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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #505751 it is the complementary color #AFA8AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #505751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #505751 shade: #55574C, #66695F, #777B72, #888D85 and #999F98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #505751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #505751 shade: #505751, #3F453E, #2E332B, #1D2118 and #0C0F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #505751 shade: #505751, #515750, #535750, #555750 and #575750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #505751 shade: #505751, #505753, #505755, #505757 and #505657

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #505751 shade matches the following richer shades: #505751, #436548, #35723E, #278034 and #1A8D2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #505751 shade: #505751, #5E495B, #6C3C65, #792E6E and #872178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #505751 shade: #535750, #515750, #505751, #505753 and #505755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #505751 shade: #292C29, #3C423D, #505751, #646C65 and #788279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #505751 shade: #505751, #505557 and #575052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #505751 shade: #505751, #515057 and #575150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #505751 shade: #505751, #505557, #575056 and #575350

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #505751 shade: #505751, #505357, #575056 and #575550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

Complementary color

CMYK 0 / 4 / 1 / 31

HEX #AFA8AE

RGB 175 168 174

HSL 308.57, 0.04%, 0.67%

LAB 69.59, 3.62, -2.2

 

CMYK 2 / 0 / 13 / 66

HEX #55574C

RGB 85 87 76

HSL 70.91, 0.07%, 0.32%

LAB 36.5, -3.05, 6.12

 

CMYK 3 / 0 / 10 / 59

HEX #66695F

RGB 102 105 95

HSL 78, 0.05%, 0.39%

LAB 43.88, -3.17, 5.22

 

CMYK 3 / 0 / 7 / 52

HEX #777B72

RGB 119 123 114

HSL 86.67, 0.04%, 0.46%

LAB 51.04, -3.29, 4.39

 

CMYK 4 / 0 / 6 / 45

HEX #888D85

RGB 136 141 133

HSL 97.5, 0.03%, 0.54%

LAB 58.02, -3.39, 3.62

 

CMYK 4 / 0 / 4 / 38

HEX #999F98

RGB 153 159 152

HSL 111.43, 0.04%, 0.61%

LAB 64.83, -3.49, 2.9

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 9 / 0 / 10 / 73

HEX #3F453E

RGB 63 69 62

HSL 111.43, 0.05%, 0.26%

LAB 28.54, -4.04, 3.38

 

CMYK 10 / 0 / 16 / 80

HEX #2E332B

RGB 46 51 43

HSL 97.5, 0.09%, 0.18%

LAB 20.53, -4.02, 4.35

 

CMYK 12 / 0 / 27 / 87

HEX #1D2118

RGB 29 33 24

HSL 86.67, 0.16%, 0.11%

LAB 12.06, -4.01, 5.49

 

CMYK 20 / 0 / 67 / 94

HEX #0C0F05

RGB 12 15 5

HSL 78, 0.5%, 0.04%

LAB 3.89, -2.44, 3.73

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 7 / 0 / 8 / 66

HEX #515750

RGB 81 87 80

HSL 111.43, 0.04%, 0.33%

LAB 36.26, -3.89, 3.24

 

CMYK 5 / 0 / 8 / 66

HEX #535750

RGB 83 87 80

HSL 94.29, 0.04%, 0.33%

LAB 36.43, -3.08, 3.51

 

CMYK 2 / 0 / 8 / 66

HEX #555750

RGB 85 87 80

HSL 77.14, 0.04%, 0.33%

LAB 36.61, -2.26, 3.79

 

CMYK 0 / 0 / 8 / 66

HEX #575750

RGB 87 87 80

HSL 60, 0.04%, 0.33%

LAB 36.78, -1.44, 4.06

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 8 / 0 / 5 / 66

HEX #505753

RGB 80 87 83

HSL 145.71, 0.04%, 0.33%

LAB 36.26, -3.65, 1.37

 

CMYK 8 / 0 / 2 / 66

HEX #505755

RGB 80 87 85

HSL 162.86, 0.04%, 0.33%

LAB 36.32, -3.21, 0.2

 

CMYK 8 / 0 / 0 / 66

HEX #505757

RGB 80 87 87

HSL 180, 0.04%, 0.33%

LAB 36.39, -2.76, -0.96

 

CMYK 8 / 1 / 0 / 66

HEX #505657

RGB 80 86 87

HSL 188.57, 0.04%, 0.33%

LAB 36.08, -2.15, -1.41

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 34 / 0 / 29 / 60

HEX #436548

RGB 67 101 72

HSL 128.82, 0.2%, 0.33%

LAB 39.53, -18.97, 12.61

 

CMYK 54 / 0 / 46 / 55

HEX #35723E

RGB 53 114 62

HSL 128.85, 0.37%, 0.33%

LAB 42.97, -31.87, 22.9

 

