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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507880 it is the complementary color #AF877F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #507880 shade: #55787B, #668A8E, #779CA1, #88AEB4 and #99C0C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #507880 shade: #507880, #3F666D, #2E545A, #1D4247 and #0C3034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #507880 shade: #507880, #506B80, #505E80, #505180 and #5C5080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #507880 shade: #507880, #506B80, #505E80, #505180 and #505080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #507880 shade matches the following richer shades: #507880, #3F8391, #2E8FA2, #1D9AB3 and #0CA5C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #507880 shade: #507880, #616D6F, #72625E, #83564D and #944B3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #507880 shade: #50806E, #50807B, #507880, #506B80 and #505E80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #507880 shade: #30484D, #406067, #507880, #609099 and #78A2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #507880 shade: #507880, #625080 and #807550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #507880 shade: #507880, #805078 and #788050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #507880 shade: #507880, #625080, #805850 and #6E8050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #507880 shade: #507880, #705080, #805850 and #608050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

Complementary color

CMYK 0 / 23 / 27 / 31

HEX #AF877F

RGB 175 135 127

HSL 10, 0.23%, 0.59%

LAB 59.87, 14.08, 10.18

 

CMYK 31 / 2 / 0 / 52

HEX #55787B

RGB 85 120 123

HSL 184.74, 0.18%, 0.41%

LAB 48, -11.56, -5.65

 

CMYK 28 / 3 / 0 / 44

HEX #668A8E

RGB 102 138 142

HSL 186, 0.16%, 0.48%

LAB 55.03, -11.5, -6.22

 

CMYK 26 / 3 / 0 / 37

HEX #779CA1

RGB 119 156 161

HSL 187.14, 0.18%, 0.55%

LAB 61.89, -11.45, -6.76

 

CMYK 24 / 3 / 0 / 29

HEX #88AEB4

RGB 136 174 180

HSL 188.18, 0.23%, 0.62%

LAB 68.61, -11.4, -7.29

 

CMYK 23 / 4 / 0 / 22

HEX #99C0C7

RGB 153 192 199

HSL 189.13, 0.29%, 0.69%

LAB 75.2, -11.37, -7.8

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 42 / 6 / 0 / 57

HEX #3F666D

RGB 63 102 109

HSL 189.13, 0.27%, 0.34%

LAB 40.68, -11.75, -8.29

 

CMYK 49 / 7 / 0 / 65

HEX #2E545A

RGB 46 84 90

HSL 188.18, 0.32%, 0.27%

LAB 33.26, -11.69, -7.72

 

CMYK 59 / 7 / 0 / 72

HEX #1D4247

RGB 29 66 71

HSL 187.14, 0.42%, 0.2%

LAB 25.6, -11.52, -7.08

 

CMYK 77 / 8 / 0 / 80

HEX #0C3034

RGB 12 48 52

HSL 186, 0.63%, 0.13%

LAB 17.65, -11.05, -6.32

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 38 / 16 / 0 / 50

HEX #506B80

RGB 80 107 128

HSL 206.25, 0.23%, 0.41%

LAB 43.91, -4.24, -14.81

 

CMYK 38 / 27 / 0 / 50

HEX #505E80

RGB 80 94 128

HSL 222.5, 0.23%, 0.41%

LAB 40.03, 3.67, -20.77

 

CMYK 38 / 37 / 0 / 50

HEX #505180

RGB 80 81 128

HSL 238.75, 0.23%, 0.41%

LAB 36.27, 11.89, -26.62

 

CMYK 28 / 38 / 0 / 50

HEX #5C5080

RGB 92 80 128

HSL 255, 0.23%, 0.41%

LAB 37.06, 16.26, -25.3

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 38 / 16 / 0 / 50

HEX #506B80

RGB 80 107 128

HSL 206.25, 0.23%, 0.41%

LAB 43.91, -4.24, -14.81

 

CMYK 38 / 27 / 0 / 50

HEX #505E80

RGB 80 94 128

HSL 222.5, 0.23%, 0.41%

LAB 40.03, 3.67, -20.77

 

CMYK 38 / 37 / 0 / 50

HEX #505180

RGB 80 81 128

HSL 238.75, 0.23%, 0.41%

LAB 36.27, 11.89, -26.62

 

CMYK 38 / 38 / 0 / 50

HEX #505080

RGB 80 80 128

HSL 240, 0.23%, 0.41%

LAB 35.99, 12.54, -27.06

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 57 / 10 / 0 / 43

HEX #3F8391

RGB 63 131 145

HSL 190.24, 0.39%, 0.41%

LAB 51.08, -17.26, -14.08

 

CMYK 72 / 12 / 0 / 36

HEX #2E8FA2

RGB 46 143 162

HSL 189.83, 0.56%, 0.41%

LAB 54.9, -21.32, -18.16

 

