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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50717B it is the complementary color #AF8E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50717B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50717B shade: #557176, #668389, #77959C, #88A7AF and #99B9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50717B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50717B shade: #50717B, #3F5F68, #2E4D55, #1D3B42 and #0C292F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50717B shade: #50717B, #50657B, #505A7B, #52507B and #5D507B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50717B shade: #50717B, #50657B, #505A7B and #50507B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50717B shade matches the following richer shades: #50717B, #407A8B, #2F839C, #1F8BAC and #0E94BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50717B shade: #50717B, #61686A, #715F5A, #825649 and #924E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50717B shade: #507B6D, #507B79, #50727B, #50667B and #505B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50717B shade: #2F4349, #405A62, #50717B, #608894 and #779BA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50717B shade: #50717B, #62507B and #7B7350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50717B shade: #50717B, #7B5072 and #727B50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50717B shade: #50717B, #62507B, #7B5950 and #697B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50717B shade: #50717B, #6F507B, #7B5950 and #5C7B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

Complementary color

CMYK 0 / 19 / 25 / 31

HEX #AF8E84

RGB 175 142 132

HSL 13.95, 0.21%, 0.6%

LAB 61.76, 10.89, 10.02

 

CMYK 28 / 4 / 0 / 54

HEX #557176

RGB 85 113 118

HSL 189.09, 0.16%, 0.4%

LAB 45.7, -8.86, -6.09

 

CMYK 26 / 4 / 0 / 46

HEX #668389

RGB 102 131 137

HSL 190.29, 0.15%, 0.47%

LAB 52.8, -8.83, -6.62

 

CMYK 24 / 4 / 0 / 39

HEX #77959C

RGB 119 149 156

HSL 191.35, 0.16%, 0.54%

LAB 59.72, -8.81, -7.15

 

CMYK 22 / 5 / 0 / 31

HEX #88A7AF

RGB 136 167 175

HSL 192.31, 0.2%, 0.61%

LAB 66.49, -8.8, -7.65

 

CMYK 21 / 5 / 0 / 24

HEX #99B9C2

RGB 153 185 194

HSL 193.17, 0.25%, 0.68%

LAB 73.13, -8.8, -8.15

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 39 / 9 / 0 / 59

HEX #3F5F68

RGB 63 95 104

HSL 193.17, 0.25%, 0.33%

LAB 38.27, -9.1, -8.84

 

CMYK 46 / 9 / 0 / 67

HEX #2E4D55

RGB 46 77 85

HSL 192.31, 0.3%, 0.26%

LAB 30.75, -9.04, -8.33

 

CMYK 56 / 11 / 0 / 74

HEX #1D3B42

RGB 29 59 66

HSL 191.35, 0.39%, 0.19%

LAB 22.94, -8.88, -7.78

 

CMYK 74 / 13 / 0 / 82

HEX #0C292F

RGB 12 41 47

HSL 190.29, 0.59%, 0.12%

LAB 14.79, -8.47, -7.15

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 35 / 18 / 0 / 52

HEX #50657B

RGB 80 101 123

HSL 210.7, 0.21%, 0.4%

LAB 41.91, -2.05, -14.84

 

CMYK 35 / 27 / 0 / 52

HEX #505A7B

RGB 80 90 123

HSL 226.05, 0.21%, 0.4%

LAB 38.63, 4.72, -19.87

 

CMYK 33 / 35 / 0 / 52

HEX #52507B

RGB 82 80 123

HSL 242.79, 0.21%, 0.4%

LAB 35.91, 11.69, -24.09

 

CMYK 24 / 35 / 0 / 52

HEX #5D507B

RGB 93 80 123

HSL 258.14, 0.21%, 0.4%

LAB 36.92, 15.25, -22.44

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 35 / 18 / 0 / 52

HEX #50657B

RGB 80 101 123

HSL 210.7, 0.21%, 0.4%

LAB 41.91, -2.05, -14.84

 

CMYK 35 / 27 / 0 / 52

HEX #505A7B

RGB 80 90 123

HSL 226.05, 0.21%, 0.4%

LAB 38.63, 4.72, -19.87

 

CMYK 35 / 35 / 0 / 52

HEX #50507B

RGB 80 80 123

HSL 240, 0.21%, 0.4%

LAB 35.74, 11.07, -24.37

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 54 / 12 / 0 / 45

HEX #407A8B

RGB 64 122 139

HSL 193.6, 0.37%, 0.4%

LAB 48.1, -13.92, -15.07

 

CMYK 70 / 16 / 0 / 39

HEX #2F839C

RGB 47 131 156

HSL 193.76, 0.54%, 0.4%

LAB 50.96, -16.71, -20.71

 

CMYK 82 / 19 / 0 / 33

HEX #1F8BAC

RGB 31 139 172

HSL 194.04, 0.69%, 0.4%

LAB 53.74, -17.57, -25.7

 

