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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502341 it is the complementary color #AFDCBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502341 shade: #55233C, #66354F, #774762, #885975 and #996B88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502341 shade: #502341, #3F112E, #2E001B, #1D0008 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502341 shade: #512342, #512335, #512329 and #512323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502341 shade: #512342, #51234E, #482351, #3B2351 and #2F2351

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502341 shade matches the following richer shades: #512342, #5B1A45, #641048 and #6D074B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502341 shade: #512342, #482D3F, #3E363B, #354038 and #2B4935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502341 shade: #482351, #51234E, #512342, #512336 and #512329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502341 shade: #180A13, #34172A, #512342, #6E3059 and #8A3C70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502341 shade: #502341, #513C23 and #23514E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502341 shade: #502341, #425123 and #234251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502341 shade: #502341, #513C23, #235133 and #233951

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502341 shade: #502341, #514923, #235133 and #232B51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

Complementary color

CMYK 20 / 0 / 14 / 14

HEX #AFDCBE

RGB 175 220 190

HSL 140, 0.39%, 0.77%

LAB 83.98, -20.51, 9.96

 

CMYK 0 / 59 / 29 / 67

HEX #55233C

RGB 85 35 60

HSL 330, 0.42%, 0.24%

LAB 21.8, 26.44, -4.84

 

CMYK 0 / 48 / 23 / 60

HEX #66354F

RGB 102 53 79

HSL 328.16, 0.32%, 0.3%

LAB 29.25, 25.57, -6.14

 

CMYK 0 / 40 / 18 / 53

HEX #774762

RGB 119 71 98

HSL 326.25, 0.25%, 0.37%

LAB 36.57, 24.67, -7.11

 

CMYK 0 / 35 / 14 / 47

HEX #885975

RGB 136 89 117

HSL 324.26, 0.21%, 0.44%

LAB 43.75, 23.84, -7.91

 

CMYK 0 / 30 / 11 / 40

HEX #996B88

RGB 153 107 136

HSL 322.17, 0.18%, 0.51%

LAB 50.76, 23.07, -8.6

 

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

CMYK 0 / 73 / 27 / 75

HEX #3F112E

RGB 63 17 46

HSL 322.17, 0.58%, 0.16%

LAB 13.56, 25.96, -7.78

 

CMYK 0 / 100 / 41 / 82

HEX #2E001B

RGB 46 0 27

HSL 324.78, 1%, 0.09%

LAB 5.96, 25.66, -5.3

 

CMYK 0 / 100 / 72 / 89

HEX #1D0008

RGB 29 0 8

HSL 343.45, 1%, 0.06%

LAB 2.52, 11.7, 0.7

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 57 / 35 / 68

HEX #512335

RGB 81 35 53

HSL 336.52, 0.4%, 0.23%

LAB 20.86, 23.82, -1.48

 

CMYK 0 / 57 / 49 / 68

HEX #512329

RGB 81 35 41

HSL 352.17, 0.4%, 0.23%

LAB 20.48, 22.2, 6.31

 

CMYK 0 / 57 / 57 / 68

HEX #512323

RGB 81 35 35

HSL 0, 0.4%, 0.23%

LAB 20.33, 21.52, 10.26

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 57 / 4 / 68

HEX #51234E

RGB 81 35 78

HSL 303.91, 0.4%, 0.23%

LAB 21.95, 28.28, -16.92

 

CMYK 11 / 57 / 0 / 68

HEX #482351

RGB 72 35 81

HSL 288.26, 0.4%, 0.23%

LAB 20.73, 25.98, -20.95

 

CMYK 27 / 57 / 0 / 68

HEX #3B2351

RGB 59 35 81

HSL 271.3, 0.4%, 0.23%

LAB 18.91, 21.83, -23.94

 

CMYK 42 / 57 / 0 / 68

HEX #2F2351

RGB 47 35 81

HSL 255.65, 0.4%, 0.23%

LAB 17.46, 18.19, -26.34

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 71 / 24 / 64

HEX #5B1A45

RGB 91 26 69

HSL 320.31, 0.56%, 0.23%

LAB 21.55, 34.51, -11.28

 

CMYK 0 / 84 / 28 / 61

HEX #641048

RGB 100 16 72

HSL 320, 0.72%, 0.23%

LAB 22.12, 41.33, -12.32

 

CMYK 0 / 94 / 31 / 57

HEX #6D074B

RGB 109 7 75

HSL 320, 0.88%, 0.23%

LAB 23.38, 46.18, -12.26

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 38 / 13 / 72

HEX #482D3F

RGB 72 45 63

HSL 320, 0.23%, 0.23%

LAB 22.35, 15.69, -6.27

 

