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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50A4DD it is the complementary color #AF5B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50A4DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50A4DD shade: #55A4D8, #66B6EB, #77C8FE, #88DAFF and #99ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50A4DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50A4DD shade: #50A4DD, #3F92CA, #2E80B7, #1D6EA4 and #0C5C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50A4DD shade: #50A3DC, #507EDC, #5058DC, #6E50DC and #9450DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50A4DD shade: #50A3DC, #507EDC, #5058DC and #5050DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50A4DD shade matches the following richer shades: #50A3DC, #3FA7ED and #2EAAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50A4DD shade: #50A3DC, #61A0CB, #729DBA, #839AA9 and #949698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50A4DD shade: #50DCC9, #50C9DC, #50A4DC, #507FDC and #5059DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50A4DD shade: #247BB6, #2D91D5, #50A3DC, #72B5E3 and #95C7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50A4DD shade: #50A4DD, #A450DC and #DCDC50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50A4DD shade: #50A4DD, #DC50A4 and #A4DC50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50A4DD shade: #50A4DD, #A450DC, #DC8850 and #88DC50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50A4DD shade: #50A4DD, #CE50DC, #DC8850 and #5EDC50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

Complementary color

CMYK 0 / 48 / 81 / 31

HEX #AF5B22

RGB 175 91 34

HSL 24.26, 0.67%, 0.41%

LAB 47.89, 30.23, 46

 

CMYK 61 / 24 / 0 / 15

HEX #55A4D8

RGB 85 164 216

HSL 203.82, 0.63%, 0.59%

LAB 64.52, -8.84, -33.69

 

CMYK 57 / 23 / 0 / 8

HEX #66B6EB

RGB 102 182 235

HSL 203.91, 0.77%, 0.66%

LAB 71.06, -9.52, -33.9

 

CMYK 53 / 21 / 0 / 0

HEX #77C8FE

RGB 119 200 254

HSL 204, 0.99%, 0.73%

LAB 77.51, -10.07, -34.11

 

CMYK 47 / 15 / 0 / 0

HEX #88DAFF

RGB 136 218 255

HSL 198.66, 1%, 0.77%

LAB 83.23, -15.46, -25.8

 

CMYK 40 / 7 / 0 / 0

HEX #99ECFF

RGB 153 236 255

HSL 191.18, 1%, 0.8%

LAB 88.91, -20.5, -17.12

 

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

CMYK 69 / 28 / 0 / 21

HEX #3F92CA

RGB 63 146 202

HSL 204.17, 0.57%, 0.52%

LAB 57.92, -7.1, -36.21

 

CMYK 75 / 30 / 0 / 28

HEX #2E80B7

RGB 46 128 183

HSL 204.09, 0.6%, 0.45%

LAB 51.2, -5.77, -35.97

 

CMYK 82 / 33 / 0 / 36

HEX #1D6EA4

RGB 29 110 164

HSL 204, 0.7%, 0.38%

LAB 44.37, -4.02, -35.7

 

CMYK 92 / 37 / 0 / 43

HEX #0C5C91

RGB 12 92 145

HSL 203.91, 0.85%, 0.31%

LAB 37.44, -1.69, -35.34

 

CMYK 64 / 26 / 0 / 14

HEX #50A3DC

RGB 80 163 220

HSL 204.43, 0.67%, 0.59%

LAB 64.22, -7.9, -36.38

 

CMYK 64 / 43 / 0 / 14

HEX #507EDC

RGB 80 126 220

HSL 220.29, 0.67%, 0.59%

LAB 53.81, 13.75, -52.8

 

CMYK 64 / 60 / 0 / 14

HEX #5058DC

RGB 80 88 220

HSL 236.57, 0.67%, 0.59%

LAB 44.02, 37.27, -68.59

 

CMYK 50 / 64 / 0 / 14

HEX #6E50DC

RGB 110 80 220

HSL 252.86, 0.67%, 0.59%

LAB 44.55, 47.03, -67.63

 

CMYK 33 / 64 / 0 / 14

HEX #9450DC

RGB 148 80 220

HSL 269.14, 0.67%, 0.59%

LAB 48.51, 54.62, -61.02

 

CMYK 64 / 26 / 0 / 14

HEX #50A3DC

RGB 80 163 220

HSL 204.43, 0.67%, 0.59%

LAB 64.22, -7.9, -36.38

 

CMYK 64 / 43 / 0 / 14

HEX #507EDC

RGB 80 126 220

HSL 220.29, 0.67%, 0.59%

LAB 53.81, 13.75, -52.8

 

CMYK 64 / 60 / 0 / 14

HEX #5058DC

RGB 80 88 220

HSL 236.57, 0.67%, 0.59%

LAB 44.02, 37.27, -68.59

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 64 / 26 / 0 / 14

HEX #50A3DC

RGB 80 163 220

HSL 204.43, 0.67%, 0.59%

LAB 64.22, -7.9, -36.38

 

CMYK 73 / 30 / 0 / 7

HEX #3FA7ED

RGB 63 167 237

HSL 204.14, 0.83%, 0.59%

LAB 65.6, -6.98, -43.61

 

CMYK 82 / 33 / 0 / 0

HEX #2EAAFE

RGB 46 170 254

HSL 204.23, 0.99%, 0.59%

LAB 66.89, -4.48, -50.87

 

