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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5083BE it is the complementary color #AF7C41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5083BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5083BE shade: #5583B9, #6695CC, #77A7DF, #88B9F2 and #99CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5083BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5083BE shade: #5083BE, #3F71AB, #2E5F98, #1D4D85 and #0C3B72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5083BE shade: #5083BE, #5065BE, #5850BE, #7650BE and #9350BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5083BE shade: #5083BE, #5065BE and #5050BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5083BE shade matches the following richer shades: #5083BE, #3C81D1, #2980E5 and #157EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5083BE shade: #5083BE, #6384AA, #768597, #8A8784 and #9D8870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5083BE shade: #50BEBE, #50A0BE, #5083BE, #5066BE and #5750BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5083BE shade: #325A89, #3D6EA7, #5083BE, #6E98C9 and #8CADD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5083BE shade: #5083BE, #A050BE and #AFBE50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5083BE shade: #5083BE, #BE5083 and #83BE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5083BE shade: #5083BE, #A050BE, #BE8A50 and #6DBE50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5083BE shade: #5083BE, #BE50BA, #BE8A50 and #50BE53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

Complementary color

CMYK 0 / 29 / 63 / 31

HEX #AF7C41

RGB 175 124 65

HSL 32.18, 0.46%, 0.47%

LAB 56, 13.57, 39.49

 

CMYK 54 / 29 / 0 / 27

HEX #5583B9

RGB 85 131 185

HSL 212.4, 0.42%, 0.53%

LAB 53.67, 0.13, -33.14

 

CMYK 50 / 27 / 0 / 20

HEX #6695CC

RGB 102 149 204

HSL 212.35, 0.5%, 0.6%

LAB 60.5, -0.54, -33.19

 

CMYK 47 / 25 / 0 / 13

HEX #77A7DF

RGB 119 167 223

HSL 212.31, 0.62%, 0.67%

LAB 67.19, -1.07, -33.27

 

CMYK 44 / 24 / 0 / 5

HEX #88B9F2

RGB 136 185 242

HSL 212.26, 0.8%, 0.74%

LAB 73.77, -1.52, -33.38

 

CMYK 40 / 20 / 0 / 0

HEX #99CBFF

RGB 153 203 255

HSL 210.59, 1%, 0.8%

LAB 80.01, -3.49, -30.65

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 63 / 34 / 0 / 33

HEX #3F71AB

RGB 63 113 171

HSL 212.22, 0.46%, 0.46%

LAB 46.72, 1.68, -36.02

 

CMYK 70 / 38 / 0 / 40

HEX #2E5F98

RGB 46 95 152

HSL 212.26, 0.54%, 0.39%

LAB 39.63, 3.02, -36.02

 

CMYK 78 / 42 / 0 / 48

HEX #1D4D85

RGB 29 77 133

HSL 212.31, 0.64%, 0.32%

LAB 32.4, 4.84, -36.02

 

CMYK 89 / 48 / 0 / 55

HEX #0C3B72

RGB 12 59 114

HSL 212.35, 0.81%, 0.25%

LAB 25.02, 7.41, -35.96

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 58 / 47 / 0 / 25

HEX #5065BE

RGB 80 101 190

HSL 228.55, 0.46%, 0.53%

LAB 45.26, 19.06, -49.34

 

CMYK 54 / 58 / 0 / 25

HEX #5850BE

RGB 88 80 190

HSL 244.36, 0.46%, 0.53%

LAB 40.46, 33.79, -57.05

 

CMYK 38 / 58 / 0 / 25

HEX #7650BE

RGB 118 80 190

HSL 260.73, 0.46%, 0.53%

LAB 43.22, 40.31, -52.45

 

CMYK 23 / 58 / 0 / 25

HEX #9350BE

RGB 147 80 190

HSL 276.55, 0.46%, 0.53%

LAB 46.52, 47.39, -46.98

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 58 / 47 / 0 / 25

HEX #5065BE

RGB 80 101 190

HSL 228.55, 0.46%, 0.53%

LAB 45.26, 19.06, -49.34

 

CMYK 58 / 58 / 0 / 25

HEX #5050BE

RGB 80 80 190

HSL 240, 0.46%, 0.53%

LAB 39.85, 32.27, -58.06

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 71 / 38 / 0 / 18

HEX #3C81D1

RGB 60 129 209

HSL 212.21, 0.62%, 0.53%

LAB 53.24, 4.9, -47.55

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 92 / 49 / 0 / 3

HEX #157EF8

RGB 21 126 248

HSL 212.25, 0.94%, 0.53%

LAB 53.88, 17.94, -68.41

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 42 / 22 / 0 / 33

HEX #6384AA

RGB 99 132 170

HSL 212.11, 0.29%, 0.53%

LAB 54.09, -1.51, -23.82

 

