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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50A5CD it is the complementary color #AF5A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50A5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50A5CD shade: #55A5C8, #66B7DB, #77C9EE, #88DBFF and #99EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50A5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50A5CD shade: #50A5CD, #3F93BA, #2E81A7, #1D6F94 and #0C5D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50A5CD shade: #4FA5CD, #4F83CD, #4F61CD, #604FCD and #824FCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50A5CD shade: #4FA5CD, #4F83CD, #4F61CD and #4F4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50A5CD shade matches the following richer shades: #4FA5CD, #3DABDF and #2BB2F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50A5CD shade: #4FA5CD, #629EBB, #7498A9, #869197 and #988B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50A5CD shade: #4FCDB2, #4FC7CD, #4FA5CD, #4F84CD and #4F62CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50A5CD shade: #2C7A9E, #3592BE, #4FA5CD, #70B5D6 and #90C6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50A5CD shade: #50A5CD, #904FCD and #CDC34F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50A5CD shade: #50A5CD, #CD4FA5 and #A5CD4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50A5CD shade: #50A5CD, #904FCD, #CD774F and #8CCD4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50A5CD shade: #50A5CD, #B64FCD, #CD774F and #67CD4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

Complementary color

CMYK 0 / 49 / 71 / 31

HEX #AF5A32

RGB 175 90 50

HSL 19.2, 0.56%, 0.44%

LAB 47.82, 31.48, 38.05

 

CMYK 58 / 18 / 0 / 22

HEX #55A5C8

RGB 85 165 200

HSL 198.26, 0.51%, 0.56%

LAB 64.17, -14.35, -25.34

 

CMYK 53 / 16 / 0 / 14

HEX #66B7DB

RGB 102 183 219

HSL 198.46, 0.62%, 0.63%

LAB 70.74, -14.81, -25.68

 

CMYK 50 / 16 / 0 / 7

HEX #77C9EE

RGB 119 201 238

HSL 198.66, 0.78%, 0.7%

LAB 77.2, -15.16, -26.02

 

CMYK 47 / 14 / 0 / 0

HEX #88DBFF

RGB 136 219 255

HSL 198.15, 1%, 0.77%

LAB 83.5, -15.97, -25.39

 

CMYK 40 / 7 / 0 / 0

HEX #99EDFF

RGB 153 237 255

HSL 190.59, 1%, 0.8%

LAB 89.19, -21, -16.71

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 66 / 21 / 0 / 27

HEX #3F93BA

RGB 63 147 186

HSL 199.02, 0.49%, 0.49%

LAB 57.53, -13.01, -27.78

 

CMYK 72 / 23 / 0 / 35

HEX #2E81A7

RGB 46 129 167

HSL 198.84, 0.57%, 0.42%

LAB 50.77, -12, -27.4

 

CMYK 80 / 25 / 0 / 42

HEX #1D6F94

RGB 29 111 148

HSL 198.66, 0.67%, 0.35%

LAB 43.9, -10.62, -26.96

 

CMYK 91 / 28 / 0 / 49

HEX #0C5D81

RGB 12 93 129

HSL 198.46, 0.83%, 0.28%

LAB 36.91, -8.7, -26.44

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 61 / 36 / 0 / 20

HEX #4F83CD

RGB 79 131 205

HSL 215.24, 0.56%, 0.56%

LAB 54.35, 5.44, -43.48

 

CMYK 61 / 53 / 0 / 20

HEX #4F61CD

RGB 79 97 205

HSL 231.43, 0.56%, 0.56%

LAB 45.11, 26.46, -58.25

 

CMYK 53 / 61 / 0 / 20

HEX #604FCD

RGB 96 79 205

HSL 248.1, 0.56%, 0.56%

LAB 41.98, 40.58, -63.26

 

CMYK 37 / 61 / 0 / 20

HEX #824FCD

RGB 130 79 205

HSL 264.29, 0.56%, 0.56%

LAB 45.28, 47.52, -57.75

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 61 / 36 / 0 / 20

HEX #4F83CD

RGB 79 131 205

HSL 215.24, 0.56%, 0.56%

LAB 54.35, 5.44, -43.48

 

CMYK 61 / 53 / 0 / 20

HEX #4F61CD

RGB 79 97 205

HSL 231.43, 0.56%, 0.56%

LAB 45.11, 26.46, -58.25

 

