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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507FBE it is the complementary color #AF8041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #507FBE shade: #557FB9, #6691CC, #77A3DF, #88B5F2 and #99C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #507FBE shade: #507FBE, #3F6DAB, #2E5B98, #1D4985 and #0C3772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #507FBE shade: #507FBE, #5061BE, #5C50BE, #7A50BE and #9750BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #507FBE shade: #507FBE, #5061BE and #5050BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #507FBE shade matches the following richer shades: #507FBE, #3C7CD1, #2979E5 and #1576F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #507FBE shade: #507FBE, #6381AA, #768497, #8A8784 and #9D8A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #507FBE shade: #50BABE, #509DBE, #507FBE, #5062BE and #5B50BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #507FBE shade: #325789, #3D6AA7, #507FBE, #6E95C9 and #8CABD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #507FBE shade: #507FBE, #A450BE and #ABBE50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #507FBE shade: #507FBE, #BE507F and #7FBE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #507FBE shade: #507FBE, #A450BE, #BE8E50 and #69BE50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #507FBE shade: #507FBE, #BE50B6, #BE8E50 and #50BE57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

Complementary color

CMYK 0 / 27 / 63 / 31

HEX #AF8041

RGB 175 128 65

HSL 34.36, 0.46%, 0.47%

LAB 57.01, 11.33, 40.66

 

CMYK 54 / 31 / 0 / 27

HEX #557FB9

RGB 85 127 185

HSL 214.8, 0.42%, 0.53%

LAB 52.52, 2.5, -34.93

 

CMYK 50 / 29 / 0 / 20

HEX #6691CC

RGB 102 145 204

HSL 214.71, 0.5%, 0.6%

LAB 59.38, 1.77, -34.94

 

CMYK 47 / 27 / 0 / 13

HEX #77A3DF

RGB 119 163 223

HSL 214.62, 0.62%, 0.67%

LAB 66.09, 1.17, -34.98

 

CMYK 44 / 25 / 0 / 5

HEX #88B5F2

RGB 136 181 242

HSL 214.53, 0.8%, 0.74%

LAB 72.69, 0.67, -35.05

 

CMYK 40 / 22 / 0 / 0

HEX #99C7FF

RGB 153 199 255

HSL 212.94, 1%, 0.8%

LAB 78.95, -1.35, -32.29

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 63 / 36 / 0 / 33

HEX #3F6DAB

RGB 63 109 171

HSL 214.44, 0.46%, 0.46%

LAB 45.54, 4.14, -37.87

 

CMYK 70 / 40 / 0 / 40

HEX #2E5B98

RGB 46 91 152

HSL 214.53, 0.54%, 0.39%

LAB 38.43, 5.58, -37.93

 

CMYK 78 / 45 / 0 / 48

HEX #1D4985

RGB 29 73 133

HSL 214.62, 0.64%, 0.32%

LAB 31.16, 7.53, -37.99

 

CMYK 89 / 52 / 0 / 55

HEX #0C3772

RGB 12 55 114

HSL 214.71, 0.81%, 0.25%

LAB 23.76, 10.26, -37.99

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 58 / 49 / 0 / 25

HEX #5061BE

RGB 80 97 190

HSL 230.73, 0.46%, 0.53%

LAB 44.19, 21.58, -51.05

 

CMYK 52 / 58 / 0 / 25

HEX #5C50BE

RGB 92 80 190

HSL 246.55, 0.46%, 0.53%

LAB 40.78, 34.59, -56.5

 

CMYK 36 / 58 / 0 / 25

HEX #7A50BE

RGB 122 80 190

HSL 262.91, 0.46%, 0.53%

LAB 43.64, 41.25, -51.75

 

CMYK 21 / 58 / 0 / 25

HEX #9750BE

RGB 151 80 190

HSL 278.73, 0.46%, 0.53%

LAB 47.02, 48.4, -46.15

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 58 / 49 / 0 / 25

HEX #5061BE

RGB 80 97 190

HSL 230.73, 0.46%, 0.53%

LAB 44.19, 21.58, -51.05

 

CMYK 58 / 58 / 0 / 25

HEX #5050BE

RGB 80 80 190

HSL 240, 0.46%, 0.53%

LAB 39.85, 32.27, -58.06

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 71 / 41 / 0 / 18

HEX #3C7CD1

RGB 60 124 209

HSL 214.23, 0.62%, 0.53%

LAB 51.81, 7.94, -49.82

 

CMYK 82 / 47 / 0 / 10

HEX #2979E5

RGB 41 121 229

HSL 214.47, 0.78%, 0.53%

LAB 51.61, 15.06, -61.45

 

