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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50899A it is the complementary color #AF7665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50899A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50899A shade: #558995, #669BA8, #77ADBB, #88BFCE and #99D1E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50899A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50899A shade: #50899A, #3F7787, #2E6574, #1D5361 and #0C414E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50899A shade: #4F899A, #4F759A, #4F619A, #524F9A and #664F9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50899A shade: #4F899A, #4F759A, #4F619A and #4F4F9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50899A shade matches the following richer shades: #4F899A, #3C93AD, #299EC0, #16A8D3 and #03B2E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50899A shade: #4F899A, #627F87, #757574, #886A61 and #9B604E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50899A shade: #4F9A83, #4F9A97, #4F8A9A, #4F769A and #4F629A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50899A shade: #335964, #41717F, #4F899A, #649EAF and #7FAFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50899A shade: #50899A, #6F4F9A and #9A8D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50899A shade: #50899A, #9A4F8A and #8A9A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50899A shade: #50899A, #6F4F9A, #9A604F and #7B9A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50899A shade: #50899A, #854F9A, #9A604F and #659A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

Complementary color

CMYK 0 / 33 / 42 / 31

HEX #AF7665

RGB 175 118 101

HSL 13.78, 0.32%, 0.54%

LAB 55.08, 20.28, 18.45

 

CMYK 43 / 8 / 0 / 42

HEX #558995

RGB 85 137 149

HSL 191.25, 0.27%, 0.46%

LAB 54.02, -14.05, -11.87

 

CMYK 39 / 8 / 0 / 34

HEX #669BA8

RGB 102 155 168

HSL 191.82, 0.28%, 0.53%

LAB 60.87, -14.11, -12.35

 

CMYK 36 / 7 / 0 / 27

HEX #77ADBB

RGB 119 173 187

HSL 192.35, 0.33%, 0.6%

LAB 67.57, -14.14, -12.81

 

CMYK 34 / 7 / 0 / 19

HEX #88BFCE

RGB 136 191 206

HSL 192.86, 0.42%, 0.67%

LAB 74.16, -14.16, -13.26

 

CMYK 32 / 7 / 0 / 12

HEX #99D1E1

RGB 153 209 225

HSL 193.33, 0.55%, 0.74%

LAB 80.63, -14.17, -13.7

 

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

CMYK 53 / 12 / 0 / 47

HEX #3F7787

RGB 63 119 135

HSL 193.33, 0.36%, 0.39%

LAB 46.97, -13.69, -14.42

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 70 / 14 / 0 / 62

HEX #1D5361

RGB 29 83 97

HSL 192.35, 0.54%, 0.25%

LAB 32.5, -12.7, -13.36

 

CMYK 85 / 17 / 0 / 69

HEX #0C414E

RGB 12 65 78

HSL 191.82, 0.73%, 0.18%

LAB 24.98, -11.61, -12.69

 

CMYK 49 / 11 / 0 / 40

HEX #4F899A

RGB 79 137 154

HSL 193.6, 0.32%, 0.46%

LAB 53.91, -14.17, -14.95

 

CMYK 49 / 24 / 0 / 40

HEX #4F759A

RGB 79 117 154

HSL 209.6, 0.32%, 0.46%

LAB 47.9, -2.75, -24.15

 

CMYK 49 / 37 / 0 / 40

HEX #4F619A

RGB 79 97 154

HSL 225.6, 0.32%, 0.46%

LAB 42.07, 9.49, -33.25

 

CMYK 47 / 49 / 0 / 40

HEX #524F9A

RGB 82 79 154

HSL 242.4, 0.32%, 0.46%

LAB 37.33, 21.7, -40.75

 

CMYK 34 / 49 / 0 / 40

HEX #664F9A

RGB 102 79 154

HSL 258.4, 0.32%, 0.46%

LAB 39.16, 27, -37.74

 

CMYK 49 / 11 / 0 / 40

HEX #4F899A

RGB 79 137 154

HSL 193.6, 0.32%, 0.46%

LAB 53.91, -14.17, -14.95

 

CMYK 49 / 24 / 0 / 40

HEX #4F759A

RGB 79 117 154

HSL 209.6, 0.32%, 0.46%

LAB 47.9, -2.75, -24.15

 

CMYK 49 / 37 / 0 / 40

HEX #4F619A

RGB 79 97 154

HSL 225.6, 0.32%, 0.46%

LAB 42.07, 9.49, -33.25

 

CMYK 49 / 49 / 0 / 40

HEX #4F4F9A

RGB 79 79 154

HSL 240, 0.32%, 0.46%

LAB 37.09, 20.96, -41.15

 

CMYK 49 / 11 / 0 / 40

HEX #4F899A

RGB 79 137 154

HSL 193.6, 0.32%, 0.46%

LAB 53.91, -14.17, -14.95

 

CMYK 65 / 15 / 0 / 32

HEX #3C93AD

RGB 60 147 173

HSL 193.81, 0.48%, 0.46%

LAB 56.92, -17.73, -21.33

 

CMYK 79 / 18 / 0 / 25

HEX #299EC0

RGB 41 158 192

HSL 193.51, 0.65%, 0.46%

LAB 60.54, -19.91, -26.55

 

