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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503852 it is the complementary color #AFC7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503852 shade: #55384D, #664A60, #775C73, #886E86 and #998099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503852 shade: #503852, #3F263F, #2E142C, #1D0219 and #0C0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503852 shade: #4F3751, #51374C, #513745, #51373E and #513737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503852 shade: #4F3751, #483751, #413751, #3A3751 and #373751

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503852 shade matches the following richer shades: #4F3751, #592C5D, #622168, #6C1673 and #750B7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503852 shade: #4F3751, #464246, #3D4E3B, #335930 and #2A6425

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503852 shade: #413751, #483751, #4F3751, #51374D and #513746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503852 shade: #201620, #372739, #4F3751, #67486A and #7F5983

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503852 shade: #503852, #513A37 and #375145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503852 shade: #503852, #514F37 and #37514F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503852 shade: #503852, #513A37, #395137 and #374E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503852 shade: #503852, #514237, #395137 and #374751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

Complementary color

CMYK 12 / 0 / 13 / 22

HEX #AFC7AD

RGB 175 199 173

HSL 115.38, 0.19%, 0.73%

LAB 77.86, -13.03, 10.3

 

CMYK 0 / 34 / 9 / 67

HEX #55384D

RGB 85 56 77

HSL 316.55, 0.21%, 0.28%

LAB 27.56, 16.71, -7.6

 

CMYK 0 / 27 / 6 / 60

HEX #664A60

RGB 102 74 96

HSL 312.86, 0.16%, 0.35%

LAB 35.14, 15.94, -8.23

 

CMYK 0 / 23 / 3 / 53

HEX #775C73

RGB 119 92 115

HSL 308.89, 0.13%, 0.41%

LAB 42.48, 15.27, -8.79

 

CMYK 0 / 19 / 1 / 47

HEX #886E86

RGB 136 110 134

HSL 304.62, 0.11%, 0.48%

LAB 49.63, 14.68, -9.31

 

CMYK 0 / 16 / 0 / 40

HEX #998099

RGB 153 128 153

HSL 300, 0.11%, 0.55%

LAB 56.6, 14.17, -9.81

 

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

CMYK 0 / 40 / 0 / 75

HEX #3F263F

RGB 63 38 63

HSL 300, 0.25%, 0.2%

LAB 19.23, 16.68, -11.12

 

CMYK 0 / 57 / 4 / 82

HEX #2E142C

RGB 46 20 44

HSL 304.62, 0.39%, 0.13%

LAB 11.01, 17.61, -10.5

 

CMYK 0 / 93 / 14 / 89

HEX #1D0219

RGB 29 2 25

HSL 308.89, 0.87%, 0.06%

LAB 3.39, 14.24, -7.82

 

CMYK 0 / 100 / 50 / 95

HEX #0C0006

RGB 12 0 6

HSL 330, 1%, 0.02%

LAB 0.82, 4, -1.16

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 0 / 32 / 6 / 68

HEX #51374C

RGB 81 55 76

HSL 311.54, 0.19%, 0.27%

LAB 26.74, 15.55, -8.23

 

CMYK 0 / 32 / 15 / 68

HEX #513745

RGB 81 55 69

HSL 327.69, 0.19%, 0.27%

LAB 26.48, 14.12, -3.99

 

CMYK 0 / 32 / 23 / 68

HEX #51373E

RGB 81 55 62

HSL 343.85, 0.19%, 0.27%

LAB 26.24, 12.81, 0.3

 

CMYK 0 / 32 / 32 / 68

HEX #513737

RGB 81 55 55

HSL 0, 0.19%, 0.27%

LAB 26.03, 11.62, 4.65

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 11 / 32 / 0 / 68

HEX #483751

RGB 72 55 81

HSL 279.23, 0.19%, 0.27%

LAB 25.87, 13.18, -12.95

 

CMYK 20 / 32 / 0 / 68

HEX #413751

RGB 65 55 81

HSL 263.08, 0.19%, 0.27%

LAB 25.11, 10.55, -14.19

 

CMYK 28 / 32 / 0 / 68

HEX #3A3751

RGB 58 55 81

HSL 246.92, 0.19%, 0.27%

LAB 24.4, 8, -15.33

 

CMYK 32 / 32 / 0 / 68

HEX #373751

RGB 55 55 81

HSL 240, 0.19%, 0.27%

LAB 24.12, 6.95, -15.79

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 4 / 53 / 0 / 64

HEX #592C5D

RGB 89 44 93

HSL 295.1, 0.36%, 0.27%

LAB 25.91, 28.91, -20.6

 