CMYK 64 / 26 / 0 / 14

HEX #50A3DC

RGB 80 163 220

HSL 204.43, 0.67%, 0.59%

LAB 64.22, -7.9, -36.38

 

CMYK 52 / 21 / 0 / 20

HEX #61A0CB

RGB 97 160 203

HSL 204.34, 0.5%, 0.59%

LAB 63.34, -8.18, -28.25

 

CMYK 39 / 16 / 0 / 27

HEX #729DBA

RGB 114 157 186

HSL 204.17, 0.34%, 0.59%

LAB 62.71, -7.12, -19.64

 

CMYK 22 / 9 / 0 / 34

HEX #839AA9

RGB 131 154 169

HSL 203.68, 0.18%, 0.59%

LAB 62.34, -4.67, -10.52

 

CMYK 3 / 1 / 0 / 40

HEX #949698

RGB 148 150 152

HSL 210, 0.02%, 0.59%

LAB 61.98, -0.33, -1.31

 

CMYK 64 / 0 / 9 / 14

HEX #50DCC9

RGB 80 220 201

HSL 171.86, 0.67%, 0.59%

LAB 80.24, -41.88, -1.78

 

CMYK 64 / 9 / 0 / 14

HEX #50C9DC

RGB 80 201 220

HSL 188.14, 0.67%, 0.59%

LAB 75.23, -27.78, -19.45

 

CMYK 64 / 25 / 0 / 14

HEX #50A4DC

RGB 80 164 220

HSL 204, 0.67%, 0.59%

LAB 64.5, -8.46, -35.93

 

CMYK 64 / 42 / 0 / 14

HEX #507FDC

RGB 80 127 220

HSL 219.86, 0.67%, 0.59%

LAB 54.08, 13.14, -52.37

 

CMYK 64 / 60 / 0 / 14

HEX #5059DC

RGB 80 89 220

HSL 236.14, 0.67%, 0.59%

LAB 44.26, 36.66, -68.2

 

CMYK 80 / 32 / 0 / 29

HEX #247BB6

RGB 36 123 182

HSL 204.25, 0.67%, 0.43%

LAB 49.4, -4.35, -38.24

 

CMYK 79 / 32 / 0 / 16

HEX #2D91D5

RGB 45 145 213

HSL 204.29, 0.67%, 0.51%

LAB 57.67, -4.97, -42.82

 

CMYK 64 / 26 / 0 / 14

HEX #50A3DC

RGB 80 163 220

HSL 204.43, 0.67%, 0.59%

LAB 64.22, -7.9, -36.38

 

CMYK 50 / 20 / 0 / 11

HEX #72B5E3

RGB 114 181 227

HSL 204.42, 0.67%, 0.67%

LAB 70.99, -8.79, -29.62

 

CMYK 36 / 15 / 0 / 8

HEX #95C7EA

RGB 149 199 234

HSL 204.71, 0.67%, 0.75%

LAB 77.98, -7.83, -22.55

 

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

CMYK 25 / 64 / 0 / 14

HEX #A450DC

RGB 164 80 220

HSL 276, 0.67%, 0.59%

LAB 50.45, 58.11, -57.8

 

CMYK 0 / 0 / 64 / 14

HEX #DCDC50

RGB 220 220 80

HSL 60, 0.67%, 0.59%

LAB 85.49, -16.93, 66.17

 

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

CMYK 0 / 64 / 25 / 14

HEX #DC50A4

RGB 220 80 164

HSL 324, 0.67%, 0.59%

LAB 55.72, 62.68, -16.69

 

CMYK 25 / 0 / 64 / 14

HEX #A4DC50

RGB 164 220 80

HSL 84, 0.67%, 0.59%

LAB 81.65, -39.02, 60.94

 

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

CMYK 25 / 64 / 0 / 14

HEX #A450DC

RGB 164 80 220

HSL 276, 0.67%, 0.59%

LAB 50.45, 58.11, -57.8

 

CMYK 0 / 38 / 64 / 14

HEX #DC8850

RGB 220 136 80

HSL 24, 0.67%, 0.59%

LAB 64.49, 27.04, 43.04

 

CMYK 38 / 0 / 64 / 14

HEX #88DC50

RGB 136 220 80

HSL 96, 0.67%, 0.59%

LAB 80.18, -48.85, 58.92

 

CMYK 64 / 26 / 0 / 13

HEX #50A4DD

RGB 80 164 221

HSL 204.26, 0.67%, 0.59%

LAB 64.55, -8.13, -36.42

 

CMYK 6 / 64 / 0 / 14

HEX #CE50DC

RGB 206 80 220

HSL 294, 0.67%, 0.59%

LAB 56.11, 67.69, -48.42

 

CMYK 0 / 38 / 64 / 14

HEX #DC8850

RGB 220 136 80

HSL 24, 0.67%, 0.59%

LAB 64.49, 27.04, 43.04

 

CMYK 57 / 0 / 64 / 14

HEX #5EDC50

RGB 94 220 80

HSL 114, 0.67%, 0.59%

LAB 78.55, -60.94, 56.66

 

Description

Color code: HEX #50A4DD | qconv.com Color code: HEX #50A4DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 164 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 164 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 26% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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