CMYK 92 / 52 / 0 / 3

HEX #1576F8

RGB 21 118 248

HSL 214.36, 0.94%, 0.53%

LAB 51.72, 22.96, -71.91

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 42 / 24 / 0 / 33

HEX #6381AA

RGB 99 129 170

HSL 214.65, 0.29%, 0.53%

LAB 53.23, 0.24, -25.14

 

CMYK 22 / 13 / 0 / 41

HEX #768497

RGB 118 132 151

HSL 214.55, 0.14%, 0.53%

LAB 54.65, -0.76, -11.88

 

CMYK 0 / 2 / 4 / 46

HEX #8A8784

RGB 138 135 132

HSL 30, 0.02%, 0.53%

LAB 56.48, 0.54, 2

 

CMYK 0 / 12 / 29 / 38

HEX #9D8A70

RGB 157 138 112

HSL 34.67, 0.19%, 0.53%

LAB 58.52, 3.01, 16.57

 

CMYK 58 / 2 / 0 / 25

HEX #50BABE

RGB 80 186 190

HSL 182.18, 0.46%, 0.53%

LAB 69.85, -29.01, -11.21

 

CMYK 58 / 17 / 0 / 25

HEX #509DBE

RGB 80 157 190

HSL 198, 0.46%, 0.53%

LAB 61.25, -14.09, -24.25

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 58 / 48 / 0 / 25

HEX #5062BE

RGB 80 98 190

HSL 230.18, 0.46%, 0.53%

LAB 44.46, 20.95, -50.63

 

CMYK 52 / 58 / 0 / 25

HEX #5B50BE

RGB 91 80 190

HSL 246, 0.46%, 0.53%

LAB 40.7, 34.39, -56.64

 

CMYK 64 / 36 / 0 / 46

HEX #325789

RGB 50 87 137

HSL 214.48, 0.47%, 0.37%

LAB 36.56, 3.36, -31.81

 

CMYK 63 / 37 / 0 / 35

HEX #3D6AA7

RGB 61 106 167

HSL 214.53, 0.46%, 0.45%

LAB 44.36, 4.21, -37.4

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 45 / 26 / 0 / 21

HEX #6E95C9

RGB 110 149 201

HSL 214.29, 0.46%, 0.61%

LAB 60.81, 0.52, -31

 

CMYK 34 / 19 / 0 / 17

HEX #8CABD4

RGB 140 171 212

HSL 214.17, 0.46%, 0.69%

LAB 69.08, -0.78, -24.21

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 14 / 58 / 0 / 25

HEX #A450BE

RGB 164 80 190

HSL 285.82, 0.46%, 0.53%

LAB 48.69, 51.73, -43.39

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE50

RGB 171 190 80

HSL 70.36, 0.46%, 0.53%

LAB 73.59, -22.2, 52.21

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 0 / 58 / 33 / 25

HEX #BE507F

RGB 190 80 127

HSL 334.36, 0.46%, 0.53%

LAB 49.76, 48.99, -4.2

 

CMYK 33 / 0 / 58 / 25

HEX #7FBE50

RGB 127 190 80

HSL 94.36, 0.46%, 0.53%

LAB 70.81, -39.09, 48.32

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 14 / 58 / 0 / 25

HEX #A450BE

RGB 164 80 190

HSL 285.82, 0.46%, 0.53%

LAB 48.69, 51.73, -43.39

 

CMYK 0 / 25 / 58 / 25

HEX #BE8E50

RGB 190 142 80

HSL 33.82, 0.46%, 0.53%

LAB 62.4, 11.19, 39.7

 

CMYK 45 / 0 / 58 / 25

HEX #69BE50

RGB 105 190 80

HSL 106.36, 0.46%, 0.53%

LAB 69.76, -46.39, 46.83

 

CMYK 58 / 33 / 0 / 25

HEX #507FBE

RGB 80 127 190

HSL 214.36, 0.46%, 0.53%

LAB 52.51, 3.04, -37.83

 

CMYK 0 / 58 / 4 / 25

HEX #BE50B6

RGB 190 80 182

HSL 304.36, 0.46%, 0.53%

LAB 51.91, 57.1, -33.44

 

CMYK 0 / 25 / 58 / 25

HEX #BE8E50

RGB 190 142 80

HSL 33.82, 0.46%, 0.53%

LAB 62.4, 11.19, 39.7

 

CMYK 58 / 0 / 54 / 25

HEX #50BE57

RGB 80 190 87

HSL 123.82, 0.46%, 0.53%

LAB 68.91, -52.43, 42.3

 

Description

Color code: HEX #507FBE | qconv.com Color code: HEX #507FBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 127 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 127 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 33 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 33% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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