CMYK 6 / 68 / 0 / 59

HEX #622168

RGB 98 33 104

HSL 294.93, 0.52%, 0.27%

LAB 25.81, 39.61, -27.82

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 7 / 91 / 0 / 51

HEX #750B7E

RGB 117 11 126

HSL 295.3, 0.84%, 0.27%

LAB 28.19, 54.82, -37.91

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 0 / 6 / 0 / 73

HEX #464246

RGB 70 66 70

HSL 300, 0.03%, 0.27%

LAB 28.49, 2.57, -1.82

 

CMYK 22 / 0 / 24 / 69

HEX #3D4E3B

RGB 61 78 59

HSL 113.68, 0.14%, 0.27%

LAB 31.25, -10.98, 9.11

 

CMYK 43 / 0 / 46 / 65

HEX #335930

RGB 51 89 48

HSL 115.61, 0.3%, 0.27%

LAB 34.11, -22.94, 19.56

 

CMYK 58 / 0 / 63 / 61

HEX #2A6425

RGB 42 100 37

HSL 115.24, 0.46%, 0.27%

LAB 37.37, -32.68, 29.52

 

CMYK 20 / 32 / 0 / 68

HEX #413751

RGB 65 55 81

HSL 263.08, 0.19%, 0.27%

LAB 25.11, 10.55, -14.19

 

CMYK 11 / 32 / 0 / 68

HEX #483751

RGB 72 55 81

HSL 279.23, 0.19%, 0.27%

LAB 25.87, 13.18, -12.95

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 0 / 32 / 5 / 68

HEX #51374D

RGB 81 55 77

HSL 309.23, 0.19%, 0.27%

LAB 26.78, 15.76, -8.83

 

CMYK 0 / 32 / 14 / 68

HEX #513746

RGB 81 55 70

HSL 325.38, 0.19%, 0.27%

LAB 26.52, 14.32, -4.6

 

CMYK 0 / 31 / 0 / 87

HEX #201620

RGB 32 22 32

HSL 300, 0.19%, 0.11%

LAB 8.87, 7.38, -5.03

 

CMYK 4 / 32 / 0 / 78

HEX #372739

RGB 55 39 57

HSL 293.33, 0.19%, 0.19%

LAB 18.18, 11.37, -8.67

 

CMYK 2 / 32 / 0 / 68

HEX #4F3751

RGB 79 55 81

HSL 295.38, 0.19%, 0.27%

LAB 26.7, 15.86, -11.61

 

CMYK 3 / 32 / 0 / 58

HEX #67486A

RGB 103 72 106

HSL 294.71, 0.19%, 0.35%

LAB 35.12, 19.66, -14.54

 

CMYK 3 / 32 / 0 / 49

HEX #7F5983

RGB 127 89 131

HSL 294.29, 0.19%, 0.43%

LAB 43.21, 23.29, -17.33

 

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

CMYK 0 / 28 / 32 / 68

HEX #513A37

RGB 81 58 55

HSL 6.92, 0.19%, 0.27%

LAB 26.88, 9.68, 5.85

 

CMYK 32 / 0 / 15 / 68

HEX #375145

RGB 55 81 69

HSL 152.31, 0.19%, 0.27%

LAB 32.09, -12.83, 3.92

 

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

CMYK 0 / 2 / 32 / 68

HEX #514F37

RGB 81 79 55

HSL 55.38, 0.19%, 0.27%

LAB 33.17, -3.58, 14.51

 

CMYK 32 / 0 / 2 / 68

HEX #37514F

RGB 55 81 79

HSL 175.38, 0.19%, 0.27%

LAB 32.4, -10.3, -1.99

 

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

CMYK 0 / 28 / 32 / 68

HEX #513A37

RGB 81 58 55

HSL 6.92, 0.19%, 0.27%

LAB 26.88, 9.68, 5.85

 

CMYK 30 / 0 / 32 / 68

HEX #395137

RGB 57 81 55

HSL 115.38, 0.19%, 0.27%

LAB 31.88, -15.11, 12.43

 

CMYK 32 / 4 / 0 / 68

HEX #374E51

RGB 55 78 81

HSL 186.92, 0.19%, 0.27%

LAB 31.47, -7.95, -4.63

 

CMYK 2 / 32 / 0 / 68

HEX #503852

RGB 80 56 82

HSL 295.38, 0.19%, 0.27%

LAB 27.14, 15.82, -11.59

 

CMYK 0 / 19 / 32 / 68

HEX #514237

RGB 81 66 55

HSL 25.38, 0.19%, 0.27%

LAB 29.21, 4.54, 9.12

 

CMYK 30 / 0 / 32 / 68

HEX #395137

RGB 57 81 55

HSL 115.38, 0.19%, 0.27%

LAB 31.88, -15.11, 12.43

 

CMYK 32 / 12 / 0 / 68

HEX #374751

RGB 55 71 81

HSL 203.08, 0.19%, 0.27%

LAB 29.19, -3.6, -8.05

 

Description

Color code: HEX #503852 | qconv.com Color code: HEX #503852 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 56 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 56 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 32 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 32% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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