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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508A2F it is the complementary color #AF75D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508A2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508A2F shade: #558A2A, #669C3D, #77AE50, #88C063 and #99D276

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508A2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508A2F shade: #508A2F, #3F781C, #2E6609, #1D5400 and #0C4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508A2F shade: #4F882E, #67882E, #7F882E, #88792E and #88612E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508A2F shade: #4F882E, #37882E, #2E883E, #2E8856 and #2E886F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508A2F shade matches the following richer shades: #4F882E, #4B971F, #47A611 and #43B502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508A2F shade: #4F882E, #53793D, #576B4C, #5B5C5B and #5F4D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508A2F shade: #7F882E, #67882E, #4F882E, #37882E and #2E883D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508A2F shade: #2B4B19, #3D6A24, #4F882E, #61A739 and #74C049

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508A2F shade: #508A2F, #2E8879 and #882E73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508A2F shade: #508A2F, #2E4F88 and #882E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508A2F shade: #508A2F, #2E8879, #672E88 and #882E3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508A2F shade: #508A2F, #2E7C88, #672E88 and #883A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

Complementary color

CMYK 16 / 44 / 0 / 18

HEX #AF75D0

RGB 175 117 208

HSL 278.24, 0.49%, 0.64%

LAB 58.41, 39.11, -38.28

 

CMYK 38 / 0 / 70 / 46

HEX #558A2A

RGB 85 138 42

HSL 93.13, 0.53%, 0.35%

LAB 52.15, -34.46, 43.99

 

CMYK 35 / 0 / 61 / 39

HEX #669C3D

RGB 102 156 61

HSL 94.11, 0.44%, 0.43%

LAB 58.92, -34.67, 43.18

 

CMYK 32 / 0 / 54 / 32

HEX #77AE50

RGB 119 174 80

HSL 95.11, 0.37%, 0.5%

LAB 65.57, -34.73, 42.09

 

CMYK 29 / 0 / 48 / 25

HEX #88C063

RGB 136 192 99

HSL 96.13, 0.42%, 0.57%

LAB 72.12, -34.7, 40.92

 

CMYK 27 / 0 / 44 / 18

HEX #99D276

RGB 153 210 118

HSL 97.17, 0.51%, 0.64%

LAB 78.56, -34.62, 39.73

 

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

CMYK 48 / 0 / 77 / 53

HEX #3F781C

RGB 63 120 28

HSL 97.17, 0.62%, 0.29%

LAB 45.04, -35.43, 42.03

 

CMYK 55 / 0 / 91 / 60

HEX #2E6609

RGB 46 102 9

HSL 96.13, 0.84%, 0.22%

LAB 38.03, -34.6, 41.31

 

CMYK 65 / 0 / 100 / 67

HEX #1D5400

RGB 29 84 0

HSL 99.29, 1%, 0.16%

LAB 30.88, -32.98, 37.85

 

CMYK 82 / 0 / 100 / 74

HEX #0C4200

RGB 12 66 0

HSL 109.09, 1%, 0.13%

LAB 23.59, -30.34, 31.28

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 24 / 0 / 66 / 47

HEX #67882E

RGB 103 136 46

HSL 82, 0.49%, 0.36%

LAB 52.61, -26.18, 43.07

 

CMYK 7 / 0 / 66 / 47

HEX #7F882E

RGB 127 136 46

HSL 66, 0.49%, 0.36%

LAB 54.36, -15.89, 45.46

 

CMYK 0 / 11 / 66 / 47

HEX #88792E

RGB 136 121 46

HSL 50, 0.49%, 0.36%

LAB 50.81, -3.62, 41.93

 

CMYK 0 / 29 / 66 / 47

HEX #88612E

RGB 136 97 46

HSL 34, 0.49%, 0.36%

LAB 44.21, 10.22, 34.67

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 60 / 0 / 66 / 47

HEX #37882E

RGB 55 136 46

HSL 114, 0.49%, 0.36%

LAB 50.24, -42.78, 39.8

 

CMYK 66 / 0 / 54 / 47

HEX #2E883E

RGB 46 136 62

HSL 130.67, 0.49%, 0.36%

LAB 50.14, -42.91, 31.81

 

CMYK 66 / 0 / 37 / 47

HEX #2E8856

RGB 46 136 86

HSL 146.67, 0.49%, 0.36%

LAB 50.52, -38.65, 19.26

 

CMYK 66 / 0 / 18 / 47

HEX #2E886F

RGB 46 136 111

HSL 163.33, 0.49%, 0.36%

LAB 51.08, -32.85, 5.69

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 50 / 0 / 79 / 41

HEX #4B971F

RGB 75 151 31

HSL 98, 0.66%, 0.36%

LAB 55.81, -44.14, 51.6

 

