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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #505209 it is the complementary color #AFADF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #505209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #505209 shade: #555204, #666417, #77762A, #88883D and #999A50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #505209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #505209 shade: #505209, #3F4000, #2E2E00, #1D1C00 and #0C0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #505209 shade: #505209, #524009, #522D09, #521909 and #520909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #505209 shade: #505209, #3C5209, #295209, #155209 and #095210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #505209 shade matches the following richer shades: #505209 and #575A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #505209 shade: #505209, #494B10, #424318, #3B3C1F and #343426

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #505209 shade: #522C09, #524009, #515209, #3D5209 and #2A5209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #505209 shade: #080800, #2C2D05, #505209, #74770D and #999C11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #505209 shade: #505209, #095219 and #360952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #505209 shade: #505209, #095152 and #520951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #505209 shade: #505209, #095219, #0A0952 and #520942

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #505209 shade: #505209, #09522F, #0A0952 and #52092C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

Complementary color

CMYK 29 / 30 / 0 / 4

HEX #AFADF6

RGB 175 173 246

HSL 241.64, 0.8%, 0.82%

LAB 73.32, 16.61, -36.03

 

CMYK 0 / 4 / 95 / 67

HEX #555204

RGB 85 82 4

HSL 57.78, 0.91%, 0.17%

LAB 33.93, -7.8, 40.42

 

CMYK 0 / 2 / 77 / 60

HEX #666417

RGB 102 100 23

HSL 58.48, 0.63%, 0.25%

LAB 41.22, -9.09, 41.13

 

CMYK 0 / 1 / 65 / 53

HEX #77762A

RGB 119 118 42

HSL 59.22, 0.48%, 0.32%

LAB 48.32, -10.04, 40.65

 

CMYK 0 / 0 / 55 / 47

HEX #88883D

RGB 136 136 61

HSL 60, 0.38%, 0.39%

LAB 55.26, -10.74, 39.63

 

CMYK 1 / 0 / 48 / 40

HEX #999A50

RGB 153 154 80

HSL 60.81, 0.32%, 0.46%

LAB 62.05, -11.27, 38.44

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 2 / 0 / 100 / 75

HEX #3F4000

RGB 63 64 0

HSL 60.94, 1%, 0.13%

LAB 25.93, -8.53, 34.6

 

CMYK 0 / 0 / 100 / 82

HEX #2E2E00

RGB 46 46 0

HSL 60, 1%, 0.09%

LAB 18.08, -6.49, 25.75

 

CMYK 0 / 3 / 100 / 89

HEX #1D1C00

RGB 29 28 0

HSL 57.93, 1%, 0.06%

LAB 9.73, -4.29, 14.46

 

CMYK 0 / 17 / 100 / 95

HEX #0C0A00

RGB 12 10 0

HSL 50, 1%, 0.02%

LAB 2.67, -0.84, 3.98

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 0 / 22 / 89 / 68

HEX #524009

RGB 82 64 9

HSL 45.21, 0.8%, 0.18%

LAB 28.06, 1.85, 33.62

 

CMYK 0 / 45 / 89 / 68

HEX #522D09

RGB 82 45 9

HSL 29.59, 0.8%, 0.18%

LAB 22.62, 13.98, 28.48

 

CMYK 0 / 70 / 89 / 68

HEX #521909

RGB 82 25 9

HSL 13.15, 0.8%, 0.18%

LAB 17.96, 25.74, 23.26

 

CMYK 0 / 89 / 89 / 68

HEX #520909

RGB 82 9 9

HSL 0, 0.8%, 0.18%

LAB 15.53, 32.41, 20.27

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 27 / 0 / 89 / 68

HEX #3C5209

RGB 60 82 9

HSL 78.08, 0.8%, 0.18%

LAB 31.84, -19.74, 36.16

 

CMYK 50 / 0 / 89 / 68

HEX #295209

RGB 41 82 9

HSL 93.7, 0.8%, 0.18%

LAB 30.7, -27.66, 34.71

 

CMYK 74 / 0 / 89 / 68

HEX #155209

RGB 21 82 9

HSL 110.14, 0.8%, 0.18%

LAB 29.95, -33.68, 33.74

 

CMYK 89 / 0 / 80 / 68

HEX #095210

RGB 9 82 16

HSL 125.75, 0.8%, 0.18%

LAB 29.74, -35.3, 30.88

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 3 / 0 / 99 / 65

HEX #575A01

RGB 87 90 1

HSL 62.02, 0.98%, 0.18%

LAB 36.63, -11.53, 43.54

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 3 / 0 / 79 / 71

HEX #494B10

RGB 73 75 16

HSL 62.03, 0.65%, 0.18%

LAB 30.61, -9.19, 32.84

 

