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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50975D it is the complementary color #AF68A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50975D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50975D shade: #559758, #66A96B, #77BB7E, #88CD91 and #99DFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50975D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50975D shade: #50975D, #3F854A, #2E7337, #1D6124 and #0C4F11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50975D shade: #4F965C, #55964F, #68964F, #7B964F and #8E964F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50975D shade: #4F965C, #4F966F, #4F9682, #4F9695 and #4F8396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50975D shade matches the following richer shades: #4F965C, #3CA850, #2ABB44, #17CE38 and #04E02D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50975D shade: #4F965C, #618367, #747173, #865E7F and #994C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50975D shade: #69964F, #56964F, #4F965B, #4F966E and #4F9680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50975D shade: #32603B, #407B4B, #4F965C, #62AC6F and #7DBA88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50975D shade: #50975D, #4F7C96 and #964F5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50975D shade: #50975D, #5B4F96 and #965B4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50975D shade: #50975D, #4F7C96, #964F8A and #96694F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50975D shade: #50975D, #4F6696, #964F8A and #967E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

Complementary color

CMYK 0 / 41 / 7 / 31

HEX #AF68A2

RGB 175 104 162

HSL 310.99, 0.31%, 0.55%

LAB 53.62, 37.08, -19.3

 

CMYK 44 / 0 / 42 / 41

HEX #559758

RGB 85 151 88

HSL 122.73, 0.28%, 0.46%

LAB 56.85, -34.67, 26.77

 

CMYK 40 / 0 / 37 / 34

HEX #66A96B

RGB 102 169 107

HSL 124.48, 0.28%, 0.53%

LAB 63.56, -34.44, 25.49

 

CMYK 36 / 0 / 33 / 27

HEX #77BB7E

RGB 119 187 126

HSL 126.18, 0.33%, 0.6%

LAB 70.15, -34.19, 24.29

 

CMYK 34 / 0 / 29 / 20

HEX #88CD91

RGB 136 205 145

HSL 127.83, 0.41%, 0.67%

LAB 76.64, -33.93, 23.16

 

CMYK 31 / 0 / 26 / 13

HEX #99DFA4

RGB 153 223 164

HSL 129.43, 0.52%, 0.74%

LAB 83.03, -33.67, 22.11

 

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

CMYK 53 / 0 / 44 / 48

HEX #3F854A

RGB 63 133 74

HSL 129.43, 0.36%, 0.38%

LAB 49.89, -35.47, 25.21

 

CMYK 60 / 0 / 52 / 55

HEX #2E7337

RGB 46 115 55

HSL 127.83, 0.43%, 0.32%

LAB 42.94, -35.42, 26.68

 

CMYK 70 / 0 / 63 / 62

HEX #1D6124

RGB 29 97 36

HSL 126.18, 0.54%, 0.25%

LAB 35.86, -34.97, 28.18

 

CMYK 85 / 0 / 78 / 69

HEX #0C4F11

RGB 12 79 17

HSL 124.48, 0.74%, 0.18%

LAB 28.67, -33.68, 29.37

 

CMYK 47 / 0 / 39 / 41

HEX #4F965C

RGB 79 150 92

HSL 130.99, 0.31%, 0.45%

LAB 56.33, -35.35, 23.87

 

CMYK 43 / 0 / 47 / 41

HEX #55964F

RGB 85 150 79

HSL 114.93, 0.31%, 0.45%

LAB 56.4, -35.6, 30.99

 

CMYK 31 / 0 / 47 / 41

HEX #68964F

RGB 104 150 79

HSL 98.87, 0.31%, 0.45%

LAB 57.39, -29.05, 32.45

 

CMYK 18 / 0 / 47 / 41

HEX #7B964F

RGB 123 150 79

HSL 82.82, 0.31%, 0.45%

LAB 58.59, -21.73, 34.21

 

CMYK 5 / 0 / 47 / 41

HEX #8E964F

RGB 142 150 79

HSL 66.76, 0.31%, 0.45%

LAB 60, -13.91, 36.26

 

CMYK 47 / 0 / 39 / 41

HEX #4F965C

RGB 79 150 92

HSL 130.99, 0.31%, 0.45%

LAB 56.33, -35.35, 23.87

 

CMYK 47 / 0 / 26 / 41

HEX #4F966F

RGB 79 150 111

HSL 147.04, 0.31%, 0.45%

LAB 56.71, -31.67, 13.8

 

CMYK 47 / 0 / 13 / 41

HEX #4F9682

RGB 79 150 130

HSL 163.1, 0.31%, 0.45%

LAB 57.16, -27.36, 3.66

 

CMYK 47 / 0 / 1 / 41

HEX #4F9695

RGB 79 150 149

HSL 179.15, 0.31%, 0.45%

LAB 57.7, -22.49, -6.39

 

CMYK 47 / 13 / 0 / 41

HEX #4F8396

RGB 79 131 150

HSL 196.06, 0.31%, 0.45%

LAB 51.95, -12.01, -15.61

 

CMYK 47 / 0 / 39 / 41

HEX #4F965C

RGB 79 150 92

HSL 130.99, 0.31%, 0.45%

LAB 56.33, -35.35, 23.87

 

CMYK 64 / 0 / 52 / 34

HEX #3CA850

RGB 60 168 80

HSL 131.11, 0.47%, 0.45%

LAB 61.26, -49.58, 36.32

 

CMYK 78 / 0 / 64 / 27

HEX #2ABB44

RGB 42 187 68

HSL 130.76, 0.63%, 0.45%

LAB 66.86, -60.92, 48.43

 

