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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508522 it is the complementary color #AF7ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508522 shade: #55851D, #669730, #77A943, #88BB56 and #99CD69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508522 shade: #508522, #3F730F, #2E6100, #1D4F00 and #0C3D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508522 shade: #508522, #6B8522, #858522, #856A22 and #854F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508522 shade: #508522, #358522, #228529, #228544 and #22855F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508522 shade matches the following richer shades: #508522, #4F9314 and #4EA107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508522 shade: #508522, #517830, #526A3D, #535C4B and #544F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508522 shade: #858522, #6B8522, #508522, #368522 and #228529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508522 shade: #294411, #3C641A, #508522, #64A62A and #78C733

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508522 shade: #508522, #22856B and #852278

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508522 shade: #508522, #225085 and #852250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508522 shade: #508522, #22856B, #572285 and #85223C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508522 shade: #508522, #228285, #572285 and #852522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

Complementary color

CMYK 21 / 45 / 0 / 13

HEX #AF7ADD

RGB 175 122 221

HSL 272.12, 0.59%, 0.67%

LAB 60.12, 39.25, -42.9

 

CMYK 36 / 0 / 78 / 48

HEX #55851D

RGB 85 133 29

HSL 87.69, 0.64%, 0.32%

LAB 50.45, -33.12, 47.32

 

CMYK 32 / 0 / 68 / 41

HEX #669730

RGB 102 151 48

HSL 88.54, 0.52%, 0.39%

LAB 57.24, -33.55, 47.11

 

CMYK 30 / 0 / 60 / 34

HEX #77A943

RGB 119 169 67

HSL 89.41, 0.43%, 0.46%

LAB 63.92, -33.77, 46.31

 

CMYK 27 / 0 / 54 / 27

HEX #88BB56

RGB 136 187 86

HSL 90.3, 0.43%, 0.54%

LAB 70.49, -33.87, 45.27

 

CMYK 25 / 0 / 49 / 20

HEX #99CD69

RGB 153 205 105

HSL 91.2, 0.5%, 0.61%

LAB 76.95, -33.88, 44.13

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 45 / 0 / 87 / 55

HEX #3F730F

RGB 63 115 15

HSL 91.2, 0.77%, 0.25%

LAB 43.29, -34.03, 44.68

 

CMYK 53 / 0 / 100 / 62

HEX #2E6100

RGB 46 97 0

HSL 91.55, 1%, 0.19%

LAB 36.23, -32.91, 42.35

 

CMYK 63 / 0 / 100 / 69

HEX #1D4F00

RGB 29 79 0

HSL 97.97, 1%, 0.15%

LAB 29.04, -30.97, 36.4

 

CMYK 80 / 0 / 100 / 76

HEX #0C3D00

RGB 12 61 0

HSL 108.2, 1%, 0.12%

LAB 21.64, -28.45, 29.25

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 20 / 0 / 74 / 48

HEX #6B8522

RGB 107 133 34

HSL 75.76, 0.59%, 0.33%

LAB 51.86, -23.85, 47.34

 

CMYK 0 / 0 / 74 / 48

HEX #858522

RGB 133 133 34

HSL 60, 0.59%, 0.33%

LAB 53.9, -12.3, 50.01

 

CMYK 0 / 20 / 74 / 48

HEX #856A22

RGB 133 106 34

HSL 43.64, 0.59%, 0.33%

LAB 46.19, 2.83, 42.5

 

CMYK 0 / 41 / 74 / 48

HEX #854F22

RGB 133 79 34

HSL 27.27, 0.59%, 0.33%

LAB 39.06, 18.68, 35.17

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 60 / 0 / 74 / 48

HEX #358522

RGB 53 133 34

HSL 108.48, 0.59%, 0.33%

LAB 49.07, -43.28, 43.63

 

CMYK 74 / 0 / 69 / 48

HEX #228529

RGB 34 133 41

HSL 124.24, 0.59%, 0.33%

LAB 48.6, -46.86, 40.08

 

CMYK 74 / 0 / 49 / 48

HEX #228544

RGB 34 133 68

HSL 140.61, 0.59%, 0.33%

LAB 48.92, -43.09, 27.06

 

CMYK 74 / 0 / 29 / 48

HEX #22855F

RGB 34 133 95

HSL 156.97, 0.59%, 0.33%

LAB 49.42, -37.51, 12.57

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 46 / 0 / 86 / 42

HEX #4F9314

RGB 79 147 20

HSL 92.13, 0.76%, 0.33%

LAB 54.64, -41.77, 53.71

 

