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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504373 it is the complementary color #AFBC8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #504373 shade: #55436E, #665581, #776794, #8879A7 and #998BBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #504373 shade: #504373, #3F3160, #2E1F4D, #1D0D3A and #0C0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #504373 shade: #504373, #5D4373, #6A4373, #73436F and #734362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #504373 shade: #504373, #434373 and #434373

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #504373 shade matches the following richer shades: #504373, #4A3582, #432691, #3C17A0 and #3508AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #504373 shade: #504373, #575264, #5E6155, #657047 and #6C7F38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #504373 shade: #435073, #434373, #504373, #5D4373 and #6A4373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #504373 shade: #2C253F, #3E3459, #504373, #63538D and #7665A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #504373 shade: #504373, #73435D and #4A7343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #504373 shade: #504373, #735043 and #437350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #504373 shade: #504373, #73435D, #667343 and #43735A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #504373 shade: #504373, #73434F, #667343 and #437368

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

Complementary color

CMYK 7 / 0 / 26 / 26

HEX #AFBC8C

RGB 175 188 140

HSL 76.25, 0.26%, 0.64%

LAB 74.17, -12.75, 22.85

 

CMYK 23 / 39 / 0 / 57

HEX #55436E

RGB 85 67 110

HSL 265.12, 0.24%, 0.35%

LAB 31.97, 17.43, -22.09

 

CMYK 21 / 34 / 0 / 49

HEX #665581

RGB 102 85 129

HSL 263.18, 0.21%, 0.42%

LAB 39.42, 16.66, -22.17

 

CMYK 20 / 30 / 0 / 42

HEX #776794

RGB 119 103 148

HSL 261.33, 0.18%, 0.49%

LAB 46.66, 16, -22.28

 

CMYK 19 / 28 / 0 / 35

HEX #8879A7

RGB 136 121 167

HSL 259.57, 0.21%, 0.56%

LAB 53.71, 15.42, -22.44

 

CMYK 18 / 25 / 0 / 27

HEX #998BBA

RGB 153 139 186

HSL 257.87, 0.25%, 0.64%

LAB 60.59, 14.91, -22.62

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 34 / 49 / 0 / 62

HEX #3F3160

RGB 63 49 96

HSL 257.87, 0.32%, 0.28%

LAB 23.99, 18.15, -25.8

 

CMYK 40 / 60 / 0 / 70

HEX #2E1F4D

RGB 46 31 77

HSL 259.57, 0.43%, 0.21%

LAB 15.99, 19.37, -25.99

 

CMYK 50 / 78 / 0 / 77

HEX #1D0D3A

RGB 29 13 58

HSL 261.33, 0.63%, 0.14%

LAB 7.72, 20.74, -26.1

 

CMYK 69 / 100 / 0 / 85

HEX #0C0027

RGB 12 0 39

HSL 258.46, 1%, 0.08%

LAB 2.03, 12.47, -21.11

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 19 / 42 / 0 / 55

HEX #5D4373

RGB 93 67 115

HSL 272.5, 0.26%, 0.36%

LAB 33.09, 21.38, -23.42

 

CMYK 8 / 42 / 0 / 55

HEX #6A4373

RGB 106 67 115

HSL 288.75, 0.26%, 0.36%

LAB 34.63, 25.75, -20.91

 

CMYK 0 / 42 / 3 / 55

HEX #73436F

RGB 115 67 111

HSL 305, 0.26%, 0.36%

LAB 35.61, 28, -16.8

 

CMYK 0 / 42 / 15 / 55

HEX #734362

RGB 115 67 98

HSL 321.25, 0.26%, 0.36%

LAB 35.09, 25.53, -9.41

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 42 / 42 / 0 / 55

HEX #434373

RGB 67 67 115

HSL 240, 0.26%, 0.36%

LAB 30.51, 13.19, -27.66

 

CMYK 42 / 42 / 0 / 55

HEX #434373

RGB 67 67 115

HSL 240, 0.26%, 0.36%

LAB 30.51, 13.19, -27.66

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 43 / 59 / 0 / 49

HEX #4A3582

RGB 74 53 130

HSL 256.36, 0.42%, 0.36%

LAB 28.42, 28.82, -40.38

 

CMYK 54 / 74 / 0 / 43

HEX #432691

RGB 67 38 145

HSL 256.26, 0.58%, 0.36%

LAB 25.64, 40.74, -54.26

 

CMYK 63 / 86 / 0 / 37

HEX #3C17A0

RGB 60 23 160

HSL 256.2, 0.75%, 0.36%

LAB 24.04, 51.16, -66.13

 

