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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506270 it is the complementary color #AF9D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506270 shade: #55626B, #66747E, #778691, #8898A4 and #99AAB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506270 shade: #506270, #3F505D, #2E3E4A, #1D2C37 and #0C1A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506270 shade: #506271, #505A71, #505171, #585071 and #615071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506270 shade: #506271, #505A71, #505171 and #505071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506270 shade matches the following richer shades: #506271, #406481, #316690, #2168A0 and #116AB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506270 shade: #506271, #606061, #6F5F52, #7F5D42 and #8F5B32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506270 shade: #50716E, #506B71, #506371, #505A71 and #505171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506270 shade: #2E3841, #3F4D59, #506271, #617889 and #768C9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506270 shade: #506270, #655071 and #707150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506270 shade: #506270, #715063 and #637150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506270 shade: #506270, #655071, #715E50 and #5C7150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506270 shade: #506270, #6F5071, #715E50 and #527150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

Complementary color

CMYK 0 / 10 / 18 / 31

HEX #AF9D8F

RGB 175 157 143

HSL 26.25, 0.17%, 0.62%

LAB 65.91, 4.26, 9.72

 

CMYK 21 / 8 / 0 / 58

HEX #55626B

RGB 85 98 107

HSL 204.55, 0.11%, 0.38%

LAB 40.78, -2.81, -6.77

 

CMYK 19 / 8 / 0 / 51

HEX #66747E

RGB 102 116 126

HSL 205, 0.11%, 0.45%

LAB 48.03, -2.9, -7.25

 

CMYK 18 / 8 / 0 / 43

HEX #778691

RGB 119 134 145

HSL 205.38, 0.11%, 0.52%

LAB 55.09, -2.98, -7.73

 

CMYK 17 / 7 / 0 / 36

HEX #8898A4

RGB 136 152 164

HSL 205.71, 0.13%, 0.59%

LAB 61.97, -3.07, -8.21

 

CMYK 16 / 7 / 0 / 28

HEX #99AAB7

RGB 153 170 183

HSL 206, 0.17%, 0.66%

LAB 68.71, -3.16, -8.68

 

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

CMYK 32 / 14 / 0 / 64

HEX #3F505D

RGB 63 80 93

HSL 206, 0.19%, 0.31%

LAB 33.1, -3.12, -9.76

 

CMYK 38 / 16 / 0 / 71

HEX #2E3E4A

RGB 46 62 74

HSL 205.71, 0.23%, 0.24%

LAB 25.32, -2.97, -9.39

 

CMYK 47 / 20 / 0 / 78

HEX #1D2C37

RGB 29 44 55

HSL 205.38, 0.31%, 0.16%

LAB 17.17, -2.75, -9.04

 

CMYK 67 / 28 / 0 / 86

HEX #0C1A24

RGB 12 26 36

HSL 205, 0.5%, 0.09%

LAB 8.52, -2.33, -8.74

 

CMYK 29 / 13 / 0 / 56

HEX #506271

RGB 80 98 113

HSL 207.27, 0.17%, 0.38%

LAB 40.63, -2.98, -10.71

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 28 / 0 / 56

HEX #505171

RGB 80 81 113

HSL 238.18, 0.17%, 0.38%

LAB 35.56, 7.58, -18.44

 

CMYK 22 / 29 / 0 / 56

HEX #585071

RGB 88 80 113

HSL 254.55, 0.17%, 0.38%

LAB 35.99, 10.94, -17.71

 

CMYK 14 / 29 / 0 / 56

HEX #615071

RGB 97 80 113

HSL 270.91, 0.17%, 0.38%

LAB 36.88, 14.11, -16.28

 

CMYK 29 / 13 / 0 / 56

HEX #506271

RGB 80 98 113

HSL 207.27, 0.17%, 0.38%

LAB 40.63, -2.98, -10.71

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 28 / 0 / 56

HEX #505171

RGB 80 81 113

HSL 238.18, 0.17%, 0.38%

LAB 35.56, 7.58, -18.44

 

CMYK 29 / 29 / 0 / 56

HEX #505071

RGB 80 80 113

HSL 240, 0.17%, 0.38%

LAB 35.27, 8.22, -18.89

 

CMYK 29 / 13 / 0 / 56

HEX #506271

RGB 80 98 113

HSL 207.27, 0.17%, 0.38%

LAB 40.63, -2.98, -10.71

 

CMYK 50 / 22 / 0 / 49

HEX #406481

RGB 64 100 129

HSL 206.77, 0.34%, 0.38%

LAB 40.88, -4.24, -20.15

 

CMYK 66 / 29 / 0 / 44

HEX #316690

RGB 49 102 144

HSL 206.53, 0.49%, 0.38%

LAB 41.48, -3.73, -28.3

 

CMYK 79 / 35 / 0 / 37

HEX #2168A0

RGB 33 104 160

HSL 206.46, 0.66%, 0.38%

LAB 42.4, -1.44, -36.43

 

