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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506046 it is the complementary color #AF9FB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506046. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506046 shade: #556041, #667254, #778467, #88967A and #99A88D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506046. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506046 shade: #506046, #3F4E33, #2E3C20, #1D2A0D and #0C1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506046 shade: #516146, #586146, #5F6146, #615C46 and #615546

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506046 shade: #516146, #496146, #46614A, #466152 and #466159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506046 shade matches the following richer shades: #516146, #4D6F39, #4A7C2B, #478A1D and #449810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506046 shade: #516146, #545354, #574661, #5A386F and #5D2B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506046 shade: #5F6146, #586146, #516146, #4A6146 and #46614A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506046 shade: #293124, #3D4935, #516146, #647958 and #789169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506046 shade: #506046, #46615C and #61465C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506046 shade: #506046, #465161 and #614651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506046 shade: #506046, #46615C, #564661 and #61464C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506046 shade: #506046, #465E61, #564661 and #614946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

Complementary color

CMYK 5 / 14 / 0 / 27

HEX #AF9FB9

RGB 175 159 185

HSL 276.92, 0.16%, 0.67%

LAB 67.59, 10.74, -11.28

 

CMYK 11 / 0 / 32 / 62

HEX #556041

RGB 85 96 65

HSL 81.29, 0.19%, 0.32%

LAB 39.03, -10.31, 16.35

 

CMYK 11 / 0 / 26 / 55

HEX #667254

RGB 102 114 84

HSL 84, 0.15%, 0.39%

LAB 46.31, -10.33, 15.17

 

CMYK 10 / 0 / 22 / 48

HEX #778467

RGB 119 132 103

HSL 86.9, 0.12%, 0.46%

LAB 53.39, -10.33, 14.1

 

CMYK 9 / 0 / 19 / 41

HEX #88967A

RGB 136 150 122

HSL 90, 0.12%, 0.53%

LAB 60.29, -10.33, 13.11

 

CMYK 9 / 0 / 16 / 34

HEX #99A88D

RGB 153 168 141

HSL 93.33, 0.13%, 0.61%

LAB 67.05, -10.34, 12.19

 

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

CMYK 19 / 0 / 35 / 69

HEX #3F4E33

RGB 63 78 51

HSL 93.33, 0.21%, 0.25%

LAB 31.22, -11.65, 14.1

 

CMYK 23 / 0 / 47 / 76

HEX #2E3C20

RGB 46 60 32

HSL 90, 0.3%, 0.18%

LAB 23.39, -11.73, 15.47

 

CMYK 31 / 0 / 69 / 84

HEX #1D2A0D

RGB 29 42 13

HSL 86.9, 0.53%, 0.11%

LAB 15.2, -11.71, 16.45

 

CMYK 50 / 0 / 100 / 91

HEX #0C1800

RGB 12 24 0

HSL 90, 1%, 0.05%

LAB 6.61, -8.89, 9.73

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 9 / 0 / 28 / 62

HEX #586146

RGB 88 97 70

HSL 80, 0.16%, 0.33%

LAB 39.69, -8.79, 14.27

 

CMYK 2 / 0 / 28 / 62

HEX #5F6146

RGB 95 97 70

HSL 64.44, 0.16%, 0.33%

LAB 40.29, -5.79, 15.18

 

CMYK 0 / 5 / 28 / 62

HEX #615C46

RGB 97 92 70

HSL 48.89, 0.16%, 0.33%

LAB 38.96, -1.96, 13.41

 

CMYK 0 / 12 / 28 / 62

HEX #615546

RGB 97 85 70

HSL 33.33, 0.16%, 0.33%

LAB 36.89, 2.28, 10.56

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 25 / 0 / 28 / 62

HEX #496146

RGB 73 97 70

HSL 113.33, 0.16%, 0.33%

LAB 38.57, -14.91, 12.55

 

CMYK 28 / 0 / 24 / 62

HEX #46614A

RGB 70 97 74

HSL 128.89, 0.16%, 0.33%

LAB 38.46, -15.27, 9.94

 

CMYK 28 / 0 / 15 / 62

HEX #466152

RGB 70 97 82

HSL 146.67, 0.16%, 0.33%

LAB 38.66, -13.55, 5.33

 

CMYK 28 / 0 / 8 / 62

HEX #466159

RGB 70 97 89

HSL 162.22, 0.16%, 0.33%

LAB 38.85, -11.93, 1.31

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 31 / 0 / 49 / 56

HEX #4D6F39

RGB 77 111 57

HSL 97.78, 0.32%, 0.33%

LAB 43.13, -22.95, 26.14

 

CMYK 40 / 0 / 65 / 51

HEX #4A7C2B

RGB 74 124 43

HSL 97.04, 0.49%, 0.33%

LAB 47.03, -32.03, 37.88

 

CMYK 49 / 0 / 79 / 46

HEX #478A1D

RGB 71 138 29

HSL 96.88, 0.65%, 0.33%

LAB 51.39, -40.27, 47.98

 