CMYK 93 / 22 / 0 / 26

HEX #0E94BD

RGB 14 148 189

HSL 194.06, 0.86%, 0.4%

LAB 57.02, -17.58, -30.33

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 8 / 2 / 0 / 58

HEX #61686A

RGB 97 104 106

HSL 193.33, 0.04%, 0.4%

LAB 43.48, -2.24, -2.05

 

CMYK 0 / 16 / 20 / 56

HEX #715F5A

RGB 113 95 90

HSL 13.04, 0.11%, 0.4%

LAB 41.9, 6.38, 5.56

 

CMYK 0 / 34 / 44 / 49

HEX #825649

RGB 130 86 73

HSL 13.68, 0.28%, 0.4%

LAB 41.03, 16.58, 15

 

CMYK 0 / 47 / 61 / 43

HEX #924E39

RGB 146 78 57

HSL 14.16, 0.44%, 0.4%

LAB 40.99, 26.47, 24.99

 

CMYK 35 / 0 / 11 / 52

HEX #507B6D

RGB 80 123 109

HSL 160.47, 0.21%, 0.4%

LAB 48.23, -18.24, 2.94

 

CMYK 35 / 0 / 2 / 52

HEX #507B79

RGB 80 123 121

HSL 177.21, 0.21%, 0.4%

LAB 48.58, -15.28, -3.64

 

CMYK 35 / 7 / 0 / 52

HEX #50727B

RGB 80 114 123

HSL 192.56, 0.21%, 0.4%

LAB 45.87, -9.71, -8.86

 

CMYK 35 / 17 / 0 / 52

HEX #50667B

RGB 80 102 123

HSL 209.3, 0.21%, 0.4%

LAB 42.21, -2.66, -14.38

 

CMYK 35 / 26 / 0 / 52

HEX #505B7B

RGB 80 91 123

HSL 224.65, 0.21%, 0.4%

LAB 38.93, 4.09, -19.42

 

CMYK 36 / 8 / 0 / 71

HEX #2F4349

RGB 47 67 73

HSL 193.85, 0.22%, 0.24%

LAB 27.02, -6.13, -6.17

 

CMYK 35 / 8 / 0 / 62

HEX #405A62

RGB 64 90 98

HSL 194.12, 0.21%, 0.32%

LAB 36.53, -7.51, -7.74

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 35 / 8 / 0 / 42

HEX #608894

RGB 96 136 148

HSL 193.85, 0.21%, 0.48%

LAB 54.27, -10.69, -10.85

 

CMYK 28 / 7 / 0 / 35

HEX #779BA6

RGB 119 155 166

HSL 194.04, 0.21%, 0.56%

LAB 61.76, -9.7, -9.78

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 20 / 35 / 0 / 52

HEX #62507B

RGB 98 80 123

HSL 265.12, 0.21%, 0.4%

LAB 37.42, 16.92, -21.63

 

CMYK 0 / 7 / 35 / 52

HEX #7B7350

RGB 123 115 80

HSL 48.84, 0.21%, 0.4%

LAB 48.32, -2.65, 20.52

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 0 / 35 / 7 / 52

HEX #7B5072

RGB 123 80 114

HSL 312.56, 0.21%, 0.4%

LAB 39.85, 23.77, -12.09

 

CMYK 7 / 0 / 35 / 52

HEX #727B50

RGB 114 123 80

HSL 72.56, 0.21%, 0.4%

LAB 49.88, -10.99, 22.43

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 20 / 35 / 0 / 52

HEX #62507B

RGB 98 80 123

HSL 265.12, 0.21%, 0.4%

LAB 37.42, 16.92, -21.63

 

CMYK 0 / 28 / 35 / 52

HEX #7B5950

RGB 123 89 80

HSL 12.56, 0.21%, 0.4%

LAB 41.11, 12.68, 10.71

 

CMYK 15 / 0 / 35 / 52

HEX #697B50

RGB 105 123 80

HSL 85.12, 0.21%, 0.4%

LAB 49.19, -14.71, 21.39

 

CMYK 35 / 8 / 0 / 52

HEX #50717B

RGB 80 113 123

HSL 193.95, 0.21%, 0.4%

LAB 45.56, -9.13, -9.32

 

CMYK 10 / 35 / 0 / 52

HEX #6F507B

RGB 111 80 123

HSL 283.26, 0.21%, 0.4%

LAB 38.81, 21.38, -19.36

 

CMYK 0 / 28 / 35 / 52

HEX #7B5950

RGB 123 89 80

HSL 12.56, 0.21%, 0.4%

LAB 41.11, 12.68, 10.71

 

CMYK 25 / 0 / 35 / 52

HEX #5C7B50

RGB 92 123 80

HSL 103.26, 0.21%, 0.4%

LAB 48.29, -19.85, 20.03

 

Description

Color code: HEX #50717B | qconv.com Color code: HEX #50717B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 113 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 113 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 8 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 8% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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