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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502CBE it is the complementary color #AFD341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502CBE shade: #552CB9, #663ECC, #7750DF, #8862F2 and #9974FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502CBE shade: #502CBE, #3F1AAB, #2E0898, #1D0085 and #0C0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502CBE shade: #502CBE, #772CBE, #9E2CBE, #BE2CB5 and #BE2C8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502CBE shade: #502CBE and #2C2CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502CBE shade matches the following richer shades: #502CBE, #4619D1 and #3D06E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502CBE shade: #502CBE, #5A3FAB, #635298, #6D6585 and #767872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502CBE shade: #2C58BE, #2C31BE, #4E2CBE, #752CBE and #9C2CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502CBE shade: #341C7B, #42249C, #502CBE, #6541D2 and #8062DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502CBE shade: #502CBE, #BE2C7E and #44BE2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502CBE shade: #502CBE, #BE4E2C and #2CBE4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502CBE shade: #502CBE, #BE2C7E, #9CBE2C and #2CBE6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502CBE shade: #502CBE, #BE2C53, #9CBE2C and #2CBE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

Complementary color

CMYK 17 / 0 / 69 / 17

HEX #AFD341

RGB 175 211 65

HSL 74.79, 0.62%, 0.54%

LAB 79.66, -31.72, 64.92

 

CMYK 54 / 76 / 0 / 27

HEX #552CB9

RGB 85 44 185

HSL 257.45, 0.62%, 0.45%

LAB 32.34, 51.91, -67.37

 

CMYK 50 / 70 / 0 / 20

HEX #663ECC

RGB 102 62 204

HSL 256.9, 0.58%, 0.52%

LAB 38.95, 50.82, -67.59

 

CMYK 47 / 64 / 0 / 13

HEX #7750DF

RGB 119 80 223

HSL 256.36, 0.69%, 0.59%

LAB 45.62, 49.54, -67.56

 

CMYK 44 / 60 / 0 / 5

HEX #8862F2

RGB 136 98 242

HSL 255.83, 0.85%, 0.67%

LAB 52.26, 48.25, -67.41

 

CMYK 40 / 55 / 0 / 0

HEX #9974FF

RGB 153 116 255

HSL 255.97, 1%, 0.73%

LAB 58.49, 45.41, -64.5

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 63 / 85 / 0 / 33

HEX #3F1AAB

RGB 63 26 171

HSL 255.31, 0.74%, 0.39%

LAB 25.97, 53.32, -69.59

 

CMYK 70 / 95 / 0 / 40

HEX #2E0898

RGB 46 8 152

HSL 255.83, 0.9%, 0.31%

LAB 20.13, 52.66, -67.74

 

CMYK 78 / 100 / 0 / 48

HEX #1D0085

RGB 29 0 133

HSL 253.08, 1%, 0.26%

LAB 15.25, 49.36, -64.05

 

CMYK 89 / 100 / 0 / 55

HEX #0C0072

RGB 12 0 114

HSL 246.32, 1%, 0.22%

LAB 11.23, 43.91, -58.6

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 37 / 77 / 0 / 25

HEX #772CBE

RGB 119 44 190

HSL 270.82, 0.62%, 0.46%

LAB 36.82, 58.41, -62.82

 

CMYK 17 / 77 / 0 / 25

HEX #9E2CBE

RGB 158 44 190

HSL 286.85, 0.62%, 0.46%

LAB 42.44, 65.41, -53.44

 

CMYK 0 / 77 / 5 / 25

HEX #BE2CB5

RGB 190 44 181

HSL 303.7, 0.62%, 0.46%

LAB 47.09, 70.3, -40.44

 

CMYK 0 / 77 / 25 / 25

HEX #BE2C8E

RGB 190 44 142

HSL 319.73, 0.62%, 0.46%

LAB 45.22, 64.87, -20.1

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 77 / 77 / 0 / 25

HEX #2C2CBE

RGB 44 44 190

HSL 240, 0.62%, 0.46%

LAB 29.55, 49.04, -75.03

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 67 / 88 / 0 / 18

HEX #4619D1

RGB 70 25 209

HSL 254.67, 0.79%, 0.46%

LAB 30.88, 64.37, -83.9

 

CMYK 73 / 97 / 0 / 11

HEX #3D06E3

RGB 61 6 227

HSL 254.93, 0.95%, 0.46%

LAB 31.04, 72.48, -94.04

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 47 / 63 / 0 / 33

HEX #5A3FAB

RGB 90 63 171

HSL 255, 0.46%, 0.46%

LAB 35.34, 38.58, -54.12

 