CMYK 90 / 20 / 0 / 17

HEX #16A8D3

RGB 22 168 211

HSL 193.65, 0.81%, 0.46%

LAB 64.06, -20.14, -31.73

 

CMYK 99 / 23 / 0 / 10

HEX #03B2E6

RGB 3 178 230

HSL 193.74, 0.97%, 0.46%

LAB 67.7, -19.46, -36.54

 

CMYK 49 / 11 / 0 / 40

HEX #4F899A

RGB 79 137 154

HSL 193.6, 0.32%, 0.46%

LAB 53.91, -14.17, -14.95

 

CMYK 27 / 6 / 0 / 47

HEX #627F87

RGB 98 127 135

HSL 192.97, 0.16%, 0.46%

LAB 51.3, -8.36, -7.73

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 22 / 29 / 47

HEX #886A61

RGB 136 106 97

HSL 13.85, 0.17%, 0.46%

LAB 47.5, 10.54, 9.62

 

CMYK 0 / 38 / 50 / 39

HEX #9B604E

RGB 155 96 78

HSL 14.03, 0.33%, 0.46%

LAB 46.82, 21.95, 20.34

 

CMYK 49 / 0 / 15 / 40

HEX #4F9A83

RGB 79 154 131

HSL 161.6, 0.32%, 0.46%

LAB 58.43, -29.08, 4.92

 

CMYK 49 / 0 / 2 / 40

HEX #4F9A97

RGB 79 154 151

HSL 177.6, 0.32%, 0.46%

LAB 58.98, -24, -5.63

 

CMYK 49 / 10 / 0 / 40

HEX #4F8A9A

RGB 79 138 154

HSL 192.8, 0.32%, 0.46%

LAB 54.21, -14.72, -14.5

 

CMYK 49 / 23 / 0 / 40

HEX #4F769A

RGB 79 118 154

HSL 208.8, 0.32%, 0.46%

LAB 48.2, -3.34, -23.69

 

CMYK 49 / 36 / 0 / 40

HEX #4F629A

RGB 79 98 154

HSL 224.8, 0.32%, 0.46%

LAB 42.35, 8.86, -32.8

 

CMYK 49 / 11 / 0 / 61

HEX #335964

RGB 51 89 100

HSL 193.47, 0.32%, 0.3%

LAB 35.54, -10.2, -10.55

 

CMYK 49 / 11 / 0 / 50

HEX #41717F

RGB 65 113 127

HSL 193.55, 0.32%, 0.38%

LAB 44.89, -12.23, -12.8

 

CMYK 49 / 11 / 0 / 40

HEX #4F899A

RGB 79 137 154

HSL 193.6, 0.32%, 0.46%

LAB 53.91, -14.17, -14.95

 

CMYK 43 / 10 / 0 / 31

HEX #649EAF

RGB 100 158 175

HSL 193.6, 0.32%, 0.54%

LAB 61.88, -14.38, -14.78

 

CMYK 33 / 7 / 0 / 26

HEX #7FAFBD

RGB 127 175 189

HSL 193.55, 0.32%, 0.62%

LAB 68.64, -12.46, -12.27

 

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

CMYK 28 / 49 / 0 / 40

HEX #6F4F9A

RGB 111 79 154

HSL 265.6, 0.32%, 0.46%

LAB 40.09, 29.54, -36.2

 

CMYK 0 / 8 / 49 / 40

HEX #9A8D4F

RGB 154 141 79

HSL 49.6, 0.32%, 0.46%

LAB 58.49, -3.92, 34.64

 

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8A

RGB 154 79 138

HSL 312.8, 0.32%, 0.46%

LAB 44.66, 39.43, -19.04

 

CMYK 10 / 0 / 49 / 40

HEX #8A9A4F

RGB 138 154 79

HSL 72.8, 0.32%, 0.46%

LAB 60.85, -17.67, 37.22

 

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

CMYK 28 / 49 / 0 / 40

HEX #6F4F9A

RGB 111 79 154

HSL 265.6, 0.32%, 0.46%

LAB 40.09, 29.54, -36.2

 

CMYK 0 / 38 / 49 / 40

HEX #9A604F

RGB 154 96 79

HSL 13.6, 0.32%, 0.46%

LAB 46.71, 21.64, 19.57

 

CMYK 20 / 0 / 49 / 40

HEX #7B9A4F

RGB 123 154 79

HSL 84.8, 0.32%, 0.46%

LAB 59.79, -23.75, 35.67

 

CMYK 48 / 11 / 0 / 40

HEX #50899A

RGB 80 137 154

HSL 193.78, 0.32%, 0.46%

LAB 53.95, -13.93, -14.88

 

CMYK 14 / 49 / 0 / 40

HEX #854F9A

RGB 133 79 154

HSL 283.2, 0.32%, 0.46%

LAB 42.63, 36.01, -32.02

 

CMYK 0 / 38 / 49 / 40

HEX #9A604F

RGB 154 96 79

HSL 13.6, 0.32%, 0.46%

LAB 46.71, 21.64, 19.57

 

CMYK 34 / 0 / 49 / 40

HEX #659A4F

RGB 101 154 79

HSL 102.4, 0.32%, 0.46%

LAB 58.45, -32.03, 33.74

 

Description

Color code: HEX #50899A | qconv.com Color code: HEX #50899A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 137 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 137 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 11 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 11% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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