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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503D42 it is the complementary color #AFC2BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503D42 shade: #553D3D, #664F50, #776163, #887376 and #998589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503D42 shade: #503D42, #3F2B2F, #2E191C, #1D0709 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503D42 shade: #503E43 and #503E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503D42 shade: #503E43, #503E48, #503E4D, #4F3E50 and #4A3E50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503D42 shade matches the following richer shades: #503E43, #5C323D, #672738, #731B32 and #7E0F2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503D42 shade: #503E43, #454948, #39554D, #2E6053 and #226C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503D42 shade: #503E4C, #503E48, #503E43, #503E3E and #50433E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503D42 shade: #221A1C, #392C2F, #503E43, #675056 and #7F6269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503D42 shade: #503D42, #504F3E and #3E4A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503D42 shade: #503D42, #43503E and #3E4350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503D42 shade: #503D42, #504F3E, #3E504B and #3E3F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503D42 shade: #503D42, #4C503E, #3E504B and #423E50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

Complementary color

CMYK 10 / 0 / 3 / 24

HEX #AFC2BD

RGB 175 194 189

HSL 164.21, 0.13%, 0.72%

LAB 76.9, -7.44, 0.29

 

CMYK 0 / 28 / 28 / 67

HEX #553D3D

RGB 85 61 61

HSL 0, 0.16%, 0.29%

LAB 28.4, 10.53, 4.13

 

CMYK 0 / 23 / 22 / 60

HEX #664F50

RGB 102 79 80

HSL 357.39, 0.13%, 0.35%

LAB 35.98, 9.81, 3.1

 

CMYK 0 / 18 / 17 / 53

HEX #776163

RGB 119 97 99

HSL 354.55, 0.1%, 0.42%

LAB 43.32, 9.22, 2.2

 

CMYK 0 / 15 / 13 / 47

HEX #887376

RGB 136 115 118

HSL 351.43, 0.08%, 0.49%

LAB 50.46, 8.72, 1.39

 

CMYK 0 / 13 / 10 / 40

HEX #998589

RGB 153 133 137

HSL 348, 0.09%, 0.56%

LAB 57.42, 8.28, 0.64

 

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

CMYK 0 / 32 / 25 / 75

HEX #3F2B2F

RGB 63 43 47

HSL 348, 0.19%, 0.21%

LAB 20, 10, 1.1

 

CMYK 0 / 46 / 39 / 82

HEX #2E191C

RGB 46 25 28

HSL 351.43, 0.3%, 0.14%

LAB 11.69, 11, 2.35

 

CMYK 0 / 76 / 69 / 89

HEX #1D0709

RGB 29 7 9

HSL 354.55, 0.61%, 0.07%

LAB 3.91, 9.03, 2.33

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 0 / 23 / 23 / 69

HEX #503E3E

RGB 80 62 62

HSL 0, 0.13%, 0.28%

LAB 28.11, 7.85, 2.99

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 0 / 23 / 10 / 69

HEX #503E48

RGB 80 62 72

HSL 326.67, 0.13%, 0.28%

LAB 28.43, 9.78, -3.09

 

CMYK 0 / 23 / 4 / 69

HEX #503E4D

RGB 80 62 77

HSL 310, 0.13%, 0.28%

LAB 28.61, 10.83, -6.09

 

CMYK 1 / 23 / 0 / 69

HEX #4F3E50

RGB 79 62 80

HSL 296.67, 0.13%, 0.28%

LAB 28.61, 11.09, -8.06

 

CMYK 7 / 23 / 0 / 69

HEX #4A3E50

RGB 74 62 80

HSL 280, 0.13%, 0.28%

LAB 28.06, 9.11, -8.94

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 0 / 46 / 34 / 64

HEX #5C323D

RGB 92 50 61

HSL 344.29, 0.3%, 0.28%

LAB 26.43, 20.5, 1.43

 

CMYK 0 / 62 / 46 / 60

HEX #672738

RGB 103 39 56

HSL 344.06, 0.45%, 0.28%

LAB 25.62, 30.5, 3.86

 

CMYK 0 / 77 / 57 / 55

HEX #731B32

RGB 115 27 50

HSL 344.32, 0.62%, 0.28%

LAB 25.74, 39.55, 8.42

 

CMYK 0 / 88 / 64 / 51

HEX #7E0F2D

RGB 126 15 45

HSL 343.78, 0.79%, 0.28%

LAB 26.64, 46.18, 13.42

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 5 / 0 / 1 / 71

HEX #454948

RGB 69 73 72

HSL 165, 0.03%, 0.28%

LAB 30.64, -1.86, 0.03

 

