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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503C24 it is the complementary color #AFC3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503C24 shade: #553C1F, #664E32, #776045, #887258 and #99846B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503C24 shade: #503C24, #3F2A11, #2E1800, #1D0600 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503C24 shade: #503C24, #503024, #502424 and #502424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503C24 shade: #503C24, #504824, #4D5024, #415024 and #355024

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503C24 shade matches the following richer shades: #503C24, #5A3D1A, #633E11 and #6D3F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503C24 shade: #503C24, #473B2D, #3D3A37, #343A40 and #2A394A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503C24 shade: #502424, #503024, #503C24, #504824 and #4D5024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503C24 shade: #17110A, #342717, #503C24, #6D5231 and #89673D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503C24 shade: #503C24, #305024 and #2A2450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503C24 shade: #503C24, #24503C and #3C2450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503C24 shade: #503C24, #305024, #243950 and #452450

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503C24 shade: #503C24, #245025, #243950 and #50244F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

Complementary color

CMYK 20 / 11 / 0 / 14

HEX #AFC3DB

RGB 175 195 219

HSL 212.73, 0.38%, 0.77%

LAB 78.03, -1.72, -14.25

 

CMYK 0 / 29 / 64 / 67

HEX #553C1F

RGB 85 60 31

HSL 32.22, 0.47%, 0.23%

LAB 27.47, 7.31, 22.03

 

CMYK 0 / 24 / 51 / 60

HEX #664E32

RGB 102 78 50

HSL 32.31, 0.34%, 0.3%

LAB 35.01, 6.15, 20.39

 

CMYK 0 / 19 / 42 / 53

HEX #776045

RGB 119 96 69

HSL 32.4, 0.27%, 0.37%

LAB 42.33, 5.28, 18.93

 

CMYK 0 / 16 / 35 / 47

HEX #887258

RGB 136 114 88

HSL 32.5, 0.21%, 0.44%

LAB 49.46, 4.6, 17.63

 

CMYK 0 / 14 / 30 / 40

HEX #99846B

RGB 153 132 107

HSL 32.61, 0.18%, 0.51%

LAB 56.42, 4.05, 16.46

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 33 / 73 / 75

HEX #3F2A11

RGB 63 42 17

HSL 32.61, 0.58%, 0.16%

LAB 19.03, 6.67, 19.86

 

CMYK 0 / 48 / 100 / 82

HEX #2E1800

RGB 46 24 0

HSL 31.3, 1%, 0.09%

LAB 10.81, 8.56, 16.32

 

CMYK 0 / 79 / 100 / 89

HEX #1D0600

RGB 29 6 0

HSL 12.41, 1%, 0.06%

LAB 3.54, 8.18, 5.45

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 40 / 55 / 69

HEX #503024

RGB 80 48 36

HSL 16.36, 0.38%, 0.23%

LAB 23.49, 13.07, 13.75

 

CMYK 0 / 55 / 55 / 69

HEX #502424

RGB 80 36 36

HSL 0, 0.38%, 0.23%

LAB 20.42, 20.6, 9.65

 

CMYK 0 / 55 / 55 / 69

HEX #502424

RGB 80 36 36

HSL 0, 0.38%, 0.23%

LAB 20.42, 20.6, 9.65

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 10 / 55 / 69

HEX #504824

RGB 80 72 36

HSL 49.09, 0.38%, 0.23%

LAB 30.56, -2.24, 22.66

 

CMYK 4 / 0 / 55 / 69

HEX #4D5024

RGB 77 80 36

HSL 64.09, 0.38%, 0.23%

LAB 32.79, -8.53, 25.26

 

CMYK 19 / 0 / 55 / 69

HEX #415024

RGB 65 80 36

HSL 80.45, 0.38%, 0.23%

LAB 31.78, -14.13, 23.81

 

CMYK 34 / 0 / 55 / 69

HEX #355024

RGB 53 80 36

HSL 96.82, 0.38%, 0.23%

LAB 30.93, -19.34, 22.58

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 32 / 71 / 65

HEX #5A3D1A

RGB 90 61 26

HSL 32.81, 0.55%, 0.23%

LAB 28.34, 8.74, 26.12

 

CMYK 0 / 37 / 83 / 61

HEX #633E11

RGB 99 62 17

HSL 32.93, 0.71%, 0.23%

LAB 29.76, 12.04, 32.63

 

CMYK 0 / 42 / 94 / 57

HEX #6D3F07

RGB 109 63 7

HSL 32.94, 0.88%, 0.23%

LAB 31.4, 15.94, 38.62

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 17 / 37 / 72

HEX #473B2D

RGB 71 59 45

HSL 32.31, 0.22%, 0.23%

LAB 25.73, 2.8, 10.64

 