CMYK 84 / 14 / 0 / 30

HEX #1D9AB3

RGB 29 154 179

HSL 190, 0.72%, 0.41%

LAB 58.63, -23.29, -22.18

 

CMYK 94 / 16 / 0 / 23

HEX #0CA5C4

RGB 12 165 196

HSL 190.11, 0.88%, 0.41%

LAB 62.49, -24.17, -25.83

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 13 / 2 / 0 / 56

HEX #616D6F

RGB 97 109 111

HSL 188.57, 0.07%, 0.41%

LAB 45.12, -4.07, -2.66

 

CMYK 0 / 14 / 18 / 55

HEX #72625E

RGB 114 98 94

HSL 12, 0.1%, 0.41%

LAB 42.94, 5.69, 4.63

 

CMYK 0 / 34 / 41 / 49

HEX #83564D

RGB 131 86 77

HSL 10, 0.26%, 0.41%

LAB 41.24, 17.5, 12.88

 

CMYK 0 / 49 / 59 / 42

HEX #944B3C

RGB 148 75 60

HSL 10.23, 0.42%, 0.41%

LAB 40.66, 29.2, 22.85

 

CMYK 38 / 0 / 14 / 50

HEX #50806E

RGB 80 128 110

HSL 157.5, 0.23%, 0.41%

LAB 49.82, -20.65, 4.64

 

CMYK 38 / 0 / 4 / 50

HEX #50807B

RGB 80 128 123

HSL 173.75, 0.23%, 0.41%

LAB 50.18, -17.49, -2.45

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 38 / 16 / 0 / 50

HEX #506B80

RGB 80 107 128

HSL 206.25, 0.23%, 0.41%

LAB 43.91, -4.24, -14.81

 

CMYK 38 / 27 / 0 / 50

HEX #505E80

RGB 80 94 128

HSL 222.5, 0.23%, 0.41%

LAB 40.03, 3.67, -20.77

 

CMYK 38 / 6 / 0 / 70

HEX #30484D

RGB 48 72 77

HSL 190.34, 0.23%, 0.25%

LAB 28.9, -7.75, -5.95

 

CMYK 38 / 7 / 0 / 60

HEX #406067

RGB 64 96 103

HSL 190.77, 0.23%, 0.33%

LAB 38.61, -9.67, -7.7

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 37 / 6 / 0 / 40

HEX #609099

RGB 96 144 153

HSL 189.47, 0.23%, 0.49%

LAB 56.81, -13.77, -9.91

 

CMYK 29 / 5 / 0 / 33

HEX #78A2AA

RGB 120 162 170

HSL 189.6, 0.23%, 0.57%

LAB 63.95, -12.21, -8.76

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 23 / 38 / 0 / 50

HEX #625080

RGB 98 80 128

HSL 262.5, 0.23%, 0.41%

LAB 37.65, 18.2, -24.34

 

CMYK 0 / 9 / 38 / 50

HEX #807550

RGB 128 117 80

HSL 46.25, 0.23%, 0.41%

LAB 49.36, -1.63, 21.98

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 0 / 38 / 6 / 50

HEX #805078

RGB 128 80 120

HSL 310, 0.23%, 0.41%

LAB 40.71, 26.74, -14.43

 

CMYK 6 / 0 / 38 / 50

HEX #788050

RGB 120 128 80

HSL 70, 0.23%, 0.41%

LAB 51.85, -11.22, 25.09

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 23 / 38 / 0 / 50

HEX #625080

RGB 98 80 128

HSL 262.5, 0.23%, 0.41%

LAB 37.65, 18.2, -24.34

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 14 / 0 / 38 / 50

HEX #6E8050

RGB 110 128 80

HSL 82.5, 0.23%, 0.41%

LAB 51.07, -15.37, 23.93

 

CMYK 38 / 6 / 0 / 50

HEX #507880

RGB 80 120 128

HSL 190, 0.23%, 0.41%

LAB 47.88, -11.77, -8.83

 

CMYK 13 / 38 / 0 / 50

HEX #705080

RGB 112 80 128

HSL 280, 0.23%, 0.41%

LAB 39.14, 22.86, -21.91

 

CMYK 0 / 31 / 38 / 50

HEX #805850

RGB 128 88 80

HSL 10, 0.23%, 0.41%

LAB 41.45, 15.42, 11.27

 

CMYK 25 / 0 / 38 / 50

HEX #608050

RGB 96 128 80

HSL 100, 0.23%, 0.41%

LAB 50.1, -20.92, 22.48

 

Description

Color code: HEX #507880 | qconv.com Color code: HEX #507880 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 120 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 120 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 6 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 6% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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