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Color name
HEX #5096CD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5096CD it is the complementary color #AF6932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5096CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5096CD shade: #5596C8, #66A8DB, #77BAEE, #88CCFF and #99DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5096CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5096CD shade: #5096CD, #3F84BA, #2E72A7, #1D6094 and #0C4E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5096CD shade: #4F96CD, #4F74CD, #4F52CD, #6F4FCD and #914FCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5096CD shade: #4F96CD, #4F74CD, #4F52CD and #4F4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5096CD shade matches the following richer shades: #4F96CD, #3D98DF and #2B9AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5096CD shade: #4F96CD, #6294BB, #7491A9, #868F97 and #988D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5096CD shade: #4FCDC1, #4FB8CD, #4F97CD, #4F75CD and #4F54CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5096CD shade: #2C6C9E, #3582BE, #4F96CD, #70A9D6 and #90BCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5096CD shade: #5096CD, #9F4FCD and #C9CD4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5096CD shade: #5096CD, #CD4F97 and #97CD4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5096CD shade: #5096CD, #9F4FCD, #CD864F and #7ECD4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5096CD shade: #5096CD, #C54FCD, #CD864F and #58CD4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

Complementary color

CMYK 0 / 40 / 71 / 31

HEX #AF6932

RGB 175 105 50

HSL 26.4, 0.56%, 0.44%

LAB 51.21, 23.27, 41.75

 

CMYK 58 / 25 / 0 / 22

HEX #5596C8

RGB 85 150 200

HSL 206.09, 0.51%, 0.56%

LAB 59.81, -6.08, -32.08

 

CMYK 53 / 23 / 0 / 14

HEX #66A8DB

RGB 102 168 219

HSL 206.15, 0.62%, 0.63%

LAB 66.48, -6.7, -32.25

 

CMYK 50 / 22 / 0 / 7

HEX #77BAEE

RGB 119 186 238

HSL 206.22, 0.78%, 0.7%

LAB 73.03, -7.2, -32.42

 

CMYK 47 / 20 / 0 / 0

HEX #88CCFF

RGB 136 204 255

HSL 205.71, 1%, 0.77%

LAB 79.41, -8.17, -31.66

 

CMYK 40 / 13 / 0 / 0

HEX #99DEFF

RGB 153 222 255

HSL 199.41, 1%, 0.8%

LAB 85.12, -13.44, -22.86

 

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

CMYK 66 / 29 / 0 / 27

HEX #3F84BA

RGB 63 132 186

HSL 206.34, 0.49%, 0.49%

LAB 53.06, -4.5, -34.73

 

CMYK 72 / 32 / 0 / 35

HEX #2E72A7

RGB 46 114 167

HSL 206.28, 0.57%, 0.42%

LAB 46.18, -3.23, -34.56

 

CMYK 80 / 35 / 0 / 42

HEX #1D6094

RGB 29 96 148

HSL 206.22, 0.67%, 0.35%

LAB 39.18, -1.54, -34.37

 

CMYK 91 / 40 / 0 / 49

HEX #0C4E81

RGB 12 78 129

HSL 206.15, 0.83%, 0.28%

LAB 32.06, 0.8, -34.11

 

CMYK 61 / 27 / 0 / 20

HEX #4F96CD

RGB 79 150 205

HSL 206.19, 0.56%, 0.56%

LAB 59.78, -5.65, -34.94

 

CMYK 61 / 43 / 0 / 20

HEX #4F74CD

RGB 79 116 205

HSL 222.38, 0.56%, 0.56%

LAB 50.17, 14.59, -50.12

 

CMYK 61 / 60 / 0 / 20

HEX #4F52CD

RGB 79 82 205

HSL 238.57, 0.56%, 0.56%

LAB 41.38, 35.81, -64.29

 

CMYK 46 / 61 / 0 / 20

HEX #6F4FCD

RGB 111 79 205

HSL 255.24, 0.56%, 0.56%

LAB 43.33, 43.49, -61.01

 

CMYK 29 / 61 / 0 / 20

HEX #914FCD

RGB 145 79 205

HSL 271.43, 0.56%, 0.56%

LAB 47, 50.9, -54.9

 

CMYK 61 / 27 / 0 / 20

HEX #4F96CD

RGB 79 150 205

HSL 206.19, 0.56%, 0.56%

LAB 59.78, -5.65, -34.94

 

CMYK 61 / 43 / 0 / 20

HEX #4F74CD

RGB 79 116 205

HSL 222.38, 0.56%, 0.56%

LAB 50.17, 14.59, -50.12

 

CMYK 61 / 60 / 0 / 20

HEX #4F52CD

RGB 79 82 205

HSL 238.57, 0.56%, 0.56%

LAB 41.38, 35.81, -64.29

 

CMYK 61 / 61 / 0 / 20

HEX #4F4FCD

RGB 79 79 205

HSL 240, 0.56%, 0.56%

LAB 40.67, 37.65, -65.44

 

CMYK 61 / 27 / 0 / 20

HEX #4F96CD

RGB 79 150 205

HSL 206.19, 0.56%, 0.56%

LAB 59.78, -5.65, -34.94

 

CMYK 73 / 32 / 0 / 13

HEX #3D98DF

RGB 61 152 223

HSL 206.3, 0.72%, 0.56%

LAB 60.58, -3.57, -43.78

 