CMYK 90 / 40 / 0 / 31

HEX #116AB0

RGB 17 106 176

HSL 206.42, 0.82%, 0.38%

LAB 43.6, 2.18, -43.97

 

CMYK 29 / 13 / 0 / 56

HEX #506271

RGB 80 98 113

HSL 207.27, 0.17%, 0.38%

LAB 40.63, -2.98, -10.71

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 0 / 14 / 26 / 56

HEX #6F5F52

RGB 111 95 82

HSL 26.9, 0.15%, 0.38%

LAB 41.49, 4.22, 9.82

 

CMYK 0 / 27 / 48 / 50

HEX #7F5D42

RGB 127 93 66

HSL 26.56, 0.32%, 0.38%

LAB 42.36, 10.29, 20.91

 

CMYK 0 / 36 / 65 / 44

HEX #8F5B32

RGB 143 91 50

HSL 26.45, 0.48%, 0.38%

LAB 43.58, 17.19, 32.03

 

CMYK 29 / 0 / 3 / 56

HEX #50716E

RGB 80 113 110

HSL 174.55, 0.17%, 0.38%

LAB 45.14, -12.5, -2.16

 

CMYK 29 / 5 / 0 / 56

HEX #506B71

RGB 80 107 113

HSL 190.91, 0.17%, 0.38%

LAB 43.38, -8.31, -6.58

 

CMYK 29 / 12 / 0 / 56

HEX #506371

RGB 80 99 113

HSL 205.45, 0.17%, 0.38%

LAB 40.93, -3.58, -10.25

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 28 / 0 / 56

HEX #505171

RGB 80 81 113

HSL 238.18, 0.17%, 0.38%

LAB 35.56, 7.58, -18.44

 

CMYK 29 / 14 / 0 / 75

HEX #2E3841

RGB 46 56 65

HSL 208.42, 0.17%, 0.22%

LAB 22.97, -1.7, -6.96

 

CMYK 29 / 13 / 0 / 65

HEX #3F4D59

RGB 63 77 89

HSL 207.69, 0.17%, 0.3%

LAB 32, -2.36, -8.88

 

CMYK 29 / 13 / 0 / 56

HEX #506271

RGB 80 98 113

HSL 207.27, 0.17%, 0.38%

LAB 40.63, -2.98, -10.71

 

CMYK 29 / 12 / 0 / 46

HEX #617889

RGB 97 120 137

HSL 205.5, 0.17%, 0.46%

LAB 49.23, -4.15, -12.01

 

CMYK 25 / 11 / 0 / 38

HEX #768C9E

RGB 118 140 158

HSL 207, 0.17%, 0.54%

LAB 57.15, -3.63, -12.14

 

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

CMYK 11 / 29 / 0 / 56

HEX #655071

RGB 101 80 113

HSL 278.18, 0.17%, 0.38%

LAB 37.29, 15.54, -15.61

 

CMYK 1 / 0 / 29 / 56

HEX #707150

RGB 112 113 80

HSL 61.82, 0.17%, 0.38%

LAB 46.76, -6.22, 18.25

 

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

CMYK 0 / 29 / 12 / 56

HEX #715063

RGB 113 80 99

HSL 325.45, 0.17%, 0.38%

LAB 38.11, 17.12, -5.53

 

CMYK 12 / 0 / 29 / 56

HEX #637150

RGB 99 113 80

HSL 85.45, 0.17%, 0.38%

LAB 45.69, -11.65, 16.63

 

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

CMYK 11 / 29 / 0 / 56

HEX #655071

RGB 101 80 113

HSL 278.18, 0.17%, 0.38%

LAB 37.29, 15.54, -15.61

 

CMYK 0 / 17 / 29 / 56

HEX #715E50

RGB 113 94 80

HSL 25.45, 0.17%, 0.38%

LAB 41.37, 5.36, 10.9

 

CMYK 19 / 0 / 29 / 56

HEX #5C7150

RGB 92 113 80

HSL 98.18, 0.17%, 0.38%

LAB 45.17, -14.47, 15.84

 

CMYK 29 / 13 / 0 / 56

HEX #506270

RGB 80 98 112

HSL 206.25, 0.17%, 0.38%

LAB 40.59, -3.25, -10.15

 

CMYK 2 / 29 / 0 / 56

HEX #6F5071

RGB 111 80 113

HSL 296.36, 0.17%, 0.38%

LAB 38.39, 19.18, -13.83

 

CMYK 0 / 17 / 29 / 56

HEX #715E50

RGB 113 94 80

HSL 25.45, 0.17%, 0.38%

LAB 41.37, 5.36, 10.9

 

CMYK 27 / 0 / 29 / 56

HEX #527150

RGB 82 113 80

HSL 116.36, 0.17%, 0.38%

LAB 44.49, -18.33, 14.81

 

Description

Color code: HEX #506270 | qconv.com Color code: HEX #506270 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 98 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 98 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 13 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 13% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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