CMYK 55 / 0 / 89 / 40

HEX #449810

RGB 68 152 16

HSL 97.06, 0.81%, 0.33%

LAB 55.81, -47.33, 55.45

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 0 / 1 / 0 / 67

HEX #545354

RGB 84 83 84

HSL 300, 0.01%, 0.33%

LAB 35.42, 0.62, -0.45

 

CMYK 10 / 28 / 0 / 62

HEX #574661

RGB 87 70 97

HSL 277.78, 0.16%, 0.33%

LAB 32.41, 12.96, -13.15

 

CMYK 19 / 50 / 0 / 56

HEX #5A386F

RGB 90 56 111

HSL 277.09, 0.33%, 0.33%

LAB 29.79, 26.24, -26.11

 

CMYK 26 / 66 / 0 / 51

HEX #5D2B7D

RGB 93 43 125

HSL 276.59, 0.49%, 0.33%

LAB 28.21, 38.01, -37.45

 

CMYK 2 / 0 / 28 / 62

HEX #5F6146

RGB 95 97 70

HSL 64.44, 0.16%, 0.33%

LAB 40.29, -5.79, 15.18

 

CMYK 9 / 0 / 28 / 62

HEX #586146

RGB 88 97 70

HSL 80, 0.16%, 0.33%

LAB 39.69, -8.79, 14.27

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 24 / 0 / 28 / 62

HEX #4A6146

RGB 74 97 70

HSL 111.11, 0.16%, 0.33%

LAB 38.63, -14.52, 12.66

 

CMYK 28 / 0 / 24 / 62

HEX #46614A

RGB 70 97 74

HSL 128.89, 0.16%, 0.33%

LAB 38.46, -15.27, 9.94

 

CMYK 16 / 0 / 27 / 81

HEX #293124

RGB 41 49 36

HSL 96.92, 0.15%, 0.17%

LAB 19.21, -6.47, 7.18

 

CMYK 16 / 0 / 27 / 71

HEX #3D4935

RGB 61 73 53

HSL 96, 0.16%, 0.25%

LAB 29.45, -9.18, 10.42

 

CMYK 16 / 0 / 28 / 62

HEX #516146

RGB 81 97 70

HSL 95.56, 0.16%, 0.33%

LAB 39.14, -11.71, 13.43

 

CMYK 17 / 0 / 27 / 53

HEX #647958

RGB 100 121 88

HSL 98.18, 0.16%, 0.41%

LAB 48.37, -14.32, 15.63

 

CMYK 17 / 0 / 28 / 43

HEX #789169

RGB 120 145 105

HSL 97.5, 0.16%, 0.49%

LAB 57.33, -16.62, 18.39

 

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

CMYK 28 / 0 / 5 / 62

HEX #46615C

RGB 70 97 92

HSL 168.89, 0.16%, 0.33%

LAB 38.94, -11.2, -0.4

 

CMYK 0 / 28 / 5 / 62

HEX #61465C

RGB 97 70 92

HSL 311.11, 0.16%, 0.33%

LAB 33.34, 15.67, -8.46

 

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

CMYK 28 / 16 / 0 / 62

HEX #465161

RGB 70 81 97

HSL 215.56, 0.16%, 0.33%

LAB 34.09, -0.24, -10.75

 

CMYK 0 / 28 / 16 / 62

HEX #614651

RGB 97 70 81

HSL 335.56, 0.16%, 0.33%

LAB 32.95, 13.51, -2.01

 

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

CMYK 28 / 0 / 5 / 62

HEX #46615C

RGB 70 97 92

HSL 168.89, 0.16%, 0.33%

LAB 38.94, -11.2, -0.4

 

CMYK 11 / 28 / 0 / 62

HEX #564661

RGB 86 70 97

HSL 275.56, 0.16%, 0.33%

LAB 32.31, 12.59, -13.32

 

CMYK 0 / 28 / 22 / 62

HEX #61464C

RGB 97 70 76

HSL 346.67, 0.16%, 0.33%

LAB 32.8, 12.6, 0.96

 

CMYK 17 / 0 / 27 / 62

HEX #506046

RGB 80 96 70

HSL 96.92, 0.16%, 0.33%

LAB 38.75, -11.55, 12.88

 

CMYK 28 / 3 / 0 / 62

HEX #465E61

RGB 70 94 97

HSL 186.67, 0.16%, 0.33%

LAB 38.15, -8.18, -4.66

 

CMYK 11 / 28 / 0 / 62

HEX #564661

RGB 86 70 97

HSL 275.56, 0.16%, 0.33%

LAB 32.31, 12.59, -13.32

 

CMYK 0 / 25 / 28 / 62

HEX #614946

RGB 97 73 70

HSL 6.67, 0.16%, 0.33%

LAB 33.45, 9.71, 5.74

 

Description

Color code: HEX #506046 | qconv.com Color code: HEX #506046 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 96 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 96 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 27 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 27% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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