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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503672 it is the complementary color #AFC98D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503672 shade: #55366D, #664880, #775A93, #886CA6 and #997EB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503672 shade: #503672, #3F245F, #2E124C, #1D0039 and #0C0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503672 shade: #503572, #603572, #703572, #723563 and #723553

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503672 shade: #503572, #3F3572 and #353572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503672 shade matches the following richer shades: #503572, #4E2880, #4C1A8D and #4A0D9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503672 shade: #503572, #514364, #535157, #555E49 and #576C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503672 shade: #353B72, #3F3572, #503572, #603572 and #703572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503672 shade: #281B3A, #3C2856, #503572, #63438E and #7750AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503672 shade: #503672, #72354C and #357237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503672 shade: #503672, #725035 and #357250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503672 shade: #503672, #72354C, #587235 and #35725C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503672 shade: #503672, #723539, #587235 and #35726E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

Complementary color

CMYK 13 / 0 / 30 / 21

HEX #AFC98D

RGB 175 201 141

HSL 86, 0.36%, 0.67%

LAB 77.76, -19.21, 27.17

 

CMYK 22 / 50 / 0 / 57

HEX #55366D

RGB 85 54 109

HSL 273.82, 0.34%, 0.32%

LAB 28.57, 25.39, -26.79

 

CMYK 20 / 44 / 0 / 50

HEX #664880

RGB 102 72 128

HSL 272.14, 0.28%, 0.39%

LAB 36.02, 24.46, -26.86

 

CMYK 19 / 39 / 0 / 42

HEX #775A93

RGB 119 90 147

HSL 270.53, 0.24%, 0.46%

LAB 43.27, 23.61, -26.94

 

CMYK 18 / 35 / 0 / 35

HEX #886CA6

RGB 136 108 166

HSL 268.97, 0.25%, 0.54%

LAB 50.35, 22.85, -27.04

 

CMYK 17 / 32 / 0 / 27

HEX #997EB9

RGB 153 126 185

HSL 267.46, 0.3%, 0.61%

LAB 57.27, 22.17, -27.17

 

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

CMYK 34 / 62 / 0 / 63

HEX #3F245F

RGB 63 36 95

HSL 267.46, 0.45%, 0.26%

LAB 20.61, 26.3, -30.53

 

CMYK 39 / 76 / 0 / 70

HEX #2E124C

RGB 46 18 76

HSL 268.97, 0.62%, 0.18%

LAB 12.83, 27.3, -30.39

 

CMYK 49 / 100 / 0 / 78

HEX #1D0039

RGB 29 0 57

HSL 270.53, 1%, 0.11%

LAB 5.03, 27.23, -29.74

 

CMYK 68 / 100 / 0 / 85

HEX #0C0026

RGB 12 0 38

HSL 258.95, 1%, 0.07%

LAB 1.97, 12.05, -20.43

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 16 / 54 / 0 / 55

HEX #603572

RGB 96 53 114

HSL 282.3, 0.37%, 0.33%

LAB 30.03, 30.62, -27.58

 

CMYK 2 / 54 / 0 / 55

HEX #703572

RGB 112 53 114

HSL 298.03, 0.37%, 0.33%

LAB 32.27, 35.54, -23.9

 

CMYK 0 / 54 / 13 / 55

HEX #723563

RGB 114 53 99

HSL 314.75, 0.37%, 0.33%

LAB 31.86, 33.34, -14.96

 

CMYK 0 / 54 / 27 / 55

HEX #723553

RGB 114 53 83

HSL 330.49, 0.37%, 0.33%

LAB 31.23, 30.69, -5.6

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 45 / 54 / 0 / 55

HEX #3F3572

RGB 63 53 114

HSL 249.84, 0.37%, 0.33%

LAB 26.21, 21.06, -33.88

 

CMYK 54 / 54 / 0 / 55

HEX #353572

RGB 53 53 114

HSL 240, 0.37%, 0.33%

LAB 25.31, 18.52, -35.37

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 39 / 69 / 0 / 50

HEX #4E2880

RGB 78 40 128

HSL 265.91, 0.52%, 0.33%

LAB 25.85, 36.87, -43.25

 

CMYK 46 / 82 / 0 / 45

HEX #4C1A8D

RGB 76 26 141

HSL 266.09, 0.69%, 0.33%

LAB 24.32, 46.77, -53.9

 

CMYK 52 / 92 / 0 / 39

HEX #4A0D9B

RGB 74 13 155

HSL 265.77, 0.85%, 0.33%

LAB 24.03, 54.36, -63.02

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 19 / 33 / 0 / 61

HEX #514364

RGB 81 67 100

HSL 265.45, 0.2%, 0.33%

LAB 31.08, 13.44, -17.17

 

