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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502092 it is the complementary color #AFDF6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502092 shade: #55208D, #6632A0, #7744B3, #8856C6 and #9968D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502092 shade: #502092, #3F0E7F, #2E006C, #1D0059 and #0C0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502092 shade: #502092, #6F2092, #8D2092, #922078 and #922059

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502092 shade: #502092, #312092 and #202092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502092 shade matches the following richer shades: #502092, #4D11A0 and #4B03AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502092 shade: #502092, #522E83, #543D75, #574B67 and #595958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502092 shade: #202D92, #312092, #4F2092, #6E2092 and #8C2092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502092 shade: #2B114E, #3D1870, #502092, #6227B4 and #7532D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502092 shade: #502092, #92204B and #209222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502092 shade: #502092, #924F20 and #20924F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502092 shade: #502092, #92204B, #629220 and #209266

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502092 shade: #502092, #922029, #629220 and #209288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

Complementary color

CMYK 22 / 0 / 51 / 13

HEX #AFDF6D

RGB 175 223 109

HSL 85.26, 0.64%, 0.65%

LAB 83.44, -33.71, 50.37

 

CMYK 40 / 77 / 0 / 45

HEX #55208D

RGB 85 32 141

HSL 269.17, 0.63%, 0.34%

LAB 26.41, 45.68, -50.42

 

CMYK 36 / 69 / 0 / 37

HEX #6632A0

RGB 102 50 160

HSL 268.36, 0.52%, 0.41%

LAB 33.23, 45.19, -50.87

 

CMYK 34 / 62 / 0 / 30

HEX #7744B3

RGB 119 68 179

HSL 267.57, 0.45%, 0.48%

LAB 40.1, 44.32, -51.02

 

CMYK 31 / 57 / 0 / 22

HEX #8856C6

RGB 136 86 198

HSL 266.79, 0.5%, 0.56%

LAB 46.93, 43.34, -51.03

 

CMYK 29 / 52 / 0 / 15

HEX #9968D9

RGB 153 104 217

HSL 266.02, 0.6%, 0.63%

LAB 53.69, 42.35, -50.98

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 50 / 89 / 0 / 50

HEX #3F0E7F

RGB 63 14 127

HSL 266.02, 0.8%, 0.28%

LAB 19.65, 45.83, -52.83

 

CMYK 57 / 100 / 0 / 58

HEX #2E006C

RGB 46 0 108

HSL 265.56, 1%, 0.21%

LAB 13.61, 43.83, -50.62

 

CMYK 67 / 100 / 0 / 65

HEX #1D0059

RGB 29 0 89

HSL 259.55, 1%, 0.17%

LAB 8.84, 37.74, -45.93

 

CMYK 83 / 100 / 0 / 73

HEX #0C0046

RGB 12 0 70

HSL 250.29, 1%, 0.14%

LAB 4.7, 29.02, -39.69

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 24 / 78 / 0 / 43

HEX #6F2092

RGB 111 32 146

HSL 281.58, 0.64%, 0.35%

LAB 30.61, 51.72, -46.52

 

CMYK 3 / 78 / 0 / 43

HEX #8D2092

RGB 141 32 146

HSL 297.37, 0.64%, 0.35%

LAB 35.54, 57.83, -38.33

 

CMYK 0 / 78 / 18 / 43

HEX #922078

RGB 146 32 120

HSL 313.68, 0.64%, 0.35%

LAB 35, 54.85, -22.99

 

CMYK 0 / 78 / 39 / 43

HEX #922059

RGB 146 32 89

HSL 330, 0.64%, 0.35%

LAB 33.7, 50.92, -5.21

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 66 / 78 / 0 / 43

HEX #312092

RGB 49 32 146

HSL 248.95, 0.64%, 0.35%

LAB 22.87, 41.77, -59.49

 

CMYK 78 / 78 / 0 / 43

HEX #202092

RGB 32 32 146

HSL 240, 0.64%, 0.35%

LAB 21.64, 40.13, -61.56

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 52 / 89 / 0 / 37

HEX #4D11A0

RGB 77 17 160

HSL 265.17, 0.81%, 0.35%

LAB 25.31, 54.84, -63.96

 

CMYK 57 / 98 / 0 / 31

HEX #4B03AF

RGB 75 3 175

HSL 265.12, 0.97%, 0.35%

LAB 25.73, 61.34, -72.35

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 37 / 65 / 0 / 49

HEX #522E83

RGB 82 46 131

HSL 265.41, 0.48%, 0.35%

LAB 27.81, 35.23, -41.94

 