CMYK 22 / 12 / 0 / 41

HEX #768597

RGB 118 133 151

HSL 212.73, 0.14%, 0.53%

LAB 54.93, -1.34, -11.45

 

CMYK 0 / 2 / 4 / 46

HEX #8A8784

RGB 138 135 132

HSL 30, 0.02%, 0.53%

LAB 56.48, 0.54, 2

 

CMYK 0 / 13 / 29 / 38

HEX #9D8870

RGB 157 136 112

HSL 32, 0.19%, 0.53%

LAB 57.99, 4.14, 15.83

 

CMYK 58 / 0 / 0 / 25

HEX #50BEBE

RGB 80 190 190

HSL 180, 0.46%, 0.53%

LAB 71.04, -30.95, -9.43

 

CMYK 58 / 16 / 0 / 25

HEX #50A0BE

RGB 80 160 190

HSL 196.36, 0.46%, 0.53%

LAB 62.14, -15.71, -22.89

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 58 / 46 / 0 / 25

HEX #5066BE

RGB 80 102 190

HSL 228, 0.46%, 0.53%

LAB 45.53, 18.43, -48.91

 

CMYK 54 / 58 / 0 / 25

HEX #5750BE

RGB 87 80 190

HSL 243.82, 0.46%, 0.53%

LAB 40.38, 33.6, -57.18

 

CMYK 64 / 34 / 0 / 46

HEX #325A89

RGB 50 90 137

HSL 212.41, 0.47%, 0.37%

LAB 37.47, 1.44, -30.36

 

CMYK 63 / 34 / 0 / 35

HEX #3D6EA7

RGB 61 110 167

HSL 212.26, 0.46%, 0.45%

LAB 45.54, 1.74, -35.54

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 45 / 24 / 0 / 21

HEX #6E98C9

RGB 110 152 201

HSL 212.31, 0.46%, 0.61%

LAB 61.64, -1.19, -29.7

 

CMYK 34 / 18 / 0 / 17

HEX #8CADD4

RGB 140 173 212

HSL 212.5, 0.46%, 0.69%

LAB 69.62, -1.88, -23.38

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 16 / 58 / 0 / 25

HEX #A050BE

RGB 160 80 190

HSL 283.64, 0.46%, 0.53%

LAB 48.17, 50.7, -44.25

 

CMYK 8 / 0 / 58 / 25

HEX #AFBE50

RGB 175 190 80

HSL 68.18, 0.46%, 0.53%

LAB 73.88, -20.57, 52.62

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 0 / 58 / 31 / 25

HEX #BE5083

RGB 190 80 131

HSL 332.18, 0.46%, 0.53%

LAB 49.89, 49.49, -6.41

 

CMYK 31 / 0 / 58 / 25

HEX #83BE50

RGB 131 190 80

HSL 92.18, 0.46%, 0.53%

LAB 71.03, -37.67, 48.63

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 16 / 58 / 0 / 25

HEX #A050BE

RGB 160 80 190

HSL 283.64, 0.46%, 0.53%

LAB 48.17, 50.7, -44.25

 

CMYK 0 / 27 / 58 / 25

HEX #BE8A50

RGB 190 138 80

HSL 31.64, 0.46%, 0.53%

LAB 61.4, 13.4, 38.5

 

CMYK 43 / 0 / 58 / 25

HEX #6DBE50

RGB 109 190 80

HSL 104.18, 0.46%, 0.53%

LAB 69.94, -45.14, 47.08

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 0 / 58 / 2 / 25

HEX #BE50BA

RGB 190 80 186

HSL 302.18, 0.46%, 0.53%

LAB 52.1, 57.79, -35.46

 

CMYK 0 / 27 / 58 / 25

HEX #BE8A50

RGB 190 138 80

HSL 31.64, 0.46%, 0.53%

LAB 61.4, 13.4, 38.5

 

CMYK 58 / 0 / 56 / 25

HEX #50BE53

RGB 80 190 83

HSL 121.64, 0.46%, 0.53%

LAB 68.86, -52.95, 44.15

 

Description

Color code: HEX #5083BE | qconv.com Color code: HEX #5083BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 131 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 131 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 31 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 31% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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