A7950

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #501A78 shade: #501A78, #791A30, #43791A and #1A7963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #501A78 shade: #501A78, #79201A, #43791A and #1A7279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

Complementary color

CMYK 24 / 0 / 41 / 10

HEX #AFE587

RGB 175 229 135

HSL 94.47, 0.64%, 0.71%

LAB 85.45, -33.48, 40.31

 

CMYK 26 / 77 / 0 / 55

HEX #551A73

RGB 85 26 115

HSL 279.78, 0.63%, 0.28%

LAB 23.36, 41.99, -38.96

 

CMYK 24 / 67 / 0 / 47

HEX #662C86

RGB 102 44 134

HSL 278.67, 0.51%, 0.35%

LAB 30.27, 41.85, -39.7

 

CMYK 22 / 59 / 0 / 40

HEX #773E99

RGB 119 62 153

HSL 277.58, 0.42%, 0.42%

LAB 37.24, 41.21, -40.08

 

CMYK 21 / 53 / 0 / 33

HEX #8850AC

RGB 136 80 172

HSL 276.52, 0.37%, 0.49%

LAB 44.16, 40.38, -40.28

 

CMYK 20 / 49 / 0 / 25

HEX #9962BF

RGB 153 98 191

HSL 275.48, 0.42%, 0.57%

LAB 51, 39.52, -40.4

 

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

CMYK 38 / 92 / 0 / 60

HEX #3F0865

RGB 63 8 101

HSL 275.48, 0.85%, 0.21%

LAB 16.36, 41.23, -41.4

 

CMYK 44 / 100 / 0 / 68

HEX #2E0052

RGB 46 0 82

HSL 273.66, 1%, 0.16%

LAB 10.48, 37.45, -38.36

 

CMYK 54 / 100 / 0 / 75

HEX #1D003F

RGB 29 0 63

HSL 267.62, 1%, 0.12%

LAB 5.6, 29.57, -33.15

 

CMYK 73 / 100 / 0 / 83

HEX #0C002C

RGB 12 0 44

HSL 256.36, 1%, 0.09%

LAB 2.35, 14.71, -24.45

 

CMYK 33 / 79 / 0 / 53

HEX #511A79

RGB 81 26 121

HSL 274.74, 0.65%, 0.29%

LAB 23.23, 42.59, -43.04

 

CMYK 12 / 79 / 0 / 53

HEX #6A1A79

RGB 106 26 121

HSL 290.53, 0.65%, 0.29%

LAB 27.25, 47.75, -36.35

 

CMYK 0 / 79 / 9 / 53

HEX #791A6E

RGB 121 26 110

HSL 306.95, 0.65%, 0.29%

LAB 29.23, 49.2, -26.02

 

CMYK 0 / 79 / 31 / 53

HEX #791A54

RGB 121 26 84

HSL 323.37, 0.65%, 0.29%

LAB 27.96, 45.4, -11.06

 

CMYK 0 / 79 / 51 / 53

HEX #791A3B

RGB 121 26 59

HSL 339.16, 0.65%, 0.29%

LAB 27.07, 42.61, 4.36

 

CMYK 33 / 79 / 0 / 53

HEX #511A79

RGB 81 26 121

HSL 274.74, 0.65%, 0.29%

LAB 23.23, 42.59, -43.04

 

CMYK 55 / 79 / 0 / 53

HEX #371A79

RGB 55 26 121

HSL 258.32, 0.65%, 0.29%

LAB 19.77, 38, -48.85

 

CMYK 76 / 79 / 0 / 53

HEX #1D1A79

RGB 29 26 121

HSL 241.89, 0.65%, 0.29%

LAB 17.37, 34.7, -52.88

 

CMYK 79 / 79 / 0 / 53

HEX #1A1A79

RGB 26 26 121

HSL 240, 0.65%, 0.29%

LAB 17.17, 34.43, -53.21

 

CMYK 33 / 79 / 0 / 53

HEX #511A79

RGB 81 26 121

HSL 274.74, 0.65%, 0.29%

LAB 23.23, 42.59, -43.04

 

CMYK 38 / 89 / 0 / 48

HEX #520E85

RGB 82 14 133

HSL 274.29, 0.81%, 0.29%

LAB 23, 49.81, -51.01

 

CMYK 42 / 99 / 0 / 43

HEX #540291

RGB 84 2 145

HSL 274.41, 0.97%, 0.29%

LAB 23.58, 55.49, -57.55

 

CMYK 33 / 79 / 0 / 53

HEX #511A79

RGB 81 26 121

HSL 274.74, 0.65%, 0.29%

LAB 23.23, 42.59, -43.04

 