CMYK 0 / 5 / 10 / 76

HEX #3D3A37

RGB 61 58 55

HSL 30, 0.05%, 0.23%

LAB 24.62, 0.65, 2.32

 

CMYK 19 / 9 / 0 / 75

HEX #343A40

RGB 52 58 64

HSL 210, 0.1%, 0.23%

LAB 24.08, -0.99, -4.57

 

CMYK 43 / 23 / 0 / 71

HEX #2A394A

RGB 42 57 74

HSL 211.88, 0.28%, 0.23%

LAB 23.38, -1, -12.38

 

CMYK 0 / 55 / 55 / 69

HEX #502424

RGB 80 36 36

HSL 0, 0.38%, 0.23%

LAB 20.42, 20.6, 9.65

 

CMYK 0 / 40 / 55 / 69

HEX #503024

RGB 80 48 36

HSL 16.36, 0.38%, 0.23%

LAB 23.49, 13.07, 13.75

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 10 / 55 / 69

HEX #504824

RGB 80 72 36

HSL 49.09, 0.38%, 0.23%

LAB 30.56, -2.24, 22.66

 

CMYK 4 / 0 / 55 / 69

HEX #4D5024

RGB 77 80 36

HSL 64.09, 0.38%, 0.23%

LAB 32.79, -8.53, 25.26

 

CMYK 0 / 26 / 57 / 91

HEX #17110A

RGB 23 17 10

HSL 32.31, 0.39%, 0.06%

LAB 5.46, 1.38, 4.1

 

CMYK 0 / 25 / 56 / 80

HEX #342717

RGB 52 39 23

HSL 33.1, 0.39%, 0.15%

LAB 16.71, 3.54, 12.87

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 0 / 25 / 55 / 57

HEX #6D5231

RGB 109 82 49

HSL 33, 0.38%, 0.31%

LAB 36.94, 6.88, 23.6

 

CMYK 0 / 25 / 55 / 46

HEX #89673D

RGB 137 103 61

HSL 33.16, 0.38%, 0.39%

LAB 46.12, 8.38, 28.79

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 40 / 0 / 55 / 69

HEX #305024

RGB 48 80 36

HSL 103.64, 0.38%, 0.23%

LAB 30.62, -21.35, 22.14

 

CMYK 48 / 55 / 0 / 69

HEX #2A2450

RGB 42 36 80

HSL 248.18, 0.38%, 0.23%

LAB 17.15, 15.73, -26.2

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 55 / 0 / 25 / 69

HEX #24503C

RGB 36 80 60

HSL 152.73, 0.38%, 0.23%

LAB 30.49, -20.71, 7.2

 

CMYK 25 / 55 / 0 / 69

HEX #3C2450

RGB 60 36 80

HSL 272.73, 0.38%, 0.23%

LAB 19.23, 21.22, -22.75

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 40 / 0 / 55 / 69

HEX #305024

RGB 48 80 36

HSL 103.64, 0.38%, 0.23%

LAB 30.62, -21.35, 22.14

 

CMYK 55 / 29 / 0 / 69

HEX #243950

RGB 36 57 80

HSL 211.36, 0.38%, 0.23%

LAB 23.27, -0.76, -16.56

 

CMYK 14 / 55 / 0 / 69

HEX #452450

RGB 69 36 80

HSL 285, 0.38%, 0.23%

LAB 20.46, 24.15, -20.72

 

CMYK 0 / 25 / 55 / 69

HEX #503C24

RGB 80 60 36

HSL 32.73, 0.38%, 0.23%

LAB 26.92, 5.34, 18.15

 

CMYK 55 / 0 / 54 / 69

HEX #245025

RGB 36 80 37

HSL 121.36, 0.38%, 0.23%

LAB 30.02, -25.48, 20.68

 

CMYK 55 / 29 / 0 / 69

HEX #243950

RGB 36 57 80

HSL 211.36, 0.38%, 0.23%

LAB 23.27, -0.76, -16.56

 

CMYK 0 / 55 / 1 / 69

HEX #50244F

RGB 80 36 79

HSL 301.36, 0.38%, 0.23%

LAB 22.06, 27.58, -17.43

 

Description

Color code: HEX #503C24 | qconv.com Color code: HEX #503C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 60 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 60 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 55 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 55% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Binsa Software S.L. ...
Link: http://www.binsa.com

21% - images (275x183 pixe...
Link: https://encrypted-tbn1.gstatic.com

20% - 銀座メゾンエルメス | 【エルメス】 H...
Link: http://www.maisonhermes.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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