CMYK 57 / 0 / 90 / 35

HEX #47A611

RGB 71 166 17

HSL 98.26, 0.81%, 0.36%

LAB 60.47, -51.63, 59.29

 

CMYK 63 / 0 / 99 / 29

HEX #43B502

RGB 67 181 2

HSL 98.21, 0.98%, 0.36%

LAB 65.16, -58.23, 65.22

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 31 / 0 / 50 / 53

HEX #53793D

RGB 83 121 61

HSL 98, 0.33%, 0.36%

LAB 46.78, -25.12, 28.57

 

CMYK 19 / 0 / 29 / 58

HEX #576B4C

RGB 87 107 76

HSL 98.71, 0.17%, 0.36%

LAB 42.86, -13.84, 14.99

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 10 / 27 / 0 / 58

HEX #5F4D6A

RGB 95 77 106

HSL 277.24, 0.16%, 0.36%

LAB 35.56, 13.6, -13.95

 

CMYK 7 / 0 / 66 / 47

HEX #7F882E

RGB 127 136 46

HSL 66, 0.49%, 0.36%

LAB 54.36, -15.89, 45.46

 

CMYK 24 / 0 / 66 / 47

HEX #67882E

RGB 103 136 46

HSL 82, 0.49%, 0.36%

LAB 52.61, -26.18, 43.07

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 60 / 0 / 66 / 47

HEX #37882E

RGB 55 136 46

HSL 114, 0.49%, 0.36%

LAB 50.24, -42.78, 39.8

 

CMYK 66 / 0 / 55 / 47

HEX #2E883D

RGB 46 136 61

HSL 130, 0.49%, 0.36%

LAB 50.13, -43.06, 32.31

 

CMYK 43 / 0 / 67 / 71

HEX #2B4B19

RGB 43 75 25

HSL 98.4, 0.5%, 0.2%

LAB 28.42, -22.2, 25.55

 

CMYK 42 / 0 / 66 / 58

HEX #3D6A24

RGB 61 106 36

HSL 98.57, 0.49%, 0.28%

LAB 40.29, -29.16, 33.55

 

CMYK 42 / 0 / 66 / 47

HEX #4F882E

RGB 79 136 46

HSL 98, 0.49%, 0.36%

LAB 51.23, -35.37, 41.17

 

CMYK 42 / 0 / 66 / 35

HEX #61A739

RGB 97 167 57

HSL 98.18, 0.49%, 0.44%

LAB 62.06, -41.64, 48.36

 

CMYK 40 / 0 / 62 / 25

HEX #74C049

RGB 116 192 73

HSL 98.32, 0.49%, 0.52%

LAB 70.8, -44.41, 51.29

 

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

CMYK 66 / 0 / 11 / 47

HEX #2E8879

RGB 46 136 121

HSL 170, 0.49%, 0.36%

LAB 51.35, -30.17, 0.27

 

CMYK 0 / 66 / 15 / 47

HEX #882E73

RGB 136 46 115

HSL 314, 0.49%, 0.36%

LAB 34.85, 46.26, -20.22

 

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

CMYK 66 / 42 / 0 / 47

HEX #2E4F88

RGB 46 79 136

HSL 218, 0.49%, 0.36%

LAB 33.88, 7.42, -35.46

 

CMYK 0 / 66 / 42 / 47

HEX #882E4F

RGB 136 46 79

HSL 338, 0.49%, 0.36%

LAB 33.46, 41.35, 0.71

 

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

CMYK 66 / 0 / 11 / 47

HEX #2E8879

RGB 46 136 121

HSL 170, 0.49%, 0.36%

LAB 51.35, -30.17, 0.27

 

CMYK 24 / 66 / 0 / 47

HEX #672E88

RGB 103 46 136

HSL 278, 0.49%, 0.36%

LAB 30.91, 41.55, -39.91

 

CMYK 0 / 66 / 55 / 47

HEX #882E3D

RGB 136 46 61

HSL 350, 0.49%, 0.36%

LAB 32.97, 39.55, 11.71

 

CMYK 42 / 0 / 66 / 46

HEX #508A2F

RGB 80 138 47

HSL 98.24, 0.49%, 0.36%

LAB 51.94, -35.81, 41.51

 

CMYK 66 / 9 / 0 / 47

HEX #2E7C88

RGB 46 124 136

HSL 188, 0.49%, 0.36%

LAB 47.97, -19.61, -13.55

 

CMYK 24 / 66 / 0 / 47

HEX #672E88

RGB 103 46 136

HSL 278, 0.49%, 0.36%

LAB 30.91, 41.55, -39.91

 

CMYK 0 / 57 / 66 / 47

HEX #883A2E

RGB 136 58 46

HSL 8, 0.49%, 0.36%

LAB 34.92, 32.46, 23.74

 

Description

Color code: HEX #508A2F | qconv.com Color code: HEX #508A2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 138 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 138 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 66 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 66% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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