CMYK 28 / 65 / 0 / 57

HEX #4F266D

RGB 79 38 109

HSL 274.65, 0.48%, 0.29%

LAB 24.17, 33.17, -33.85

 

CMYK 21 / 48 / 0 / 62

HEX #4D3261

RGB 77 50 97

HSL 274.47, 0.32%, 0.29%

LAB 25.93, 22.26, -23.29

 

CMYK 12 / 27 / 0 / 67

HEX #4B3E55

RGB 75 62 85

HSL 273.91, 0.16%, 0.29%

LAB 28.37, 10.71, -11.72

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 76 / 79 / 0 / 53

HEX #1D1A79

RGB 29 26 121

HSL 241.89, 0.65%, 0.29%

LAB 17.37, 34.7, -52.88

 

CMYK 55 / 79 / 0 / 53

HEX #371A79

RGB 55 26 121

HSL 258.32, 0.65%, 0.29%

LAB 19.77, 38, -48.85

 

CMYK 34 / 79 / 0 / 53

HEX #501A79

RGB 80 26 121

HSL 274.11, 0.65%, 0.29%

LAB 23.08, 42.4, -43.29

 

CMYK 13 / 79 / 0 / 53

HEX #691A79

RGB 105 26 121

HSL 289.89, 0.65%, 0.29%

LAB 27.08, 47.53, -36.63

 

CMYK 0 / 79 / 8 / 53

HEX #791A6F

RGB 121 26 111

HSL 306.32, 0.65%, 0.29%

LAB 29.29, 49.36, -26.57

 

CMYK 34 / 79 / 0 / 79

HEX #230B35

RGB 35 11 53

HSL 274.29, 0.66%, 0.13%

LAB 7.71, 21.96, -22.44

 

CMYK 33 / 78 / 0 / 66

HEX #3A1357

RGB 58 19 87

HSL 274.41, 0.64%, 0.21%

LAB 15.77, 32.51, -33.05

 

CMYK 33 / 79 / 0 / 53

HEX #511A79

RGB 81 26 121

HSL 274.74, 0.65%, 0.29%

LAB 23.23, 42.59, -43.04

 

CMYK 34 / 78 / 0 / 39

HEX #67229B

RGB 103 34 155

HSL 274.21, 0.64%, 0.37%

LAB 30.39, 51.46, -52.45

 

CMYK 33 / 78 / 0 / 26

HEX #7E29BC

RGB 126 41 188

HSL 274.69, 0.64%, 0.45%

LAB 37.21, 60.27, -60.96

 

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

CMYK 0 / 79 / 60 / 53

HEX #791A30

RGB 121 26 48

HSL 346.11, 0.65%, 0.29%

LAB 26.78, 41.68, 11.4

 

CMYK 79 / 0 / 65 / 53

HEX #1A792A

RGB 26 121 42

HSL 130.11, 0.65%, 0.29%

LAB 44.32, -43.83, 34.85

 

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

CMYK 0 / 34 / 79 / 53

HEX #79501A

RGB 121 80 26

HSL 34.11, 0.65%, 0.29%

LAB 37.62, 12.1, 37.11

 

CMYK 79 / 0 / 34 / 53

HEX #1A7950

RGB 26 121 80

HSL 154.11, 0.65%, 0.29%

LAB 44.9, -37.09, 15

 

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

CMYK 0 / 79 / 60 / 53

HEX #791A30

RGB 121 26 48

HSL 346.11, 0.65%, 0.29%

LAB 26.78, 41.68, 11.4

 

CMYK 45 / 0 / 79 / 53

HEX #43791A

RGB 67 121 26

HSL 94.11, 0.65%, 0.29%

LAB 45.56, -34.61, 43.34

 

CMYK 79 / 0 / 18 / 53

HEX #1A7963

RGB 26 121 99

HSL 166.11, 0.65%, 0.29%

LAB 45.35, -32.28, 4.45

 

CMYK 33 / 78 / 0 / 53

HEX #501A78

RGB 80 26 120

HSL 274.47, 0.64%, 0.29%

LAB 23, 42.15, -42.79

 

CMYK 0 / 74 / 79 / 53

HEX #79201A

RGB 121 32 26

HSL 3.79, 0.65%, 0.29%

LAB 27.22, 38.07, 26.33

 

CMYK 45 / 0 / 79 / 53

HEX #43791A

RGB 67 121 26

HSL 94.11, 0.65%, 0.29%

LAB 45.56, -34.61, 43.34

 

CMYK 79 / 6 / 0 / 53

HEX #1A7279

RGB 26 114 121

HSL 184.42, 0.65%, 0.29%

LAB 43.7, -22.14, -11.13

 

Description

Color code: HEX #501A78 | qconv.com Color code: HEX #501A78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 26 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 26 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 78 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 78% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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