CMYK 61 / 61 / 0 / 20

HEX #4F4FCD

RGB 79 79 205

HSL 240, 0.56%, 0.56%

LAB 40.67, 37.65, -65.44

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 73 / 23 / 0 / 13

HEX #3DABDF

RGB 61 171 223

HSL 199.26, 0.72%, 0.56%

LAB 66.09, -14.15, -35.15

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F1

RGB 43 178 241

HSL 199.09, 0.88%, 0.56%

LAB 68.54, -13.7, -41.22

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 48 / 16 / 0 / 27

HEX #629EBB

RGB 98 158 187

HSL 199.55, 0.4%, 0.56%

LAB 62.2, -11.53, -21.04

 

CMYK 31 / 10 / 0 / 34

HEX #7498A9

RGB 116 152 169

HSL 199.25, 0.24%, 0.56%

LAB 60.81, -8.22, -12.91

 

CMYK 11 / 4 / 0 / 41

HEX #869197

RGB 134 145 151

HSL 201.18, 0.08%, 0.56%

LAB 59.48, -2.7, -4.54

 

CMYK 0 / 9 / 13 / 40

HEX #988B85

RGB 152 139 133

HSL 18.95, 0.08%, 0.56%

LAB 58.82, 3.79, 4.96

 

CMYK 61 / 0 / 13 / 20

HEX #4FCDB2

RGB 79 205 178

HSL 167.14, 0.56%, 0.56%

LAB 75.16, -41.2, 3.14

 

CMYK 61 / 3 / 0 / 20

HEX #4FC7CD

RGB 79 199 205

HSL 182.86, 0.56%, 0.56%

LAB 74.14, -31.28, -12.98

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 61 / 36 / 0 / 20

HEX #4F84CD

RGB 79 132 205

HSL 214.76, 0.56%, 0.56%

LAB 54.63, 4.84, -43.04

 

CMYK 61 / 52 / 0 / 20

HEX #4F62CD

RGB 79 98 205

HSL 230.95, 0.56%, 0.56%

LAB 45.37, 25.84, -57.83

 

CMYK 72 / 23 / 0 / 38

HEX #2C7A9E

RGB 44 122 158

HSL 198.95, 0.56%, 0.4%

LAB 48.16, -11.44, -26.2

 

CMYK 72 / 23 / 0 / 25

HEX #3592BE

RGB 53 146 190

HSL 199.27, 0.56%, 0.48%

LAB 57.11, -12.65, -30.72

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 48 / 15 / 0 / 16

HEX #70B5D6

RGB 112 181 214

HSL 199.41, 0.55%, 0.64%

LAB 70.42, -12.94, -23.4

 

CMYK 35 / 11 / 0 / 13

HEX #90C6DF

RGB 144 198 223

HSL 198.99, 0.55%, 0.72%

LAB 77.07, -11.41, -18.04

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 30 / 61 / 0 / 20

HEX #904FCD

RGB 144 79 205

HSL 270.95, 0.56%, 0.56%

LAB 46.88, 50.67, -55.09

 

CMYK 0 / 5 / 61 / 20

HEX #CDC34F

RGB 205 195 79

HSL 55.24, 0.56%, 0.56%

LAB 77.62, -10.69, 57.86

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA5

RGB 205 79 165

HSL 319.05, 0.56%, 0.56%

LAB 53.26, 59.03, -21.24

 

CMYK 20 / 0 / 61 / 20

HEX #A5CD4F

RGB 165 205 79

HSL 79.05, 0.56%, 0.56%

LAB 77.42, -31.87, 56.78

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 30 / 61 / 0 / 20

HEX #904FCD

RGB 144 79 205

HSL 270.95, 0.56%, 0.56%

LAB 46.88, 50.67, -55.09

 

CMYK 0 / 42 / 61 / 20

HEX #CD774F

RGB 205 119 79

HSL 19.05, 0.56%, 0.56%

LAB 58.73, 29.96, 36.24

 

CMYK 32 / 0 / 61 / 20

HEX #8CCD4F

RGB 140 205 79

HSL 90.95, 0.56%, 0.56%

LAB 75.95, -41.19, 54.75

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 11 / 61 / 0 / 20

HEX #B64FCD

RGB 182 79 205

HSL 289.05, 0.56%, 0.56%

LAB 51.77, 59.67, -46.99

 

CMYK 0 / 42 / 61 / 20

HEX #CD774F

RGB 205 119 79

HSL 19.05, 0.56%, 0.56%

LAB 58.73, 29.96, 36.24

 

CMYK 50 / 0 / 61 / 20

HEX #67CD4F

RGB 103 205 79

HSL 108.57, 0.56%, 0.56%

LAB 74.26, -53.08, 52.4

 

Description

Color code: HEX #50A5CD | qconv.com Color code: HEX #50A5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 165 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 165 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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