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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504842 it is the complementary color #AFB7BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #504842 shade: #55483D, #665A50, #776C63, #887E76 and #999089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #504842 shade: #504842, #3F362F, #2E241C, #1D1209 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #504842 shade: #514842, #514442 and #514242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #504842 shade: #514842, #514C42, #515042, #4D5142 and #495142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #504842 shade matches the following richer shades: #514842, #5D4736, #69452A, #75431E and #814212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #504842 shade: #514842, #454A4E, #394C5A, #2D4E66 and #214F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #504842 shade: #514244, #514442, #514842, #514C42 and #515042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #504842 shade: #23201D, #3A342F, #514842, #685D55 and #7E7167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #504842 shade: #504842, #485142 and #424251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #504842 shade: #504842, #425148 and #484251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #504842 shade: #504842, #485142, #424B51 and #4B4251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #504842 shade: #504842, #435142, #424B51 and #504251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

Complementary color

CMYK 7 / 3 / 0 / 26

HEX #AFB7BD

RGB 175 183 189

HSL 205.71, 0.1%, 0.71%

LAB 73.97, -1.6, -4.01

 

CMYK 0 / 15 / 28 / 67

HEX #55483D

RGB 85 72 61

HSL 27.5, 0.16%, 0.29%

LAB 31.58, 3.53, 8.64

 

CMYK 0 / 12 / 22 / 60

HEX #665A50

RGB 102 90 80

HSL 27.27, 0.12%, 0.36%

LAB 39.1, 3.05, 7.55

 

CMYK 0 / 9 / 17 / 53

HEX #776C63

RGB 119 108 99

HSL 27, 0.09%, 0.43%

LAB 46.38, 2.67, 6.59

 

CMYK 0 / 7 / 13 / 47

HEX #887E76

RGB 136 126 118

HSL 26.67, 0.07%, 0.5%

LAB 53.45, 2.35, 5.71

 

CMYK 0 / 6 / 10 / 40

HEX #999089

RGB 153 144 137

HSL 26.25, 0.07%, 0.57%

LAB 60.36, 2.06, 4.9

 

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

CMYK 0 / 14 / 25 / 75

HEX #3F362F

RGB 63 54 47

HSL 26.25, 0.15%, 0.22%

LAB 23.34, 2.63, 5.87

 

CMYK 0 / 22 / 39 / 82

HEX #2E241C

RGB 46 36 28

HSL 26.67, 0.24%, 0.15%

LAB 15.1, 3.24, 7.13

 

CMYK 0 / 38 / 69 / 89

HEX #1D1209

RGB 29 18 9

HSL 27, 0.53%, 0.07%

LAB 6.45, 3.85, 6.03

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 0 / 16 / 19 / 68

HEX #514442

RGB 81 68 66

HSL 8, 0.1%, 0.29%

LAB 30.1, 5.17, 3.27

 

CMYK 0 / 19 / 19 / 68

HEX #514242

RGB 81 66 66

HSL 0, 0.1%, 0.29%

LAB 29.51, 6.45, 2.42

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 0 / 6 / 19 / 68

HEX #514C42

RGB 81 76 66

HSL 40, 0.1%, 0.29%

LAB 32.51, 0.12, 6.69

 

CMYK 0 / 1 / 19 / 68

HEX #515042

RGB 81 80 66

HSL 56, 0.1%, 0.29%

LAB 33.73, -2.36, 8.42

 

CMYK 5 / 0 / 19 / 68

HEX #4D5142

RGB 77 81 66

HSL 76, 0.1%, 0.29%

LAB 33.68, -4.7, 8.29

 

CMYK 10 / 0 / 19 / 68

HEX #495142

RGB 73 81 66

HSL 92, 0.1%, 0.29%

LAB 33.34, -6.39, 7.76

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 0 / 24 / 42 / 64

HEX #5D4736

RGB 93 71 54

HSL 26.15, 0.27%, 0.29%

LAB 32.03, 6.78, 13.83

 

CMYK 0 / 34 / 60 / 59

HEX #69452A

RGB 105 69 42

HSL 25.71, 0.43%, 0.29%

LAB 32.76, 12.3, 22.46

 

CMYK 0 / 43 / 74 / 54

HEX #75431E

RGB 117 67 30

HSL 25.52, 0.59%, 0.29%

LAB 33.75, 18.22, 30.93

 

CMYK 0 / 49 / 86 / 49

HEX #814212

RGB 129 66 18

HSL 25.95, 0.76%, 0.29%

LAB 35.22, 23.71, 38.83

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 12 / 5 / 0 / 69

HEX #454A4E

RGB 69 74 78

HSL 206.67, 0.06%, 0.29%

LAB 31.14, -1.09, -3.08

 