CMYK 35 / 46 / 0 / 40

HEX #635298

RGB 99 82 152

HSL 254.57, 0.3%, 0.46%

LAB 39.5, 23.75, -36.01

 

CMYK 18 / 24 / 0 / 48

HEX #6D6585

RGB 109 101 133

HSL 255, 0.14%, 0.46%

LAB 44.59, 10.19, -16.58

 

CMYK 2 / 0 / 5 / 53

HEX #767872

RGB 118 120 114

HSL 80, 0.03%, 0.46%

LAB 50.1, -1.95, 3.02

 

CMYK 77 / 54 / 0 / 25

HEX #2C58BE

RGB 44 88 190

HSL 221.92, 0.62%, 0.46%

LAB 39.97, 21.69, -57.96

 

CMYK 77 / 74 / 0 / 25

HEX #2C31BE

RGB 44 49 190

HSL 237.95, 0.62%, 0.46%

LAB 30.52, 46.29, -73.43

 

CMYK 59 / 77 / 0 / 25

HEX #4E2CBE

RGB 78 44 190

HSL 253.97, 0.62%, 0.46%

LAB 32.12, 52.4, -70.7

 

CMYK 38 / 77 / 0 / 25

HEX #752CBE

RGB 117 44 190

HSL 270, 0.62%, 0.46%

LAB 36.56, 58.08, -63.26

 

CMYK 18 / 77 / 0 / 25

HEX #9C2CBE

RGB 156 44 190

HSL 286.03, 0.62%, 0.46%

LAB 42.13, 65.03, -53.95

 

CMYK 58 / 77 / 0 / 52

HEX #341C7B

RGB 52 28 123

HSL 255.16, 0.63%, 0.3%

LAB 20.01, 37.09, -49.74

 

CMYK 58 / 77 / 0 / 39

HEX #42249C

RGB 66 36 156

HSL 255, 0.63%, 0.38%

LAB 26.22, 44.9, -60.07

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 52 / 69 / 0 / 18

HEX #6541D2

RGB 101 65 210

HSL 254.9, 0.62%, 0.54%

LAB 39.92, 50.77, -69.49

 

CMYK 41 / 55 / 0 / 15

HEX #8062DA

RGB 128 98 218

HSL 255, 0.62%, 0.62%

LAB 49.96, 39.94, -57.66

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 0 / 77 / 34 / 25

HEX #BE2C7E

RGB 190 44 126

HSL 326.3, 0.62%, 0.46%

LAB 44.6, 62.97, -11.31

 

CMYK 64 / 0 / 77 / 25

HEX #44BE2C

RGB 68 190 44

HSL 110.14, 0.62%, 0.46%

LAB 68.2, -59.44, 59.21

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 0 / 59 / 77 / 25

HEX #BE4E2C

RGB 190 78 44

HSL 13.97, 0.62%, 0.46%

LAB 47.72, 43.17, 41.78

 

CMYK 77 / 0 / 59 / 25

HEX #2CBE4E

RGB 44 190 78

HSL 133.97, 0.62%, 0.46%

LAB 67.96, -60.44, 45.2

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 0 / 77 / 34 / 25

HEX #BE2C7E

RGB 190 44 126

HSL 326.3, 0.62%, 0.46%

LAB 44.6, 62.97, -11.31

 

CMYK 18 / 0 / 77 / 25

HEX #9CBE2C

RGB 156 190 44

HSL 73.97, 0.62%, 0.46%

LAB 72.28, -30.6, 64.53

 

CMYK 77 / 0 / 44 / 25

HEX #2CBE6B

RGB 44 190 107

HSL 145.89, 0.62%, 0.46%

LAB 68.33, -56.01, 31.41

 

CMYK 58 / 77 / 0 / 25

HEX #502CBE

RGB 80 44 190

HSL 254.79, 0.62%, 0.46%

LAB 32.31, 52.65, -70.38

 

CMYK 0 / 77 / 56 / 25

HEX #BE2C53

RGB 190 44 83

HSL 343.97, 0.62%, 0.46%

LAB 43.32, 59.01, 13.52

 

CMYK 18 / 0 / 77 / 25

HEX #9CBE2C

RGB 156 190 44

HSL 73.97, 0.62%, 0.46%

LAB 72.28, -30.6, 64.53

 

CMYK 77 / 0 / 21 / 25

HEX #2CBE97

RGB 44 190 151

HSL 163.97, 0.62%, 0.46%

LAB 69.18, -46.64, 9.08

 

Description

Color code: HEX #502CBE | qconv.com Color code: HEX #502CBE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 44 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 44 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 77 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 77% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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