CMYK 5 / 7 / 0 / 66

HEX #535157

RGB 83 81 87

HSL 260, 0.04%, 0.33%

LAB 34.83, 2.12, -3.22

 

CMYK 10 / 0 / 22 / 63

HEX #555E49

RGB 85 94 73

HSL 85.71, 0.13%, 0.33%

LAB 38.58, -7.78, 10.89

 

CMYK 19 / 0 / 45 / 58

HEX #576C3B

RGB 87 108 59

HSL 85.71, 0.29%, 0.33%

LAB 42.86, -17.04, 24.84

 

CMYK 54 / 48 / 0 / 55

HEX #353B72

RGB 53 59 114

HSL 234.1, 0.37%, 0.33%

LAB 27.02, 14.43, -32.64

 

CMYK 45 / 54 / 0 / 55

HEX #3F3572

RGB 63 53 114

HSL 249.84, 0.37%, 0.33%

LAB 26.21, 21.06, -33.88

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 16 / 54 / 0 / 55

HEX #603572

RGB 96 53 114

HSL 282.3, 0.37%, 0.33%

LAB 30.03, 30.62, -27.58

 

CMYK 2 / 54 / 0 / 55

HEX #703572

RGB 112 53 114

HSL 298.03, 0.37%, 0.33%

LAB 32.27, 35.54, -23.9

 

CMYK 31 / 53 / 0 / 77

HEX #281B3A

RGB 40 27 58

HSL 265.16, 0.36%, 0.17%

LAB 12.86, 14.33, -17.78

 

CMYK 30 / 53 / 0 / 66

HEX #3C2856

RGB 60 40 86

HSL 266.09, 0.37%, 0.25%

LAB 20.64, 20.28, -24.55

 

CMYK 30 / 54 / 0 / 55

HEX #503572

RGB 80 53 114

HSL 266.56, 0.37%, 0.33%

LAB 28.02, 25.82, -30.88

 

CMYK 30 / 53 / 0 / 44

HEX #63438E

RGB 99 67 142

HSL 265.6, 0.36%, 0.41%

LAB 35.24, 30.21, -36.71

 

CMYK 30 / 53 / 0 / 33

HEX #7750AA

RGB 119 80 170

HSL 266, 0.36%, 0.49%

LAB 42.1, 35.29, -42.5

 

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

CMYK 0 / 54 / 33 / 55

HEX #72354C

RGB 114 53 76

HSL 337.38, 0.37%, 0.33%

LAB 30.99, 29.66, -1.4

 

CMYK 54 / 0 / 52 / 55

HEX #357237

RGB 53 114 55

HSL 121.97, 0.37%, 0.33%

LAB 42.86, -33.02, 26.65

 

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

CMYK 0 / 30 / 54 / 55

HEX #725035

RGB 114 80 53

HSL 26.56, 0.37%, 0.33%

LAB 37.06, 10.82, 21.5

 

CMYK 54 / 0 / 30 / 55

HEX #357250

RGB 53 114 80

HSL 146.56, 0.37%, 0.33%

LAB 43.32, -28.34, 12.95

 

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

CMYK 0 / 54 / 33 / 55

HEX #72354C

RGB 114 53 76

HSL 337.38, 0.37%, 0.33%

LAB 30.99, 29.66, -1.4

 

CMYK 23 / 0 / 54 / 55

HEX #587235

RGB 88 114 53

HSL 85.57, 0.37%, 0.33%

LAB 44.75, -20.56, 30.47

 

CMYK 54 / 0 / 19 / 55

HEX #35725C

RGB 53 114 92

HSL 158.36, 0.37%, 0.33%

LAB 43.6, -25.54, 6.22

 

CMYK 30 / 53 / 0 / 55

HEX #503672

RGB 80 54 114

HSL 266, 0.36%, 0.33%

LAB 28.27, 25.2, -30.49

 

CMYK 0 / 54 / 50 / 55

HEX #723539

RGB 114 53 57

HSL 356.07, 0.37%, 0.33%

LAB 30.45, 27.28, 10.23

 

CMYK 23 / 0 / 54 / 55

HEX #587235

RGB 88 114 53

HSL 85.57, 0.37%, 0.33%

LAB 44.75, -20.56, 30.47

 

CMYK 54 / 0 / 4 / 55

HEX #35726E

RGB 53 114 110

HSL 176.07, 0.37%, 0.33%

LAB 44.11, -20.73, -3.83

 

Description

Color code: HEX #503672 | qconv.com Color code: HEX #503672 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 54 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 54 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 53 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 53% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - Infographics :: 세상의 ...
Link: http://www.infographicworks.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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