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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50794C it is the complementary color #AF86B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50794C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50794C shade: #557947, #668B5A, #779D6D, #88AF80 and #99C193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50794C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50794C shade: #50794C, #3F6739, #2E5526, #1D4313 and #0C3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50794C shade: #507A4C, #5C7A4C, #697A4C, #757A4C and #7A724C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50794C shade: #507A4C, #4C7A54, #4C7A61, #4C7A6D and #4C7A79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50794C shade matches the following richer shades: #507A4C, #438A3C, #369A2C, #28AA1C and #1BBA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50794C shade: #507A4C, #5D6A5C, #6B5A6C, #784A7C and #85398C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50794C shade: #697A4C, #5D7A4C, #517A4C, #4C7A54 and #4C7A60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50794C shade: #2F472C, #3F603C, #507A4C, #61935C and #77A672

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50794C shade: #50794C, #4C757A and #7A4C63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50794C shade: #50794C, #4C517A and #7A4C51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50794C shade: #50794C, #4C757A, #754C7A and #7A514C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50794C shade: #50794C, #4C687A, #754C7A and #7A5E4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

Complementary color

CMYK 2 / 25 / 0 / 30

HEX #AF86B3

RGB 175 134 179

HSL 294.67, 0.23%, 0.61%

LAB 61.15, 23.58, -17.61

 

CMYK 30 / 0 / 41 / 53

HEX #557947

RGB 85 121 71

HSL 103.2, 0.26%, 0.38%

LAB 47.05, -22.91, 23.43

 

CMYK 27 / 0 / 35 / 45

HEX #668B5A

RGB 102 139 90

HSL 105.31, 0.21%, 0.45%

LAB 54.06, -22.72, 22.17

 

CMYK 24 / 0 / 31 / 38

HEX #779D6D

RGB 119 157 109

HSL 107.5, 0.2%, 0.52%

LAB 60.9, -22.53, 21.01

 

CMYK 22 / 0 / 27 / 31

HEX #88AF80

RGB 136 175 128

HSL 109.79, 0.23%, 0.59%

LAB 67.62, -22.34, 19.92

 

CMYK 21 / 0 / 24 / 24

HEX #99C193

RGB 153 193 147

HSL 112.17, 0.27%, 0.67%

LAB 74.2, -22.17, 18.9

 

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

CMYK 39 / 0 / 45 / 60

HEX #3F6739

RGB 63 103 57

HSL 112.17, 0.29%, 0.31%

LAB 39.67, -24.18, 21.6

 

CMYK 46 / 0 / 55 / 67

HEX #2E5526

RGB 46 85 38

HSL 109.79, 0.38%, 0.24%

LAB 32.3, -24.33, 23.01

 

CMYK 57 / 0 / 72 / 74

HEX #1D4313

RGB 29 67 19

HSL 107.5, 0.56%, 0.17%

LAB 24.71, -24.22, 24.34

 

CMYK 76 / 0 / 100 / 81

HEX #0C3100

RGB 12 49 0

HSL 105.31, 1%, 0.1%

LAB 16.87, -23.65, 23.74

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 25 / 0 / 38 / 52

HEX #5C7A4C

RGB 92 122 76

HSL 99.13, 0.23%, 0.39%

LAB 47.9, -19.96, 21.79

 

CMYK 14 / 0 / 38 / 52

HEX #697A4C

RGB 105 122 76

HSL 82.17, 0.23%, 0.39%

LAB 48.81, -14.75, 23.16

 

CMYK 4 / 0 / 38 / 52

HEX #757A4C

RGB 117 122 76

HSL 66.52, 0.23%, 0.39%

LAB 49.77, -9.71, 24.58

 

CMYK 0 / 7 / 38 / 52

HEX #7A724C

RGB 122 114 76

HSL 49.57, 0.23%, 0.39%

LAB 47.87, -3.04, 22.2

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 38 / 0 / 31 / 52

HEX #4C7A54

RGB 76 122 84

HSL 130.43, 0.23%, 0.39%

LAB 47.1, -24.39, 15.97

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 38 / 0 / 11 / 52

HEX #4C7A6D

RGB 76 122 109

HSL 163.04, 0.23%, 0.39%

LAB 47.7, -18.95, 2.14

 

CMYK 38 / 0 / 1 / 52

HEX #4C7A79

RGB 76 122 121

HSL 178.7, 0.23%, 0.39%

LAB 48.05, -15.92, -4.44

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 51 / 0 / 57 / 46

HEX #438A3C

RGB 67 138 60

HSL 114.62, 0.39%, 0.39%

LAB 51.49, -38.57, 34.63

 

CMYK 65 / 0 / 71 / 40

HEX #369A2C

RGB 54 154 44

HSL 114.55, 0.56%, 0.39%

LAB 56.17, -49.98, 47

 

CMYK 76 / 0 / 84 / 33

HEX #28AA1C

RGB 40 170 28

HSL 114.93, 0.72%, 0.39%

LAB 61.03, -59.1, 56.98

 

