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Color name
HEX #503B50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503B50 it is the complementary color #AFC4AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503B50 shade: #553B4B, #664D5E, #775F71, #887184 and #998397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503B50 shade: #503B50, #3F293D, #2E172A, #1D0517 and #0C0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503B50 shade: #4F3A4F, #4F3A49, #4F3A44, #4F3A3E and #4F3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503B50 shade: #4F3A4F, #493A4F, #443A4F, #3E3A4F and #3A3A4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503B50 shade matches the following richer shades: #4F3A4F, #5A2F5A, #652465, #701970 and #7B0D7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503B50 shade: #4F3A4F, #444544, #385038, #2D5B2D and #226722

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503B50 shade: #443A4F, #493A4F, #4F3A4F, #4F3A49 and #4F3A44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503B50 shade: #1F171F, #372837, #4F3A4F, #664C66 and #7E5D7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503B50 shade: #503B50, #4F3E3A and #3A4F46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503B50 shade: #503B50, #4F4F3A and #3A4F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503B50 shade: #503B50, #4F3E3A, #3A4F3A and #3A4B4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503B50 shade: #503B50, #4F443A, #3A4F3A and #3A444F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

Complementary color

CMYK 11 / 0 / 11 / 23

HEX #AFC4AF

RGB 175 196 175

HSL 120, 0.15%, 0.73%

LAB 77.09, -11.12, 8.13

 

CMYK 0 / 31 / 12 / 67

HEX #553B4B

RGB 85 59 75

HSL 323.08, 0.18%, 0.28%

LAB 28.29, 14.39, -5.19

 

CMYK 0 / 25 / 8 / 60

HEX #664D5E

RGB 102 77 94

HSL 319.2, 0.14%, 0.35%

LAB 35.87, 13.67, -5.87

 

CMYK 0 / 20 / 5 / 53

HEX #775F71

RGB 119 95 113

HSL 315, 0.11%, 0.42%

LAB 43.21, 13.06, -6.48

 

CMYK 0 / 17 / 3 / 47

HEX #887184

RGB 136 113 132

HSL 310.43, 0.09%, 0.49%

LAB 50.35, 12.52, -7.05

 

CMYK 0 / 14 / 1 / 40

HEX #998397

RGB 153 131 151

HSL 305.45, 0.1%, 0.56%

LAB 57.31, 12.05, -7.59

 

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

CMYK 0 / 35 / 3 / 75

HEX #3F293D

RGB 63 41 61

HSL 305.45, 0.21%, 0.2%

LAB 19.96, 14.22, -8.63

 

CMYK 0 / 50 / 9 / 82

HEX #2E172A

RGB 46 23 42

HSL 310.43, 0.33%, 0.14%

LAB 11.69, 15.15, -7.98

 

CMYK 0 / 83 / 21 / 89

HEX #1D0517

RGB 29 5 23

HSL 315, 0.71%, 0.07%

LAB 3.9, 12.51, -5.52

 

CMYK 0 / 100 / 67 / 95

HEX #0C0004

RGB 12 0 4

HSL 340, 1%, 0.02%

LAB 0.79, 3.72, -0.4

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 0 / 27 / 8 / 69

HEX #4F3A49

RGB 79 58 73

HSL 317.14, 0.15%, 0.27%

LAB 27.21, 12.16, -5.57

 

CMYK 0 / 27 / 14 / 69

HEX #4F3A44

RGB 79 58 68

HSL 331.43, 0.15%, 0.27%

LAB 27.03, 11.14, -2.54

 

CMYK 0 / 27 / 22 / 69

HEX #4F3A3E

RGB 79 58 62

HSL 348.57, 0.15%, 0.27%

LAB 26.84, 10, 1.14

 

CMYK 0 / 27 / 27 / 69

HEX #4F3A3A

RGB 79 58 58

HSL 0, 0.15%, 0.27%

LAB 26.72, 9.28, 3.61

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 8 / 27 / 0 / 69

HEX #493A4F

RGB 73 58 79

HSL 282.86, 0.15%, 0.27%

LAB 26.75, 11.1, -10.28

 

CMYK 14 / 27 / 0 / 69

HEX #443A4F

RGB 68 58 79

HSL 268.57, 0.15%, 0.27%

LAB 26.21, 9.16, -11.15

 

CMYK 22 / 27 / 0 / 69

HEX #3E3A4F

RGB 62 58 79

HSL 251.43, 0.15%, 0.27%

LAB 25.61, 6.88, -12.13

 

CMYK 27 / 27 / 0 / 69

HEX #3A3A4F

RGB 58 58 79

HSL 240, 0.15%, 0.27%

LAB 25.23, 5.41, -12.74

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 0 / 48 / 0 / 65

HEX #5A2F5A

RGB 90 47 90

HSL 300, 0.31%, 0.27%

LAB 26.58, 26.84, -17.58

 

CMYK 0 / 64 / 0 / 60

HEX #652465

RGB 101 36 101

HSL 300, 0.47%, 0.27%

LAB 26.64, 38.43, -24.53

 

CMYK 0 / 78 / 0 / 56

HEX #701970

RGB 112 25 112

HSL 300, 0.64%, 0.27%

LAB 27.6, 47.75, -29.99

 