CMYK 33 / 0 / 9 / 67

HEX #39554D

RGB 57 85 77

HSL 162.86, 0.2%, 0.28%

LAB 33.78, -12.48, 1.31

 

CMYK 52 / 0 / 14 / 62

HEX #2E6053

RGB 46 96 83

HSL 164.4, 0.35%, 0.28%

LAB 37.06, -20.43, 2.26

 

CMYK 69 / 0 / 19 / 58

HEX #226C58

RGB 34 108 88

HSL 163.78, 0.52%, 0.28%

LAB 40.85, -27.9, 4.6

 

CMYK 0 / 23 / 5 / 69

HEX #503E4C

RGB 80 62 76

HSL 313.33, 0.13%, 0.28%

LAB 28.57, 10.61, -5.5

 

CMYK 0 / 23 / 10 / 69

HEX #503E48

RGB 80 62 72

HSL 326.67, 0.13%, 0.28%

LAB 28.43, 9.78, -3.09

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 0 / 23 / 23 / 69

HEX #503E3E

RGB 80 62 62

HSL 0, 0.13%, 0.28%

LAB 28.11, 7.85, 2.99

 

CMYK 0 / 16 / 23 / 69

HEX #50433E

RGB 80 67 62

HSL 16.67, 0.13%, 0.28%

LAB 29.58, 4.64, 5.1

 

CMYK 0 / 24 / 18 / 87

HEX #221A1C

RGB 34 26 28

HSL 345, 0.13%, 0.12%

LAB 10.28, 4.39, 0.1

 

CMYK 0 / 23 / 18 / 78

HEX #392C2F

RGB 57 44 47

HSL 346.15, 0.13%, 0.2%

LAB 19.54, 6.57, 0.33

 

CMYK 0 / 23 / 16 / 69

HEX #503E43

RGB 80 62 67

HSL 343.33, 0.13%, 0.28%

LAB 28.26, 8.78, -0.06

 

CMYK 0 / 22 / 17 / 60

HEX #675056

RGB 103 80 86

HSL 344.35, 0.13%, 0.36%

LAB 36.54, 10.68, 0.16

 

CMYK 0 / 23 / 17 / 50

HEX #7F6269

RGB 127 98 105

HSL 345.52, 0.13%, 0.44%

LAB 44.61, 12.9, 0.55

 

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

CMYK 0 / 1 / 23 / 69

HEX #504F3E

RGB 80 79 62

HSL 56.67, 0.13%, 0.28%

LAB 33.23, -2.89, 10.22

 

CMYK 23 / 7 / 0 / 69

HEX #3E4A50

RGB 62 74 80

HSL 200, 0.13%, 0.28%

LAB 30.64, -3.26, -5.17

 

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

CMYK 16 / 0 / 23 / 69

HEX #43503E

RGB 67 80 62

HSL 103.33, 0.13%, 0.28%

LAB 32.43, -9.09, 8.94

 

CMYK 23 / 16 / 0 / 69

HEX #3E4350

RGB 62 67 80

HSL 223.33, 0.13%, 0.28%

LAB 28.43, 1.22, -8.5

 

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

CMYK 0 / 1 / 23 / 69

HEX #504F3E

RGB 80 79 62

HSL 56.67, 0.13%, 0.28%

LAB 33.23, -2.89, 10.22

 

CMYK 23 / 0 / 6 / 69

HEX #3E504B

RGB 62 80 75

HSL 163.33, 0.13%, 0.28%

LAB 32.41, -8.21, 0.63

 

CMYK 23 / 21 / 0 / 69

HEX #3E3F50

RGB 62 63 80

HSL 236.67, 0.13%, 0.28%

LAB 27.18, 3.83, -10.39

 

CMYK 0 / 24 / 18 / 69

HEX #503D42

RGB 80 61 66

HSL 344.21, 0.13%, 0.28%

LAB 27.94, 9.24, 0.13

 

CMYK 5 / 0 / 23 / 69

HEX #4C503E

RGB 76 80 62

HSL 73.33, 0.13%, 0.28%

LAB 33.18, -5.25, 10.09

 

CMYK 23 / 0 / 6 / 69

HEX #3E504B

RGB 62 80 75

HSL 163.33, 0.13%, 0.28%

LAB 32.41, -8.21, 0.63

 

CMYK 18 / 23 / 0 / 69

HEX #423E50

RGB 66 62 80

HSL 253.33, 0.13%, 0.28%

LAB 27.25, 6, -10.25

 

Description

Color code: HEX #503D42 | qconv.com Color code: HEX #503D42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 61 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 61 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 18 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 18% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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