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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506162 it is the complementary color #AF9E9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506162 shade: #55615D, #667370, #778583, #889796 and #99A9A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506162 shade: #506162, #3F4F4F, #2E3D3C, #1D2B29 and #0C1916

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506162 shade: #506162, #505C62, #505762, #505262 and #525062

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506162 shade: #506162, #505C62, #505762, #505262 and #505062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506162 shade matches the following richer shades: #506162, #416E70, #337A7F, #25878D and #16949B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506162 shade: #506162, #5E5453, #6D4745, #7B3A36 and #8A2D28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506162 shade: #506259, #50625E, #506162, #505C62 and #505762

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506162 shade: #2B3434, #3D4A4B, #506162, #627778 and #768D8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506162 shade: #506162, #545062 and #625B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506162 shade: #506162, #625061 and #616250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506162 shade: #506162, #545062, #625150 and #5D6250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506162 shade: #506162, #5A5062, #625150 and #586250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

Complementary color

CMYK 0 / 10 / 10 / 31

HEX #AF9E9D

RGB 175 158 157

HSL 3.33, 0.1%, 0.65%

LAB 66.52, 6.04, 2.78

 

CMYK 12 / 0 / 4 / 62

HEX #55615D

RGB 85 97 93

HSL 160, 0.07%, 0.36%

LAB 40.03, -5.5, 0.71

 

CMYK 11 / 0 / 3 / 55

HEX #667370

RGB 102 115 112

HSL 166.15, 0.06%, 0.43%

LAB 47.31, -5.5, -0

 

CMYK 11 / 0 / 2 / 48

HEX #778583

RGB 119 133 131

HSL 171.43, 0.06%, 0.49%

LAB 54.38, -5.52, -0.67

 

CMYK 10 / 0 / 1 / 41

HEX #889796

RGB 136 151 150

HSL 176, 0.07%, 0.56%

LAB 61.28, -5.54, -1.31

 

CMYK 9 / 0 / 0 / 34

HEX #99A9A9

RGB 153 169 169

HSL 180, 0.09%, 0.63%

LAB 68.03, -5.58, -1.92

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 20 / 0 / 0 / 69

HEX #3F4F4F

RGB 63 79 79

HSL 180, 0.11%, 0.28%

LAB 32.29, -6.25, -2.09

 

CMYK 25 / 0 / 2 / 76

HEX #2E3D3C

RGB 46 61 60

HSL 176, 0.14%, 0.21%

LAB 24.46, -6.33, -1.39

 

CMYK 33 / 0 / 5 / 83

HEX #1D2B29

RGB 29 43 41

HSL 171.43, 0.19%, 0.14%

LAB 16.25, -6.46, -0.62

 

CMYK 52 / 0 / 12 / 90

HEX #0C1916

RGB 12 25 22

HSL 166.15, 0.35%, 0.07%

LAB 7.51, -5.99, 0.28

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 18 / 6 / 0 / 62

HEX #505C62

RGB 80 92 98

HSL 200, 0.1%, 0.35%

LAB 38.27, -3.2, -5.01

 

CMYK 18 / 11 / 0 / 62

HEX #505762

RGB 80 87 98

HSL 216.67, 0.1%, 0.35%

LAB 36.75, -0.14, -7.28

 

CMYK 18 / 16 / 0 / 62

HEX #505262

RGB 80 82 98

HSL 233.33, 0.1%, 0.35%

LAB 35.25, 2.97, -9.54

 

CMYK 16 / 18 / 0 / 62

HEX #525062

RGB 82 80 98

HSL 246.67, 0.1%, 0.35%

LAB 34.83, 4.97, -10.16

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 18 / 6 / 0 / 62

HEX #505C62

RGB 80 92 98

HSL 200, 0.1%, 0.35%

LAB 38.27, -3.2, -5.01

 

CMYK 18 / 11 / 0 / 62

HEX #505762

RGB 80 87 98

HSL 216.67, 0.1%, 0.35%

LAB 36.75, -0.14, -7.28

 

CMYK 18 / 16 / 0 / 62

HEX #505262

RGB 80 82 98

HSL 233.33, 0.1%, 0.35%

LAB 35.25, 2.97, -9.54

 

CMYK 18 / 18 / 0 / 62

HEX #505062

RGB 80 80 98

HSL 240, 0.1%, 0.35%

LAB 34.65, 4.23, -10.44

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 42 / 2 / 0 / 56

HEX #416E70

RGB 65 110 112

HSL 182.55, 0.27%, 0.35%

LAB 43.43, -14.87, -5.99

 

CMYK 60 / 4 / 0 / 50

HEX #337A7F

RGB 51 122 127

HSL 183.95, 0.43%, 0.35%

LAB 47.18, -20.4, -9.41

 