CMYK 82 / 36 / 0 / 5

HEX #2B9AF1

RGB 43 154 241

HSL 206.36, 0.88%, 0.56%

LAB 61.63, -0.24, -52.1

 

CMYK 61 / 27 / 0 / 20

HEX #4F96CD

RGB 79 150 205

HSL 206.19, 0.56%, 0.56%

LAB 59.78, -5.65, -34.94

 

CMYK 48 / 21 / 0 / 27

HEX #6294BB

RGB 98 148 187

HSL 206.29, 0.4%, 0.56%

LAB 59.31, -5.99, -25.48

 

CMYK 31 / 14 / 0 / 34

HEX #7491A9

RGB 116 145 169

HSL 207.17, 0.24%, 0.56%

LAB 58.82, -4.32, -15.93

 

CMYK 11 / 5 / 0 / 41

HEX #868F97

RGB 134 143 151

HSL 208.24, 0.08%, 0.56%

LAB 58.93, -1.58, -5.36

 

CMYK 0 / 7 / 13 / 40

HEX #988D85

RGB 152 141 133

HSL 25.26, 0.08%, 0.56%

LAB 59.36, 2.67, 5.73

 

CMYK 61 / 0 / 6 / 20

HEX #4FCDC1

RGB 79 205 193

HSL 174.29, 0.56%, 0.56%

LAB 75.56, -37.36, -4.37

 

CMYK 61 / 10 / 0 / 20

HEX #4FB8CD

RGB 79 184 205

HSL 190, 0.56%, 0.56%

LAB 69.72, -23.89, -19.65

 

CMYK 61 / 26 / 0 / 20

HEX #4F97CD

RGB 79 151 205

HSL 205.71, 0.56%, 0.56%

LAB 60.07, -6.22, -34.49

 

CMYK 61 / 43 / 0 / 20

HEX #4F75CD

RGB 79 117 205

HSL 221.9, 0.56%, 0.56%

LAB 50.44, 13.97, -49.68

 

CMYK 61 / 59 / 0 / 20

HEX #4F54CD

RGB 79 84 205

HSL 237.62, 0.56%, 0.56%

LAB 41.86, 34.58, -63.51

 

CMYK 72 / 32 / 0 / 38

HEX #2C6C9E

RGB 44 108 158

HSL 206.32, 0.56%, 0.4%

LAB 43.84, -3.18, -32.95

 

CMYK 72 / 32 / 0 / 25

HEX #3582BE

RGB 53 130 190

HSL 206.28, 0.56%, 0.48%

LAB 52.33, -3.49, -38.19

 

CMYK 61 / 27 / 0 / 20

HEX #4F96CD

RGB 79 150 205

HSL 206.19, 0.56%, 0.56%

LAB 59.78, -5.65, -34.94

 

CMYK 48 / 21 / 0 / 16

HEX #70A9D6

RGB 112 169 214

HSL 206.47, 0.55%, 0.64%

LAB 67.03, -6.45, -28.59

 

CMYK 35 / 16 / 0 / 13

HEX #90BCDF

RGB 144 188 223

HSL 206.58, 0.55%, 0.72%

LAB 74.33, -6.11, -22.19

 

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

CMYK 22 / 61 / 0 / 20

HEX #9F4FCD

RGB 159 79 205

HSL 278.1, 0.56%, 0.56%

LAB 48.72, 54.16, -52.04

 

CMYK 2 / 0 / 61 / 20

HEX #C9CD4F

RGB 201 205 79

HSL 61.9, 0.56%, 0.56%

LAB 79.98, -17.39, 60.3

 

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

CMYK 0 / 61 / 26 / 20

HEX #CD4F97

RGB 205 79 151

HSL 325.71, 0.56%, 0.56%

LAB 52.74, 57.12, -13.8

 

CMYK 26 / 0 / 61 / 20

HEX #97CD4F

RGB 151 205 79

HSL 85.71, 0.56%, 0.56%

LAB 76.56, -37.19, 55.6

 

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

CMYK 22 / 61 / 0 / 20

HEX #9F4FCD

RGB 159 79 205

HSL 278.1, 0.56%, 0.56%

LAB 48.72, 54.16, -52.04

 

CMYK 0 / 35 / 61 / 20

HEX #CD864F

RGB 205 134 79

HSL 26.19, 0.56%, 0.56%

LAB 62.16, 21.86, 40.36

 

CMYK 39 / 0 / 61 / 20

HEX #7ECD4F

RGB 126 205 79

HSL 97.62, 0.56%, 0.56%

LAB 75.24, -46, 53.76

 

CMYK 61 / 27 / 0 / 20

HEX #5096CD

RGB 80 150 205

HSL 206.4, 0.56%, 0.56%

LAB 59.82, -5.46, -34.88

 

CMYK 4 / 61 / 0 / 20

HEX #C54FCD

RGB 197 79 205

HSL 296.19, 0.56%, 0.56%

LAB 53.89, 63.32, -43.5

 

CMYK 0 / 35 / 61 / 20

HEX #CD864F

RGB 205 134 79

HSL 26.19, 0.56%, 0.56%

LAB 62.16, 21.86, 40.36

 

CMYK 57 / 0 / 61 / 20

HEX #58CD4F

RGB 88 205 79

HSL 115.71, 0.56%, 0.56%

LAB 73.74, -57.05, 51.67

 

Description

Color code: HEX #5096CD | qconv.com Color code: HEX #5096CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 150 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 150 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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