CMYK 52 / 0 / 96 / 37

HEX #4EA107

RGB 78 161 7

HSL 92.34, 0.92%, 0.33%

LAB 59.09, -48.02, 59.82

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 33 / 0 / 60 / 53

HEX #517830

RGB 81 120 48

HSL 92.5, 0.43%, 0.33%

LAB 46.17, -26.98, 34.6

 

CMYK 23 / 0 / 42 / 58

HEX #526A3D

RGB 82 106 61

HSL 92, 0.27%, 0.33%

LAB 41.91, -17.75, 22.41

 

CMYK 10 / 0 / 18 / 64

HEX #535C4B

RGB 83 92 75

HSL 91.76, 0.1%, 0.33%

LAB 37.84, -7.06, 8.62

 

CMYK 5 / 10 / 0 / 65

HEX #544F58

RGB 84 79 88

HSL 273.33, 0.05%, 0.33%

LAB 34.36, 4, -4.54

 

CMYK 0 / 0 / 74 / 48

HEX #858522

RGB 133 133 34

HSL 60, 0.59%, 0.33%

LAB 53.9, -12.3, 50.01

 

CMYK 20 / 0 / 74 / 48

HEX #6B8522

RGB 107 133 34

HSL 75.76, 0.59%, 0.33%

LAB 51.86, -23.85, 47.34

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 59 / 0 / 74 / 48

HEX #368522

RGB 54 133 34

HSL 107.88, 0.59%, 0.33%

LAB 49.1, -43.01, 43.67

 

CMYK 74 / 0 / 69 / 48

HEX #228529

RGB 34 133 41

HSL 124.24, 0.59%, 0.33%

LAB 48.6, -46.86, 40.08

 

CMYK 40 / 0 / 75 / 73

HEX #294411

RGB 41 68 17

HSL 91.76, 0.6%, 0.17%

LAB 25.7, -20.29, 26.61

 

CMYK 40 / 0 / 74 / 61

HEX #3C641A

RGB 60 100 26

HSL 92.43, 0.59%, 0.25%

LAB 38.11, -27.64, 35.79

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 40 / 0 / 75 / 35

HEX #64A62A

RGB 100 166 42

HSL 91.94, 0.6%, 0.41%

LAB 61.78, -41.34, 54.02

 

CMYK 40 / 0 / 74 / 22

HEX #78C733

RGB 120 199 51

HSL 92.03, 0.59%, 0.49%

LAB 72.94, -47.68, 62.17

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 74 / 0 / 20 / 48

HEX #22856B

RGB 34 133 107

HSL 164.24, 0.59%, 0.33%

LAB 49.71, -34.5, 6.02

 

CMYK 0 / 74 / 10 / 48

HEX #852278

RGB 133 34 120

HSL 307.88, 0.59%, 0.33%

LAB 32.89, 51.01, -26.47

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 74 / 40 / 0 / 48

HEX #225085

RGB 34 80 133

HSL 212.12, 0.59%, 0.33%

LAB 33.5, 3.56, -34.25

 

CMYK 0 / 74 / 40 / 48

HEX #852250

RGB 133 34 80

HSL 332.12, 0.59%, 0.33%

LAB 31.14, 45.5, -3.42

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 74 / 0 / 20 / 48

HEX #22856B

RGB 34 133 107

HSL 164.24, 0.59%, 0.33%

LAB 49.71, -34.5, 6.02

 

CMYK 35 / 74 / 0 / 48

HEX #572285

RGB 87 34 133

HSL 272.12, 0.59%, 0.33%

LAB 26.34, 43.13, -45.53

 

CMYK 0 / 74 / 55 / 48

HEX #85223C

RGB 133 34 60

HSL 344.24, 0.59%, 0.33%

LAB 30.54, 43.52, 8.91

 

CMYK 40 / 0 / 74 / 48

HEX #508522

RGB 80 133 34

HSL 92.12, 0.59%, 0.33%

LAB 50.21, -34.67, 45.16

 

CMYK 74 / 2 / 0 / 48

HEX #228285

RGB 34 130 133

HSL 181.82, 0.59%, 0.33%

LAB 49.49, -25.51, -9.52

 

CMYK 35 / 74 / 0 / 48

HEX #572285

RGB 87 34 133

HSL 272.12, 0.59%, 0.33%

LAB 26.34, 43.13, -45.53

 

CMYK 0 / 72 / 74 / 48

HEX #852522

RGB 133 37 34

HSL 1.82, 0.59%, 0.33%

LAB 30.46, 40.59, 25.68

 

Description

Color code: HEX #508522 | qconv.com Color code: HEX #508522 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 133 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 133 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 74 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 74% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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