CMYK 0 / 13 / 5 / 76

HEX #3E363B

RGB 62 54 59

HSL 322.5, 0.07%, 0.23%

LAB 23.6, 4.6, -1.83

 

CMYK 17 / 0 / 13 / 75

HEX #354038

RGB 53 64 56

HSL 136.36, 0.09%, 0.23%

LAB 25.89, -6.42, 3.39

 

CMYK 41 / 0 / 27 / 71

HEX #2B4935

RGB 43 73 53

HSL 140, 0.26%, 0.23%

LAB 28.21, -16.33, 8.51

 

CMYK 11 / 57 / 0 / 68

HEX #482351

RGB 72 35 81

HSL 288.26, 0.4%, 0.23%

LAB 20.73, 25.98, -20.95

 

CMYK 0 / 57 / 4 / 68

HEX #51234E

RGB 81 35 78

HSL 303.91, 0.4%, 0.23%

LAB 21.95, 28.28, -16.92

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 57 / 33 / 68

HEX #512336

RGB 81 35 54

HSL 335.22, 0.4%, 0.23%

LAB 20.9, 23.97, -2.12

 

CMYK 0 / 57 / 49 / 68

HEX #512329

RGB 81 35 41

HSL 352.17, 0.4%, 0.23%

LAB 20.48, 22.2, 6.31

 

CMYK 0 / 58 / 21 / 91

HEX #180A13

RGB 24 10 19

HSL 321.43, 0.41%, 0.07%

LAB 4.14, 6.85, -2.49

 

CMYK 0 / 56 / 19 / 80

HEX #34172A

RGB 52 23 42

HSL 320.69, 0.39%, 0.15%

LAB 12.67, 17.61, -6.4

 

CMYK 0 / 57 / 19 / 68

HEX #512342

RGB 81 35 66

HSL 319.57, 0.4%, 0.23%

LAB 21.37, 25.97, -9.66

 

CMYK 0 / 56 / 19 / 57

HEX #6E3059

RGB 110 48 89

HSL 320.32, 0.39%, 0.31%

LAB 29.79, 32.96, -11.73

 

CMYK 0 / 57 / 19 / 46

HEX #8A3C70

RGB 138 60 112

HSL 320, 0.39%, 0.39%

LAB 37.49, 39.77, -14.25

 

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

CMYK 0 / 26 / 57 / 68

HEX #513C23

RGB 81 60 35

HSL 32.61, 0.4%, 0.23%

LAB 27.02, 5.72, 18.93

 

CMYK 57 / 0 / 4 / 68

HEX #23514E

RGB 35 81 78

HSL 176.09, 0.4%, 0.23%

LAB 31.33, -16.52, -3.04

 

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

CMYK 19 / 0 / 57 / 68

HEX #425123

RGB 66 81 35

HSL 79.57, 0.4%, 0.23%

LAB 32.18, -14.36, 24.86

 

CMYK 57 / 19 / 0 / 68

HEX #234251

RGB 35 66 81

HSL 199.57, 0.4%, 0.23%

LAB 26.3, -6.58, -12.56

 

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

CMYK 0 / 26 / 57 / 68

HEX #513C23

RGB 81 60 35

HSL 32.61, 0.4%, 0.23%

LAB 27.02, 5.72, 18.93

 

CMYK 57 / 0 / 37 / 68

HEX #235133

RGB 35 81 51

HSL 140.87, 0.4%, 0.23%

LAB 30.6, -23.61, 12.98

 

CMYK 57 / 30 / 0 / 68

HEX #233951

RGB 35 57 81

HSL 211.3, 0.4%, 0.23%

LAB 23.26, -0.68, -17.25

 

CMYK 0 / 56 / 19 / 69

HEX #502341

RGB 80 35 65

HSL 320, 0.39%, 0.23%

LAB 21.17, 25.42, -9.31

 

CMYK 0 / 10 / 57 / 68

HEX #514923

RGB 81 73 35

HSL 49.57, 0.4%, 0.23%

LAB 30.96, -2.47, 23.75

 

CMYK 57 / 0 / 37 / 68

HEX #235133

RGB 35 81 51

HSL 140.87, 0.4%, 0.23%

LAB 30.6, -23.61, 12.98

 

CMYK 57 / 47 / 0 / 68

HEX #232B51

RGB 35 43 81

HSL 229.57, 0.4%, 0.23%

LAB 18.71, 9.14, -24.41

 

Description

Color code: HEX #502341 | qconv.com Color code: HEX #502341 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 35 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 35 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 19 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 19% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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