CMYK 37 / 16 / 0 / 65

HEX #394C5A

RGB 57 76 90

HSL 205.45, 0.22%, 0.29%

LAB 31.29, -3.48, -10.63

 

CMYK 56 / 24 / 0 / 60

HEX #2D4E66

RGB 45 78 102

HSL 205.26, 0.39%, 0.29%

LAB 31.73, -4.4, -17.65

 

CMYK 71 / 31 / 0 / 55

HEX #214F72

RGB 33 79 114

HSL 205.93, 0.55%, 0.29%

LAB 32.1, -3.28, -24.67

 

CMYK 0 / 19 / 16 / 68

HEX #514244

RGB 81 66 68

HSL 352, 0.1%, 0.29%

LAB 29.57, 6.83, 1.2

 

CMYK 0 / 16 / 19 / 68

HEX #514442

RGB 81 68 66

HSL 8, 0.1%, 0.29%

LAB 30.1, 5.17, 3.27

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 0 / 6 / 19 / 68

HEX #514C42

RGB 81 76 66

HSL 40, 0.1%, 0.29%

LAB 32.51, 0.12, 6.69

 

CMYK 0 / 1 / 19 / 68

HEX #515042

RGB 81 80 66

HSL 56, 0.1%, 0.29%

LAB 33.73, -2.36, 8.42

 

CMYK 0 / 9 / 17 / 86

HEX #23201D

RGB 35 32 29

HSL 30, 0.09%, 0.13%

LAB 12.47, 0.74, 2.55

 

CMYK 0 / 10 / 19 / 77

HEX #3A342F

RGB 58 52 47

HSL 27.27, 0.1%, 0.21%

LAB 22.16, 1.63, 4.12

 

CMYK 0 / 11 / 19 / 68

HEX #514842

RGB 81 72 66

HSL 24, 0.1%, 0.29%

LAB 31.29, 2.63, 4.97

 

CMYK 0 / 11 / 18 / 59

HEX #685D55

RGB 104 93 85

HSL 25.26, 0.1%, 0.37%

LAB 40.29, 2.95, 6.2

 

CMYK 0 / 10 / 18 / 51

HEX #7E7167

RGB 126 113 103

HSL 26.09, 0.1%, 0.45%

LAB 48.54, 3.28, 7.39

 

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 19 / 19 / 0 / 68

HEX #424251

RGB 66 66 81

HSL 240, 0.1%, 0.29%

LAB 28.51, 3.64, -8.99

 

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

CMYK 19 / 0 / 11 / 68

HEX #425148

RGB 66 81 72

HSL 144, 0.1%, 0.29%

LAB 32.94, -7.98, 3.34

 

CMYK 11 / 19 / 0 / 68

HEX #484251

RGB 72 66 81

HSL 264, 0.1%, 0.29%

LAB 29.08, 5.95, -8.08

 

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 19 / 7 / 0 / 68

HEX #424B51

RGB 66 75 81

HSL 204, 0.1%, 0.29%

LAB 31.31, -2.13, -4.78

 

CMYK 7 / 19 / 0 / 68

HEX #4B4251

RGB 75 66 81

HSL 276, 0.1%, 0.29%

LAB 29.38, 7.13, -7.59

 

CMYK 0 / 10 / 18 / 69

HEX #504842

RGB 80 72 66

HSL 25.71, 0.1%, 0.29%

LAB 31.19, 2.19, 4.81

 

CMYK 17 / 0 / 19 / 68

HEX #435142

RGB 67 81 66

HSL 116, 0.1%, 0.29%

LAB 32.86, -8.88, 7.01

 

CMYK 19 / 7 / 0 / 68

HEX #424B51

RGB 66 75 81

HSL 204, 0.1%, 0.29%

LAB 31.31, -2.13, -4.78

 

CMYK 1 / 19 / 0 / 68

HEX #504251

RGB 80 66 81

HSL 296, 0.1%, 0.29%

LAB 29.9, 9.12, -6.75

 

Description

Color code: HEX #504842 | qconv.com Color code: HEX #504842 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 72 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 72 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 18 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 18% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 首页-艾依欧旗舰店- 天猫Tmall.c...
Link: http://aeoo.tmall.com

24% - Select Country for M...
Link: http://maxfactor-international.com

13% - Les Pic-Bois foutent...
Link: http://trouble.voir.ca

21% - 自然素材住宅・自然素材家具とキッチン|株...
Link: http://www.chardonnay.co.jp

20% - 早稲田大学
Link: http://www.waseda.jp

29% - Startsidan
Link: http://www.hembioconsult.se

17% - TROPICALPRINTER
Link: http://tropicalprinter.esy.es

23% - Vine Videos - Best V...
Link: http://vine-videos.com

26% - 福岡県飯塚市の写真館・フォトスタジオ「ひ...
Link: http://www.hibiki-photo.com

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