CMYK 89 / 0 / 73 / 19

HEX #17CE38

RGB 23 206 56

HSL 130.82, 0.8%, 0.45%

LAB 72.63, -69.84, 59.3

 

CMYK 98 / 0 / 80 / 12

HEX #04E02D

RGB 4 224 45

HSL 131.18, 0.96%, 0.45%

LAB 78.18, -76.56, 68.17

 

CMYK 47 / 0 / 39 / 41

HEX #4F965C

RGB 79 150 92

HSL 130.99, 0.31%, 0.45%

LAB 56.33, -35.35, 23.87

 

CMYK 26 / 0 / 21 / 49

HEX #618367

RGB 97 131 103

HSL 130.59, 0.15%, 0.45%

LAB 51.56, -18.06, 11.32

 

CMYK 0 / 3 / 1 / 55

HEX #747173

RGB 116 113 115

HSL 320, 0.01%, 0.45%

LAB 47.96, 1.56, -0.7

 

CMYK 0 / 30 / 5 / 47

HEX #865E7F

RGB 134 94 127

HSL 310.5, 0.18%, 0.45%

LAB 45.09, 22.02, -11.97

 

CMYK 0 / 50 / 9 / 40

HEX #994C8B

RGB 153 76 139

HSL 310.91, 0.34%, 0.45%

LAB 43.95, 40.86, -20.74

 

CMYK 30 / 0 / 47 / 41

HEX #69964F

RGB 105 150 79

HSL 98.03, 0.31%, 0.45%

LAB 57.44, -28.68, 32.53

 

CMYK 43 / 0 / 47 / 41

HEX #56964F

RGB 86 150 79

HSL 114.08, 0.31%, 0.45%

LAB 56.44, -35.28, 31.06

 

CMYK 47 / 0 / 39 / 41

HEX #4F965B

RGB 79 150 91

HSL 130.14, 0.31%, 0.45%

LAB 56.32, -35.53, 24.39

 

CMYK 47 / 0 / 27 / 41

HEX #4F966E

RGB 79 150 110

HSL 146.2, 0.31%, 0.45%

LAB 56.68, -31.88, 14.33

 

CMYK 47 / 0 / 15 / 41

HEX #4F9680

RGB 79 150 128

HSL 161.41, 0.31%, 0.45%

LAB 57.11, -27.85, 4.73

 

CMYK 48 / 0 / 39 / 62

HEX #32603B

RGB 50 96 59

HSL 131.74, 0.32%, 0.29%

LAB 36.67, -24.8, 16.37

 

CMYK 48 / 0 / 39 / 52

HEX #407B4B

RGB 64 123 75

HSL 131.19, 0.32%, 0.37%

LAB 46.66, -30.44, 20.44

 

CMYK 47 / 0 / 39 / 41

HEX #4F965C

RGB 79 150 92

HSL 130.99, 0.31%, 0.45%

LAB 56.33, -35.35, 23.87

 

CMYK 43 / 0 / 35 / 33

HEX #62AC6F

RGB 98 172 111

HSL 130.54, 0.31%, 0.53%

LAB 64.36, -36.36, 24.37

 

CMYK 33 / 0 / 27 / 27

HEX #7DBA88

RGB 125 186 136

HSL 130.82, 0.31%, 0.61%

LAB 70.35, -30.05, 19.25

 

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

CMYK 47 / 17 / 0 / 41

HEX #4F7C96

RGB 79 124 150

HSL 201.97, 0.31%, 0.45%

LAB 49.83, -8.05, -18.83

 

CMYK 0 / 47 / 37 / 41

HEX #964F5F

RGB 150 79 95

HSL 346.48, 0.31%, 0.45%

LAB 42.62, 31.47, 4.12

 

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

CMYK 39 / 47 / 0 / 41

HEX #5B4F96

RGB 91 79 150

HSL 250.14, 0.31%, 0.45%

LAB 37.87, 22.83, -37.43

 

CMYK 0 / 39 / 47 / 41

HEX #965B4F

RGB 150 91 79

HSL 10.14, 0.31%, 0.45%

LAB 44.98, 22.82, 17.17

 

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

CMYK 47 / 17 / 0 / 41

HEX #4F7C96

RGB 79 124 150

HSL 201.97, 0.31%, 0.45%

LAB 49.83, -8.05, -18.83

 

CMYK 0 / 47 / 8 / 41

HEX #964F8A

RGB 150 79 138

HSL 310.14, 0.31%, 0.45%

LAB 44.1, 38.13, -19.94

 

CMYK 0 / 30 / 47 / 41

HEX #96694F

RGB 150 105 79

HSL 21.97, 0.31%, 0.45%

LAB 48.45, 14.76, 21.79

 

CMYK 47 / 0 / 38 / 41

HEX #50975D

RGB 80 151 93

HSL 130.99, 0.31%, 0.45%

LAB 56.71, -35.33, 23.83

 

CMYK 47 / 32 / 0 / 41

HEX #4F6696

RGB 79 102 150

HSL 220.56, 0.31%, 0.45%

LAB 43.31, 5.1, -28.92

 

CMYK 0 / 47 / 8 / 41

HEX #964F8A

RGB 150 79 138

HSL 310.14, 0.31%, 0.45%

LAB 44.1, 38.13, -19.94

 

CMYK 0 / 16 / 47 / 41

HEX #967E4F

RGB 150 126 79

HSL 39.72, 0.31%, 0.45%

LAB 54, 2.71, 28.95

 

Description

Color code: HEX #50975D | qconv.com Color code: HEX #50975D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 151 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 151 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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