CMYK 74 / 4 / 0 / 45

HEX #25878D

RGB 37 135 141

HSL 183.46, 0.58%, 0.35%

LAB 51.43, -25.13, -11.28

 

CMYK 86 / 5 / 0 / 39

HEX #16949B

RGB 22 148 155

HSL 183.16, 0.75%, 0.35%

LAB 55.8, -28.69, -12.81

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 0 / 11 / 12 / 63

HEX #5E5453

RGB 94 84 83

HSL 5.45, 0.06%, 0.35%

LAB 36.64, 3.9, 2.07

 

CMYK 0 / 35 / 37 / 57

HEX #6D4745

RGB 109 71 69

HSL 3, 0.22%, 0.35%

LAB 34.37, 16.02, 7.88

 

CMYK 0 / 53 / 56 / 52

HEX #7B3A36

RGB 123 58 54

HSL 3.48, 0.39%, 0.35%

LAB 32.93, 27.85, 15.76

 

CMYK 0 / 67 / 71 / 46

HEX #8A2D28

RGB 138 45 40

HSL 3.06, 0.55%, 0.35%

LAB 32.77, 39.22, 24.92

 

CMYK 18 / 0 / 9 / 62

HEX #506259

RGB 80 98 89

HSL 150, 0.1%, 0.35%

LAB 39.85, -8.87, 2.85

 

CMYK 18 / 0 / 4 / 62

HEX #50625E

RGB 80 98 94

HSL 166.67, 0.1%, 0.35%

LAB 40, -7.74, -0

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 18 / 6 / 0 / 62

HEX #505C62

RGB 80 92 98

HSL 200, 0.1%, 0.35%

LAB 38.27, -3.2, -5.01

 

CMYK 18 / 11 / 0 / 62

HEX #505762

RGB 80 87 98

HSL 216.67, 0.1%, 0.35%

LAB 36.75, -0.14, -7.28

 

CMYK 17 / 0 / 0 / 80

HEX #2B3434

RGB 43 52 52

HSL 180, 0.09%, 0.19%

LAB 20.89, -3.8, -1.29

 

CMYK 19 / 1 / 0 / 71

HEX #3D4A4B

RGB 61 74 75

HSL 184.29, 0.1%, 0.27%

LAB 30.39, -4.92, -2.34

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 18 / 1 / 0 / 53

HEX #627778

RGB 98 119 120

HSL 182.73, 0.1%, 0.43%

LAB 48.44, -7.43, -3.12

 

CMYK 17 / 1 / 0 / 44

HEX #768D8E

RGB 118 141 142

HSL 182.5, 0.1%, 0.51%

LAB 56.93, -7.94, -3.28

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 14 / 18 / 0 / 62

HEX #545062

RGB 84 80 98

HSL 253.33, 0.1%, 0.35%

LAB 35.01, 5.71, -9.86

 

CMYK 0 / 7 / 18 / 62

HEX #625B50

RGB 98 91 80

HSL 36.67, 0.1%, 0.35%

LAB 39, 0.75, 7.36

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 0 / 18 / 1 / 62

HEX #625061

RGB 98 80 97

HSL 303.33, 0.1%, 0.35%

LAB 36.36, 10.85, -7.07

 

CMYK 1 / 0 / 18 / 62

HEX #616250

RGB 97 98 80

HSL 63.33, 0.1%, 0.35%

LAB 40.99, -3.86, 10.14

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 14 / 18 / 0 / 62

HEX #545062

RGB 84 80 98

HSL 253.33, 0.1%, 0.35%

LAB 35.01, 5.71, -9.86

 

CMYK 0 / 17 / 18 / 62

HEX #625150

RGB 98 81 80

HSL 3.33, 0.1%, 0.35%

LAB 36.1, 6.88, 3.22

 

CMYK 5 / 0 / 18 / 62

HEX #5D6250

RGB 93 98 80

HSL 76.67, 0.1%, 0.35%

LAB 40.64, -5.53, 9.6

 

CMYK 18 / 1 / 0 / 62

HEX #506162

RGB 80 97 98

HSL 183.33, 0.1%, 0.35%

LAB 39.81, -6.2, -2.73

 

CMYK 8 / 18 / 0 / 62

HEX #5A5062

RGB 90 80 98

HSL 273.33, 0.1%, 0.35%

LAB 35.58, 7.98, -8.94

 

CMYK 0 / 17 / 18 / 62

HEX #625150

RGB 98 81 80

HSL 3.33, 0.1%, 0.35%

LAB 36.1, 6.88, 3.22

 

CMYK 10 / 0 / 18 / 62

HEX #586250

RGB 88 98 80

HSL 93.33, 0.1%, 0.35%

LAB 40.23, -7.59, 8.96

 

Description

Color code: HEX #506162 | qconv.com Color code: HEX #506162 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 97 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 97 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 1 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 1% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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