CMYK 85 / 0 / 94 / 27

HEX #1BBA0C

RGB 27 186 12

HSL 114.83, 0.88%, 0.39%

LAB 66.04, -66.08, 64.41

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 12 / 0 / 13 / 58

HEX #5D6A5C

RGB 93 106 92

HSL 115.71, 0.07%, 0.39%

LAB 43.37, -7.9, 6.2

 

CMYK 1 / 17 / 0 / 58

HEX #6B5A6C

RGB 107 90 108

HSL 296.67, 0.09%, 0.39%

LAB 40.44, 10.47, -7.68

 

CMYK 3 / 40 / 0 / 51

HEX #784A7C

RGB 120 74 124

HSL 295.2, 0.25%, 0.39%

LAB 38.46, 28.28, -20.43

 

CMYK 5 / 59 / 0 / 45

HEX #85398C

RGB 133 57 140

HSL 294.94, 0.42%, 0.39%

LAB 37.49, 44.75, -31.64

 

CMYK 14 / 0 / 38 / 52

HEX #697A4C

RGB 105 122 76

HSL 82.17, 0.23%, 0.39%

LAB 48.81, -14.75, 23.16

 

CMYK 24 / 0 / 38 / 52

HEX #5D7A4C

RGB 93 122 76

HSL 97.83, 0.23%, 0.39%

LAB 47.97, -19.58, 21.89

 

CMYK 34 / 0 / 38 / 52

HEX #517A4C

RGB 81 122 76

HSL 113.48, 0.23%, 0.39%

LAB 47.22, -24.09, 20.77

 

CMYK 38 / 0 / 31 / 52

HEX #4C7A54

RGB 76 122 84

HSL 130.43, 0.23%, 0.39%

LAB 47.1, -24.39, 15.97

 

CMYK 38 / 0 / 21 / 52

HEX #4C7A60

RGB 76 122 96

HSL 146.09, 0.23%, 0.39%

LAB 47.37, -21.94, 9.33

 

CMYK 34 / 0 / 38 / 72

HEX #2F472C

RGB 47 71 44

HSL 113.33, 0.23%, 0.23%

LAB 27.55, -15.56, 13.37

 

CMYK 34 / 0 / 38 / 62

HEX #3F603C

RGB 63 96 60

HSL 115, 0.23%, 0.31%

LAB 37.39, -20.05, 16.86

 

CMYK 34 / 0 / 38 / 52

HEX #507A4C

RGB 80 122 76

HSL 114.78, 0.23%, 0.39%

LAB 47.17, -24.45, 20.69

 

CMYK 34 / 0 / 37 / 42

HEX #61935C

RGB 97 147 92

HSL 114.55, 0.23%, 0.47%

LAB 56.27, -28.17, 23.94

 

CMYK 28 / 0 / 31 / 35

HEX #77A672

RGB 119 166 114

HSL 114.23, 0.23%, 0.55%

LAB 63.68, -26.19, 22.02

 

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

CMYK 38 / 4 / 0 / 52

HEX #4C757A

RGB 76 117 122

HSL 186.52, 0.23%, 0.39%

LAB 46.53, -12.88, -7.3

 

CMYK 0 / 38 / 19 / 52

HEX #7A4C63

RGB 122 76 99

HSL 330, 0.23%, 0.39%

LAB 38.21, 23.03, -5.26

 

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

CMYK 38 / 34 / 0 / 52

HEX #4C517A

RGB 76 81 122

HSL 233.48, 0.23%, 0.39%

LAB 35.65, 8.9, -23.91

 

CMYK 0 / 38 / 34 / 52

HEX #7A4C51

RGB 122 76 81

HSL 353.48, 0.23%, 0.39%

LAB 37.66, 20.19, 5.21

 

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

CMYK 38 / 4 / 0 / 52

HEX #4C757A

RGB 76 117 122

HSL 186.52, 0.23%, 0.39%

LAB 46.53, -12.88, -7.3

 

CMYK 4 / 38 / 0 / 52

HEX #754C7A

RGB 117 76 122

HSL 293.48, 0.23%, 0.39%

LAB 38.47, 25.65, -19.2

 

CMYK 0 / 34 / 38 / 52

HEX #7A514C

RGB 122 81 76

HSL 6.52, 0.23%, 0.39%

LAB 38.8, 16.51, 9.94

 

CMYK 34 / 0 / 37 / 53

HEX #50794C

RGB 80 121 76

HSL 114.67, 0.23%, 0.39%

LAB 46.85, -23.94, 20.27

 

CMYK 38 / 15 / 0 / 52

HEX #4C687A

RGB 76 104 122

HSL 203.48, 0.23%, 0.39%

LAB 42.52, -5.37, -13.33

 

CMYK 4 / 38 / 0 / 52

HEX #754C7A

RGB 117 76 122

HSL 293.48, 0.23%, 0.39%

LAB 38.47, 25.65, -19.2

 

CMYK 0 / 23 / 38 / 52

HEX #7A5E4C

RGB 122 94 76

HSL 23.48, 0.23%, 0.39%

LAB 42.25, 8.7, 14.7

 

Description

Color code: HEX #50794C | qconv.com Color code: HEX #50794C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 121 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 121 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 37 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 37% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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