CMYK 70 / 95 / 0 / 31

HEX #3508AF

RGB 53 8 175

HSL 256.17, 0.91%, 0.36%

LAB 23.76, 58.98, -75.7

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 13 / 18 / 0 / 61

HEX #575264

RGB 87 82 100

HSL 256.67, 0.1%, 0.36%

LAB 35.95, 6.06, -9.68

 

CMYK 3 / 0 / 12 / 62

HEX #5E6155

RGB 94 97 85

HSL 75, 0.07%, 0.36%

LAB 40.55, -3.6, 6.44

 

CMYK 10 / 0 / 37 / 56

HEX #657047

RGB 101 112 71

HSL 76.1, 0.22%, 0.36%

LAB 45.37, -11.64, 21.45

 

CMYK 15 / 0 / 56 / 50

HEX #6C7F38

RGB 108 127 56

HSL 76.06, 0.39%, 0.36%

LAB 50.28, -18.59, 35.8

 

CMYK 42 / 30 / 0 / 55

HEX #435073

RGB 67 80 115

HSL 223.75, 0.26%, 0.36%

LAB 34.33, 4.69, -21.67

 

CMYK 42 / 42 / 0 / 55

HEX #434373

RGB 67 67 115

HSL 240, 0.26%, 0.36%

LAB 30.51, 13.19, -27.66

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 19 / 42 / 0 / 55

HEX #5D4373

RGB 93 67 115

HSL 272.5, 0.26%, 0.36%

LAB 33.09, 21.38, -23.42

 

CMYK 8 / 42 / 0 / 55

HEX #6A4373

RGB 106 67 115

HSL 288.75, 0.26%, 0.36%

LAB 34.63, 25.75, -20.91

 

CMYK 30 / 41 / 0 / 75

HEX #2C253F

RGB 44 37 63

HSL 256.15, 0.26%, 0.2%

LAB 16.59, 10.13, -15.4

 

CMYK 30 / 42 / 0 / 65

HEX #3E3459

RGB 62 52 89

HSL 256.22, 0.26%, 0.28%

LAB 24.33, 13.75, -20.7

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 30 / 41 / 0 / 45

HEX #63538D

RGB 99 83 141

HSL 256.55, 0.26%, 0.44%

LAB 39.18, 20.09, -29.88

 

CMYK 28 / 38 / 0 / 36

HEX #7665A4

RGB 118 101 164

HSL 256.19, 0.26%, 0.52%

LAB 46.76, 20.93, -31.59

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 0 / 42 / 19 / 55

HEX #73435D

RGB 115 67 93

HSL 327.5, 0.26%, 0.36%

LAB 34.9, 24.65, -6.51

 

CMYK 36 / 0 / 42 / 55

HEX #4A7343

RGB 74 115 67

HSL 111.25, 0.26%, 0.36%

LAB 44.41, -24.59, 22.13

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 0 / 30 / 42 / 55

HEX #735043

RGB 115 80 67

HSL 16.25, 0.26%, 0.36%

LAB 37.46, 12.88, 13.52

 

CMYK 42 / 0 / 30 / 55

HEX #437350

RGB 67 115 80

HSL 136.25, 0.26%, 0.36%

LAB 44.28, -24.63, 14.37

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 0 / 42 / 19 / 55

HEX #73435D

RGB 115 67 93

HSL 327.5, 0.26%, 0.36%

LAB 34.9, 24.65, -6.51

 

CMYK 11 / 0 / 42 / 55

HEX #667343

RGB 102 115 67

HSL 76.25, 0.26%, 0.36%

LAB 46.3, -13.43, 24.94

 

CMYK 42 / 0 / 22 / 55

HEX #43735A

RGB 67 115 90

HSL 148.75, 0.26%, 0.36%

LAB 44.51, -22.5, 8.78

 

CMYK 30 / 42 / 0 / 55

HEX #504373

RGB 80 67 115

HSL 256.25, 0.26%, 0.36%

LAB 31.71, 17.16, -25.69

 

CMYK 0 / 42 / 31 / 55

HEX #73434F

RGB 115 67 79

HSL 345, 0.26%, 0.36%

LAB 34.44, 22.39, 1.73

 

CMYK 11 / 0 / 42 / 55

HEX #667343

RGB 102 115 67

HSL 76.25, 0.26%, 0.36%

LAB 46.3, -13.43, 24.94

 

CMYK 42 / 0 / 10 / 55

HEX #437368

RGB 67 115 104

HSL 166.25, 0.26%, 0.36%

LAB 44.88, -19.15, 0.96

 

Description

Color code: HEX #504373 | qconv.com Color code: HEX #504373 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 67 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 67 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 42 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 42% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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