CMYK 70 / 0 / 59 / 50

HEX #278034

RGB 39 128 52

HSL 128.76, 0.53%, 0.33%

LAB 47.13, -42.74, 33.26

 

CMYK 82 / 0 / 70 / 45

HEX #1A8D2A

RGB 26 141 42

HSL 128.35, 0.69%, 0.33%

LAB 51.19, -50.72, 42.39

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 0 / 22 / 3 / 63

HEX #5E495B

RGB 94 73 91

HSL 308.57, 0.13%, 0.33%

LAB 33.77, 12.4, -7.2

 

CMYK 0 / 44 / 6 / 58

HEX #6C3C65

RGB 108 60 101

HSL 308.75, 0.29%, 0.33%

LAB 32.61, 27.68, -15.17

 

CMYK 0 / 62 / 9 / 53

HEX #792E6E

RGB 121 46 110

HSL 308.8, 0.45%, 0.33%

LAB 32.13, 41.08, -21.47

 

CMYK 0 / 76 / 11 / 47

HEX #872178

RGB 135 33 120

HSL 308.82, 0.61%, 0.33%

LAB 33.12, 51.85, -26.08

 

CMYK 5 / 0 / 8 / 66

HEX #535750

RGB 83 87 80

HSL 94.29, 0.04%, 0.33%

LAB 36.43, -3.08, 3.51

 

CMYK 7 / 0 / 8 / 66

HEX #515750

RGB 81 87 80

HSL 111.43, 0.04%, 0.33%

LAB 36.26, -3.89, 3.24

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 8 / 0 / 5 / 66

HEX #505753

RGB 80 87 83

HSL 145.71, 0.04%, 0.33%

LAB 36.26, -3.65, 1.37

 

CMYK 8 / 0 / 2 / 66

HEX #505755

RGB 80 87 85

HSL 162.86, 0.04%, 0.33%

LAB 36.32, -3.21, 0.2

 

CMYK 7 / 0 / 7 / 83

HEX #292C29

RGB 41 44 41

HSL 120, 0.04%, 0.17%

LAB 17.61, -2.05, 1.48

 

CMYK 9 / 0 / 8 / 74

HEX #3C423D

RGB 60 66 61

HSL 130, 0.05%, 0.25%

LAB 27.28, -3.63, 2.19

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 7 / 0 / 6 / 58

HEX #646C65

RGB 100 108 101

HSL 127.5, 0.04%, 0.41%

LAB 44.76, -4.52, 2.86

 

CMYK 8 / 0 / 7 / 49

HEX #788279

RGB 120 130 121

HSL 126, 0.04%, 0.49%

LAB 53.32, -5.51, 3.6

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 8 / 2 / 0 / 66

HEX #505557

RGB 80 85 87

HSL 197.14, 0.04%, 0.33%

LAB 35.77, -1.53, -1.86

 

CMYK 0 / 8 / 6 / 66

HEX #575052

RGB 87 80 82

HSL 342.86, 0.04%, 0.33%

LAB 34.75, 3.29, -0.14

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 7 / 8 / 0 / 66

HEX #515057

RGB 81 80 87

HSL 248.57, 0.04%, 0.33%

LAB 34.34, 1.96, -3.96

 

CMYK 0 / 7 / 8 / 66

HEX #575150

RGB 87 81 80

HSL 8.57, 0.04%, 0.33%

LAB 34.98, 2.26, 1.47

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 8 / 2 / 0 / 66

HEX #505557

RGB 80 85 87

HSL 197.14, 0.04%, 0.33%

LAB 35.77, -1.53, -1.86

 

CMYK 0 / 8 / 1 / 66

HEX #575056

RGB 87 80 86

HSL 308.57, 0.04%, 0.33%

LAB 34.87, 4.13, -2.48

 

CMYK 0 / 5 / 8 / 66

HEX #575350

RGB 87 83 80

HSL 25.71, 0.04%, 0.33%

LAB 35.58, 1.02, 2.33

 

CMYK 8 / 0 / 7 / 66

HEX #505751

RGB 80 87 81

HSL 128.57, 0.04%, 0.33%

LAB 36.21, -4.08, 2.53

 

CMYK 8 / 5 / 0 / 66

HEX #505357

RGB 80 83 87

HSL 214.29, 0.04%, 0.33%

LAB 35.16, -0.3, -2.75

 

CMYK 0 / 8 / 1 / 66

HEX #575056

RGB 87 80 86

HSL 308.57, 0.04%, 0.33%

LAB 34.87, 4.13, -2.48

 

CMYK 0 / 2 / 8 / 66

HEX #575550

RGB 87 85 80

HSL 42.86, 0.04%, 0.33%

LAB 36.18, -0.21, 3.2

 

Description

Color code: HEX #505751 | qconv.com Color code: HEX #505751 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 87 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 87 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 7 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 7% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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