CMYK 0 / 89 / 0 / 52

HEX #7B0D7B

RGB 123 13 123

HSL 300, 0.81%, 0.27%

LAB 29.23, 55.08, -34.28

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 1 / 0 / 1 / 73

HEX #444544

RGB 68 69 68

HSL 120, 0.01%, 0.27%

LAB 29.17, -0.64, 0.45

 

CMYK 30 / 0 / 30 / 69

HEX #385038

RGB 56 80 56

HSL 120, 0.18%, 0.27%

LAB 31.49, -14.74, 11.28

 

CMYK 51 / 0 / 51 / 64

HEX #2D5B2D

RGB 45 91 45

HSL 120, 0.34%, 0.27%

LAB 34.46, -26.5, 21.68

 

CMYK 67 / 0 / 67 / 60

HEX #226722

RGB 34 103 34

HSL 120, 0.5%, 0.27%

LAB 38.12, -36.45, 31.8

 

CMYK 14 / 27 / 0 / 69

HEX #443A4F

RGB 68 58 79

HSL 268.57, 0.15%, 0.27%

LAB 26.21, 9.16, -11.15

 

CMYK 8 / 27 / 0 / 69

HEX #493A4F

RGB 73 58 79

HSL 282.86, 0.15%, 0.27%

LAB 26.75, 11.1, -10.28

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 0 / 27 / 8 / 69

HEX #4F3A49

RGB 79 58 73

HSL 317.14, 0.15%, 0.27%

LAB 27.21, 12.16, -5.57

 

CMYK 0 / 27 / 14 / 69

HEX #4F3A44

RGB 79 58 68

HSL 331.43, 0.15%, 0.27%

LAB 27.03, 11.14, -2.54

 

CMYK 0 / 26 / 0 / 88

HEX #1F171F

RGB 31 23 31

HSL 300, 0.15%, 0.11%

LAB 9.02, 5.91, -4.07

 

CMYK 0 / 27 / 0 / 78

HEX #372837

RGB 55 40 55

HSL 300, 0.16%, 0.19%

LAB 18.39, 10.2, -6.96

 

CMYK 0 / 27 / 0 / 69

HEX #4F3A4F

RGB 79 58 79

HSL 300, 0.15%, 0.27%

LAB 27.44, 13.46, -9.17

 

CMYK 0 / 25 / 0 / 60

HEX #664C66

RGB 102 76 102

HSL 300, 0.15%, 0.35%

LAB 35.89, 15.95, -10.86

 

CMYK 0 / 26 / 0 / 51

HEX #7E5D7E

RGB 126 93 126

HSL 300, 0.15%, 0.43%

LAB 43.9, 19.5, -13.25

 

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

CMYK 0 / 22 / 27 / 69

HEX #4F3E3A

RGB 79 62 58

HSL 11.43, 0.15%, 0.27%

LAB 27.88, 6.69, 5.27

 

CMYK 27 / 0 / 11 / 69

HEX #3A4F46

RGB 58 79 70

HSL 154.29, 0.15%, 0.27%

LAB 31.66, -10.32, 2.68

 

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

CMYK 0 / 0 / 27 / 69

HEX #4F4F3A

RGB 79 79 58

HSL 60, 0.15%, 0.27%

LAB 33.05, -4.01, 12.45

 

CMYK 27 / 0 / 0 / 69

HEX #3A4F4F

RGB 58 79 79

HSL 180, 0.15%, 0.27%

LAB 31.93, -8.06, -2.65

 

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

CMYK 0 / 22 / 27 / 69

HEX #4F3E3A

RGB 79 62 58

HSL 11.43, 0.15%, 0.27%

LAB 27.88, 6.69, 5.27

 

CMYK 27 / 0 / 27 / 69

HEX #3A4F3A

RGB 58 79 58

HSL 120, 0.15%, 0.27%

LAB 31.34, -12.98, 9.83

 

CMYK 27 / 5 / 0 / 69

HEX #3A4B4F

RGB 58 75 79

HSL 191.43, 0.15%, 0.27%

LAB 30.63, -5.6, -4.58

 

CMYK 0 / 26 / 0 / 69

HEX #503B50

RGB 80 59 80

HSL 300, 0.15%, 0.27%

LAB 27.88, 13.43, -9.15

 

CMYK 0 / 14 / 27 / 69

HEX #4F443A

RGB 79 68 58

HSL 28.57, 0.15%, 0.27%

LAB 29.67, 2.85, 7.79

 

CMYK 27 / 0 / 27 / 69

HEX #3A4F3A

RGB 58 79 58

HSL 120, 0.15%, 0.27%

LAB 31.34, -12.98, 9.83

 

CMYK 27 / 14 / 0 / 69

HEX #3A444F

RGB 58 68 79

HSL 211.43, 0.15%, 0.27%

LAB 28.38, -1.18, -7.96

 

Description

Color code: HEX #503B50 | qconv.com Color code: HEX #503B50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 59 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 59 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 0% 69% C M Y K



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This color is used by at least one manufactures. Here you can see which:

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41% - xxnx.com - free porn...
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