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Color name
HEX #503399

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503399 it is the complementary color #AFCC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503399 shade: #553394, #6645A7, #7757BA, #8869CD and #997BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503399 shade: #503399, #3F2186, #2E0F73, #1D0060 and #0C004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503399 shade: #503399, #6B3399, #873399, #99338F and #993373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503399 shade: #503399, #343399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503399 shade matches the following richer shades: #503399, #4822A9, #4111BA and #3A01CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503399 shade: #503399, #574388, #5E5477, #656467 and #6C7556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503399 shade: #334C99, #343399, #4F3399, #6B3399 and #863399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503399 shade: #2F1E5B, #3F287A, #503399, #603DB7 and #7757C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503399 shade: #503399, #993367 and #3E9933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503399 shade: #503399, #994F33 and #33994F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503399 shade: #503399, #993367, #7C9933 and #339964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503399 shade: #503399, #993349, #7C9933 and #339982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

Complementary color

CMYK 14 / 0 / 50 / 20

HEX #AFCC66

RGB 175 204 102

HSL 77.06, 0.5%, 0.6%

LAB 78.03, -25.45, 47.2

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 39 / 59 / 0 / 35

HEX #6645A7

RGB 102 69 167

HSL 260.2, 0.42%, 0.46%

LAB 37.61, 36.59, -48

 

CMYK 36 / 53 / 0 / 27

HEX #7757BA

RGB 119 87 186

HSL 259.39, 0.42%, 0.54%

LAB 44.64, 35.43, -47.84

 

CMYK 34 / 49 / 0 / 20

HEX #8869CD

RGB 136 105 205

HSL 258.6, 0.5%, 0.61%

LAB 51.55, 34.35, -47.68

 

CMYK 32 / 45 / 0 / 12

HEX #997BE0

RGB 153 123 224

HSL 257.82, 0.62%, 0.68%

LAB 58.34, 33.37, -47.53

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 53 / 75 / 0 / 47

HEX #3F2186

RGB 63 33 134

HSL 257.82, 0.6%, 0.33%

LAB 23.22, 39.49, -51.38

 

CMYK 60 / 87 / 0 / 55

HEX #2E0F73

RGB 46 15 115

HSL 258.6, 0.77%, 0.25%

LAB 16.31, 40.17, -50.72

 

CMYK 70 / 100 / 0 / 62

HEX #1D0060

RGB 29 0 96

HSL 258.13, 1%, 0.19%

LAB 9.84, 39.61, -48.99

 

CMYK 84 / 100 / 0 / 70

HEX #0C004D

RGB 12 0 77

HSL 249.35, 1%, 0.15%

LAB 5.55, 32.3, -43.2

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 30 / 67 / 0 / 40

HEX #6B3399

RGB 107 51 153

HSL 272.94, 0.5%, 0.4%

LAB 33.55, 44.02, -46.08

 

CMYK 12 / 67 / 0 / 40

HEX #873399

RGB 135 51 153

HSL 289.41, 0.5%, 0.4%

LAB 37.51, 50.63, -39.5

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 0 / 67 / 25 / 40

HEX #993373

RGB 153 51 115

HSL 322.35, 0.5%, 0.4%

LAB 38.51, 49.02, -14.35

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 66 / 67 / 0 / 40

HEX #343399

RGB 52 51 153

HSL 240.59, 0.5%, 0.4%

LAB 27.84, 33.31, -55.62

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 57 / 80 / 0 / 34

HEX #4822A9

RGB 72 34 169

HSL 256.89, 0.67%, 0.4%

LAB 27.81, 50.37, -65.31

 

CMYK 65 / 91 / 0 / 27

HEX #4111BA

RGB 65 17 186

HSL 257.04, 0.83%, 0.4%

LAB 26.93, 60.39, -76.96

 

CMYK 71 / 100 / 0 / 21

HEX #3A01CA

RGB 58 1 202

HSL 257.01, 0.99%, 0.4%

LAB 27.26, 67.25, -85.87

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 36 / 51 / 0 / 47

HEX #574388

RGB 87 67 136

HSL 257.39, 0.34%, 0.4%

LAB 33.6, 25.21, -35.72

 