CMYK 1 / 0 / 64 / 74

HEX #424318

RGB 66 67 24

HSL 61.4, 0.47%, 0.18%

LAB 27.4, -7.3, 25.42

 

CMYK 2 / 0 / 48 / 76

HEX #3B3C1F

RGB 59 60 31

HSL 62.07, 0.32%, 0.18%

LAB 24.51, -5.68, 17.75

 

CMYK 0 / 0 / 27 / 80

HEX #343426

RGB 52 52 38

HSL 60, 0.16%, 0.18%

LAB 21.3, -2.89, 8.89

 

CMYK 0 / 46 / 89 / 68

HEX #522C09

RGB 82 44 9

HSL 28.77, 0.8%, 0.18%

LAB 22.36, 14.61, 28.21

 

CMYK 0 / 22 / 89 / 68

HEX #524009

RGB 82 64 9

HSL 45.21, 0.8%, 0.18%

LAB 28.06, 1.85, 33.62

 

CMYK 1 / 0 / 89 / 68

HEX #515209

RGB 81 82 9

HSL 60.82, 0.8%, 0.18%

LAB 33.57, -9.62, 38.34

 

CMYK 26 / 0 / 89 / 68

HEX #3D5209

RGB 61 82 9

HSL 77.26, 0.8%, 0.18%

LAB 31.91, -19.28, 36.25

 

CMYK 49 / 0 / 89 / 68

HEX #2A5209

RGB 42 82 9

HSL 92.88, 0.8%, 0.18%

LAB 30.75, -27.29, 34.78

 

CMYK 0 / 0 / 100 / 97

HEX #080800

RGB 8 8 0

HSL 60, 1%, 0.02%

LAB 2.04, -1.11, 3.03

 

CMYK 2 / 0 / 89 / 82

HEX #2C2D05

RGB 44 45 5

HSL 61.5, 0.8%, 0.1%

LAB 17.57, -6.55, 23.06

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 3 / 0 / 89 / 53

HEX #74770D

RGB 116 119 13

HSL 61.7, 0.8%, 0.26%

LAB 48.18, -13.38, 50.8

 

CMYK 2 / 0 / 89 / 39

HEX #999C11

RGB 153 156 17

HSL 61.29, 0.8%, 0.34%

LAB 62.16, -16, 62.62

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 89 / 0 / 70 / 68

HEX #095219

RGB 9 82 25

HSL 133.15, 0.8%, 0.18%

LAB 29.82, -34.29, 26.81

 

CMYK 34 / 89 / 0 / 68

HEX #360952

RGB 54 9 82

HSL 276.99, 0.8%, 0.18%

LAB 13.16, 34.77, -33.92

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 89 / 1 / 0 / 68

HEX #095152

RGB 9 81 82

HSL 180.82, 0.8%, 0.18%

LAB 30.76, -19.65, -6.51

 

CMYK 0 / 89 / 1 / 68

HEX #520951

RGB 82 9 81

HSL 300.82, 0.8%, 0.18%

LAB 18.29, 40.32, -24.7

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 89 / 0 / 70 / 68

HEX #095219

RGB 9 82 25

HSL 133.15, 0.8%, 0.18%

LAB 29.82, -34.29, 26.81

 

CMYK 88 / 89 / 0 / 68

HEX #0A0952

RGB 10 9 82

HSL 240.82, 0.8%, 0.18%

LAB 7.85, 29.12, -42.85

 

CMYK 0 / 89 / 20 / 68

HEX #520942

RGB 82 9 66

HSL 313.15, 0.8%, 0.18%

LAB 17.38, 37.82, -15.81

 

CMYK 2 / 0 / 89 / 68

HEX #505209

RGB 80 82 9

HSL 61.64, 0.8%, 0.18%

LAB 33.48, -10.12, 38.23

 

CMYK 89 / 0 / 43 / 68

HEX #09522F

RGB 9 82 47

HSL 151.23, 0.8%, 0.18%

LAB 30.15, -30.35, 14.72

 

CMYK 88 / 89 / 0 / 68

HEX #0A0952

RGB 10 9 82

HSL 240.82, 0.8%, 0.18%

LAB 7.85, 29.12, -42.85

 

CMYK 0 / 89 / 46 / 68

HEX #52092C

RGB 82 9 44

HSL 331.23, 0.8%, 0.18%

LAB 16.36, 34.9, -1.72

 

Description

Color code: HEX #505209 | qconv.com Color code: HEX #505209 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 82 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 82 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 89 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 89% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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