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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508078 it is the complementary color #AF7F87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508078 shade: #558073, #669286, #77A499, #88B6AC and #99C8BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508078 shade: #508078, #3F6E65, #2E5C52, #1D4A3F and #0C382C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508078 shade: #508078, #50806B, #50805E, #508051 and #5C8050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508078 shade: #508078, #507B80, #506E80, #506180 and #505480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508078 shade matches the following richer shades: #508078, #3F9183, #2EA28F, #1DB39A and #0CC4A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508078 shade: #508078, #616F6D, #725E62, #834D56 and #943C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508078 shade: #50805E, #50806B, #508078, #507B80 and #506E80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508078 shade: #304D48, #406760, #508078, #609990 and #78AAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508078 shade: #508078, #525080 and #806550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508078 shade: #508078, #785080 and #807850

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508078 shade: #508078, #525080, #805058 and #7E8050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508078 shade: #508078, #605080, #805058 and #708050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

Complementary color

CMYK 0 / 27 / 23 / 31

HEX #AF7F87

RGB 175 127 135

HSL 350, 0.23%, 0.59%

LAB 58.08, 19.78, 3.03

 

CMYK 34 / 0 / 10 / 50

HEX #558073

RGB 85 128 115

HSL 161.86, 0.2%, 0.42%

LAB 50.22, -17.92, 2.33

 

CMYK 30 / 0 / 8 / 43

HEX #669286

RGB 102 146 134

HSL 163.64, 0.18%, 0.49%

LAB 57.18, -17.72, 1.54

 

CMYK 27 / 0 / 7 / 36

HEX #77A499

RGB 119 164 153

HSL 165.33, 0.2%, 0.55%

LAB 63.98, -17.54, 0.81

 

CMYK 25 / 0 / 5 / 29

HEX #88B6AC

RGB 136 182 172

HSL 166.96, 0.24%, 0.62%

LAB 70.64, -17.38, 0.12

 

CMYK 24 / 0 / 5 / 22

HEX #99C8BF

RGB 153 200 191

HSL 168.51, 0.3%, 0.69%

LAB 77.19, -17.25, -0.54

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 43 / 0 / 8 / 57

HEX #3F6E65

RGB 63 110 101

HSL 168.51, 0.27%, 0.34%

LAB 42.99, -18.4, -0.02

 

CMYK 50 / 0 / 11 / 64

HEX #2E5C52

RGB 46 92 82

HSL 166.96, 0.33%, 0.27%

LAB 35.68, -18.54, 0.88

 

CMYK 61 / 0 / 15 / 71

HEX #1D4A3F

RGB 29 74 63

HSL 165.33, 0.44%, 0.2%

LAB 28.16, -18.6, 1.92

 

CMYK 79 / 0 / 21 / 78

HEX #0C382C

RGB 12 56 44

HSL 163.64, 0.65%, 0.13%

LAB 20.39, -18.37, 3.21

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 38 / 0 / 16 / 50

HEX #50806B

RGB 80 128 107

HSL 153.75, 0.23%, 0.41%

LAB 49.74, -21.34, 6.29

 

CMYK 38 / 0 / 27 / 50

HEX #50805E

RGB 80 128 94

HSL 137.5, 0.23%, 0.41%

LAB 49.44, -24.13, 13.42

 

CMYK 38 / 0 / 37 / 50

HEX #508051

RGB 80 128 81

HSL 121.25, 0.23%, 0.41%

LAB 49.18, -26.58, 20.52

 

CMYK 28 / 0 / 38 / 50

HEX #5C8050

RGB 92 128 80

HSL 105, 0.23%, 0.41%

LAB 49.85, -22.44, 22.1

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 38 / 4 / 0 / 50

HEX #507B80

RGB 80 123 128

HSL 186.25, 0.23%, 0.41%

LAB 48.8, -13.44, -7.45

 

CMYK 38 / 14 / 0 / 50

HEX #506E80

RGB 80 110 128

HSL 202.5, 0.23%, 0.41%

LAB 44.82, -6.01, -13.43

 

CMYK 38 / 24 / 0 / 50

HEX #506180

RGB 80 97 128

HSL 218.75, 0.23%, 0.41%

LAB 40.92, 1.81, -19.4

 

CMYK 38 / 34 / 0 / 50

HEX #505480

RGB 80 84 128

HSL 235, 0.23%, 0.41%

LAB 37.12, 9.98, -25.28

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 57 / 0 / 10 / 43

HEX #3F9183

RGB 63 145 131

HSL 169.76, 0.39%, 0.41%

LAB 55.02, -28.47, -0.1

 

CMYK 72 / 0 / 12 / 36

HEX #2EA28F

RGB 46 162 143

HSL 170.17, 0.56%, 0.41%

LAB 60.25, -36.3, 0.66

 