CMYK 28 / 48 / 0 / 54

HEX #543D75

RGB 84 61 117

HSL 264.64, 0.31%, 0.35%

LAB 30.66, 22.8, -28.58

 

CMYK 16 / 27 / 0 / 60

HEX #574B67

RGB 87 75 103

HSL 265.71, 0.16%, 0.35%

LAB 34.06, 11.22, -14.43

 

CMYK 0 / 0 / 1 / 65

HEX #595958

RGB 89 89 88

HSL 60, 0.01%, 0.35%

LAB 37.79, -0.21, 0.57

 

CMYK 78 / 69 / 0 / 43

HEX #202D92

RGB 32 45 146

HSL 233.16, 0.64%, 0.35%

LAB 24.51, 32.16, -56.82

 

CMYK 66 / 78 / 0 / 43

HEX #312092

RGB 49 32 146

HSL 248.95, 0.64%, 0.35%

LAB 22.87, 41.77, -59.49

 

CMYK 46 / 78 / 0 / 43

HEX #4F2092

RGB 79 32 146

HSL 264.74, 0.64%, 0.35%

LAB 26.07, 45.96, -54.11

 

CMYK 25 / 78 / 0 / 43

HEX #6E2092

RGB 110 32 146

HSL 281.05, 0.64%, 0.35%

LAB 30.46, 51.53, -46.77

 

CMYK 4 / 78 / 0 / 43

HEX #8C2092

RGB 140 32 146

HSL 296.84, 0.64%, 0.35%

LAB 35.37, 57.62, -38.62

 

CMYK 45 / 78 / 0 / 69

HEX #2B114E

RGB 43 17 78

HSL 265.57, 0.64%, 0.19%

LAB 12.38, 27.78, -32.52

 

CMYK 46 / 79 / 0 / 56

HEX #3D1870

RGB 61 24 112

HSL 265.23, 0.65%, 0.27%

LAB 19.29, 37.41, -43.81

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 46 / 78 / 0 / 29

HEX #6227B4

RGB 98 39 180

HSL 265.11, 0.64%, 0.43%

LAB 32.58, 54.69, -63.96

 

CMYK 44 / 76 / 0 / 18

HEX #7532D2

RGB 117 50 210

HSL 265.13, 0.64%, 0.51%

LAB 39.1, 60.44, -70.76

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 0 / 78 / 49 / 43

HEX #92204B

RGB 146 32 75

HSL 337.37, 0.64%, 0.35%

LAB 33.25, 49.51, 3.24

 

CMYK 78 / 0 / 77 / 43

HEX #209222

RGB 32 146 34

HSL 121.05, 0.64%, 0.35%

LAB 52.93, -52.24, 47.34

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 0 / 46 / 78 / 43

HEX #924F20

RGB 146 79 32

HSL 24.74, 0.64%, 0.35%

LAB 40.91, 24.37, 38.67

 

CMYK 78 / 0 / 46 / 43

HEX #20924F

RGB 32 146 79

HSL 144.74, 0.64%, 0.35%

LAB 53.42, -46.4, 26.86

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 0 / 78 / 49 / 43

HEX #92204B

RGB 146 32 75

HSL 337.37, 0.64%, 0.35%

LAB 33.25, 49.51, 3.24

 

CMYK 33 / 0 / 78 / 43

HEX #629220

RGB 98 146 32

HSL 85.26, 0.64%, 0.35%

LAB 55.34, -33.87, 51.21

 

CMYK 78 / 0 / 30 / 43

HEX #209266

RGB 32 146 102

HSL 156.84, 0.64%, 0.35%

LAB 53.84, -41.63, 14.69

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 0 / 78 / 72 / 43

HEX #922029

RGB 146 32 41

HSL 355.26, 0.64%, 0.35%

LAB 32.49, 47.09, 24.33

 

CMYK 33 / 0 / 78 / 43

HEX #629220

RGB 98 146 32

HSL 85.26, 0.64%, 0.35%

LAB 55.34, -33.87, 51.21

 

CMYK 78 / 0 / 7 / 43

HEX #209288

RGB 32 146 136

HSL 174.74, 0.64%, 0.35%

LAB 54.7, -32.65, -3.53

 

Description

Color code: HEX #502092 | qconv.com Color code: HEX #502092 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 32 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 32 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 78 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 78% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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