CMYK 21 / 29 / 0 / 53

HEX #5E5477

RGB 94 84 119

HSL 257.14, 0.17%, 0.4%

LAB 37.94, 12.03, -18.39

 

CMYK 2 / 3 / 0 / 60

HEX #656467

RGB 101 100 103

HSL 260, 0.01%, 0.4%

LAB 42.55, 1.02, -1.56

 

CMYK 8 / 0 / 26 / 54

HEX #6C7556

RGB 108 117 86

HSL 77.42, 0.15%, 0.4%

LAB 47.73, -9.23, 16.02

 

CMYK 67 / 50 / 0 / 40

HEX #334C99

RGB 51 76 153

HSL 225.29, 0.5%, 0.4%

LAB 34.34, 16.67, -45.07

 

CMYK 66 / 67 / 0 / 40

HEX #343399

RGB 52 51 153

HSL 240.59, 0.5%, 0.4%

LAB 27.84, 33.31, -55.62

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 30 / 67 / 0 / 40

HEX #6B3399

RGB 107 51 153

HSL 272.94, 0.5%, 0.4%

LAB 33.55, 44.02, -46.08

 

CMYK 12 / 67 / 0 / 40

HEX #863399

RGB 134 51 153

HSL 288.82, 0.5%, 0.4%

LAB 37.36, 50.39, -39.75

 

CMYK 48 / 67 / 0 / 64

HEX #2F1E5B

RGB 47 30 91

HSL 256.72, 0.5%, 0.24%

LAB 16.93, 24.79, -33.91

 

CMYK 48 / 67 / 0 / 52

HEX #3F287A

RGB 63 40 122

HSL 256.83, 0.51%, 0.32%

LAB 23.6, 31.88, -43.18

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 48 / 67 / 0 / 28

HEX #603DB7

RGB 96 61 183

HSL 257.21, 0.5%, 0.48%

LAB 36.45, 44.37, -59.42

 

CMYK 40 / 56 / 0 / 22

HEX #7757C7

RGB 119 87 199

HSL 257.14, 0.5%, 0.56%

LAB 45.44, 38.97, -54.09

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 0 / 67 / 33 / 40

HEX #993367

RGB 153 51 103

HSL 329.41, 0.5%, 0.4%

LAB 38.06, 47.43, -7.51

 

CMYK 59 / 0 / 67 / 40

HEX #3E9933

RGB 62 153 51

HSL 113.53, 0.5%, 0.4%

LAB 56.13, -47.02, 44.11

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 0 / 48 / 67 / 40

HEX #994F33

RGB 153 79 51

HSL 16.47, 0.5%, 0.4%

LAB 42.16, 28.41, 30.15

 

CMYK 67 / 0 / 48 / 40

HEX #33994F

RGB 51 153 79

HSL 136.47, 0.5%, 0.4%

LAB 56.14, -45.83, 30.41

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 0 / 67 / 33 / 40

HEX #993367

RGB 153 51 103

HSL 329.41, 0.5%, 0.4%

LAB 38.06, 47.43, -7.51

 

CMYK 19 / 0 / 67 / 40

HEX #7C9933

RGB 124 153 51

HSL 77.06, 0.5%, 0.4%

LAB 59.26, -25.5, 48.38

 

CMYK 67 / 0 / 35 / 40

HEX #339964

RGB 51 153 100

HSL 148.82, 0.5%, 0.4%

LAB 56.49, -41.93, 19.5

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

CMYK 0 / 67 / 52 / 40

HEX #993349

RGB 153 51 73

HSL 347.06, 0.5%, 0.4%

LAB 37.15, 44.2, 10.24

 

CMYK 19 / 0 / 67 / 40

HEX #7C9933

RGB 124 153 51

HSL 77.06, 0.5%, 0.4%

LAB 59.26, -25.5, 48.38

 

CMYK 67 / 0 / 15 / 40

HEX #339982

RGB 51 153 130

HSL 166.47, 0.5%, 0.4%

LAB 57.17, -34.87, 3.56

 

Description

Color code: HEX #503399 | qconv.com Color code: HEX #503399 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 51 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 51 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 67 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 67% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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