CMYK 84 / 0 / 14 / 30

HEX #1DB39A

RGB 29 179 154

HSL 170, 0.72%, 0.41%

LAB 65.62, -42.69, 2.28

 

CMYK 94 / 0 / 16 / 23

HEX #0CC4A5

RGB 12 196 165

HSL 169.89, 0.88%, 0.41%

LAB 71.06, -47.87, 4.11

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 13 / 0 / 2 / 56

HEX #616F6D

RGB 97 111 109

HSL 171.43, 0.07%, 0.41%

LAB 45.65, -5.68, -0.67

 

CMYK 0 / 18 / 14 / 55

HEX #725E62

RGB 114 94 98

HSL 348, 0.1%, 0.41%

LAB 41.95, 8.82, 0.75

 

CMYK 0 / 41 / 34 / 49

HEX #834D56

RGB 131 77 86

HSL 350, 0.26%, 0.41%

LAB 39.25, 23.97, 4.52

 

CMYK 0 / 59 / 49 / 42

HEX #943C4B

RGB 148 60 75

HSL 349.77, 0.42%, 0.41%

LAB 37.91, 38.44, 9.89

 

CMYK 38 / 0 / 27 / 50

HEX #50805E

RGB 80 128 94

HSL 137.5, 0.23%, 0.41%

LAB 49.44, -24.13, 13.42

 

CMYK 38 / 0 / 16 / 50

HEX #50806B

RGB 80 128 107

HSL 153.75, 0.23%, 0.41%

LAB 49.74, -21.34, 6.29

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 38 / 4 / 0 / 50

HEX #507B80

RGB 80 123 128

HSL 186.25, 0.23%, 0.41%

LAB 48.8, -13.44, -7.45

 

CMYK 38 / 14 / 0 / 50

HEX #506E80

RGB 80 110 128

HSL 202.5, 0.23%, 0.41%

LAB 44.82, -6.01, -13.43

 

CMYK 38 / 0 / 6 / 70

HEX #304D48

RGB 48 77 72

HSL 169.66, 0.23%, 0.25%

LAB 30.41, -12.17, -0.49

 

CMYK 38 / 0 / 7 / 60

HEX #406760

RGB 64 103 96

HSL 169.23, 0.23%, 0.33%

LAB 40.63, -15.56, -0.42

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 37 / 0 / 6 / 40

HEX #609990

RGB 96 153 144

HSL 170.53, 0.23%, 0.49%

LAB 59.24, -20.83, -1.19

 

CMYK 29 / 0 / 5 / 33

HEX #78AAA2

RGB 120 170 162

HSL 170.4, 0.23%, 0.57%

LAB 66.02, -18.32, -1.22

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 36 / 38 / 0 / 50

HEX #525080

RGB 82 80 128

HSL 242.5, 0.23%, 0.41%

LAB 36.16, 13.14, -26.78

 

CMYK 0 / 21 / 38 / 50

HEX #806550

RGB 128 101 80

HSL 26.25, 0.23%, 0.41%

LAB 44.91, 7.69, 16.02

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 6 / 38 / 0 / 50

HEX #785080

RGB 120 80 128

HSL 290, 0.23%, 0.41%

LAB 40.06, 25.58, -20.41

 

CMYK 0 / 6 / 38 / 50

HEX #807850

RGB 128 120 80

HSL 50, 0.23%, 0.41%

LAB 50.22, -3.34, 23.1

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 36 / 38 / 0 / 50

HEX #525080

RGB 82 80 128

HSL 242.5, 0.23%, 0.41%

LAB 36.16, 13.14, -26.78

 

CMYK 0 / 38 / 31 / 50

HEX #805058

RGB 128 80 88

HSL 350, 0.23%, 0.41%

LAB 39.63, 21.29, 3.77

 

CMYK 2 / 0 / 38 / 50

HEX #7E8050

RGB 126 128 80

HSL 62.5, 0.23%, 0.41%

LAB 52.35, -8.68, 25.83

 

CMYK 38 / 0 / 6 / 50

HEX #508078

RGB 80 128 120

HSL 170, 0.23%, 0.41%

LAB 50.1, -18.24, -0.82

 

CMYK 25 / 38 / 0 / 50

HEX #605080

RGB 96 80 128

HSL 260, 0.23%, 0.41%

LAB 37.45, 17.55, -24.67

 

CMYK 0 / 38 / 31 / 50

HEX #805058

RGB 128 80 88

HSL 350, 0.23%, 0.41%

LAB 39.63, 21.29, 3.77

 

CMYK 13 / 0 / 38 / 50

HEX #708050

RGB 112 128 80

HSL 80, 0.23%, 0.41%

LAB 51.22, -14.55, 24.16

 

Description

Color code: HEX #508078 | qconv.com Color code: HEX #508078 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 128 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 128 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 6 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 6% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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