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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50A5FF it is the complementary color #AF5A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50A5FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50A5FF shade: #55A5FA, #66B7FF, #77C9FF, #88DBFF and #99EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50A5FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50A5FF shade: #50A5FF, #3F93EC, #2E81D9, #1D6FC6 and #0C5DB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50A5FF shade: #51A5FF, #5177FF, #5A51FF, #8951FF and #B851FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50A5FF shade: #51A5FF, #5177FF and #5151FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50A5FF shade matches the following richer shades: #51A5FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50A5FF shade: #51A5FF, #5FA6F0, #6DA6E2, #7BA7D4 and #89A7C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50A5FF shade: #51FFF9, #51D6FF, #51A8FF, #517AFF and #5751FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50A5FF shade: #007BFE, #2890FF, #51A5FF, #7ABBFF and #A4D0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50A5FF shade: #50A5FF, #CA51FF and #EDFF51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50A5FF shade: #50A5FF, #FF51A8 and #A8FF51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50A5FF shade: #50A5FF, #CA51FF, #FFA851 and #85FF51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50A5FF shade: #50A5FF, #FF51FF, #FFA851 and #51FF51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

Complementary color

CMYK 0 / 49 / 100 / 31

HEX #AF5A00

RGB 175 90 0

HSL 30.86, 1%, 0.34%

LAB 47.53, 30.04, 56.36

 

CMYK 66 / 34 / 0 / 2

HEX #55A5FA

RGB 85 165 250

HSL 210.91, 0.94%, 0.66%

LAB 66.32, 1.68, -49.53

 

CMYK 60 / 28 / 0 / 0

HEX #66B7FF

RGB 102 183 255

HSL 208.24, 1%, 0.7%

LAB 72.17, -3.91, -43

 

CMYK 53 / 21 / 0 / 0

HEX #77C9FF

RGB 119 201 255

HSL 203.82, 1%, 0.73%

LAB 77.82, -10.31, -34.16

 

CMYK 47 / 14 / 0 / 0

HEX #88DBFF

RGB 136 219 255

HSL 198.15, 1%, 0.77%

LAB 83.5, -15.97, -25.39

 

CMYK 40 / 7 / 0 / 0

HEX #99EDFF

RGB 153 237 255

HSL 190.59, 1%, 0.8%

LAB 89.19, -21, -16.71

 

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

CMYK 73 / 38 / 0 / 7

HEX #3F93EC

RGB 63 147 236

HSL 210.87, 0.82%, 0.59%

LAB 59.87, 4.17, -52.11

 

CMYK 79 / 41 / 0 / 15

HEX #2E81D9

RGB 46 129 217

HSL 210.88, 0.69%, 0.52%

LAB 53.27, 6.09, -52.05

 

CMYK 85 / 44 / 0 / 22

HEX #1D6FC6

RGB 29 111 198

HSL 210.89, 0.74%, 0.45%

LAB 46.59, 8.49, -51.94

 

CMYK 93 / 48 / 0 / 30

HEX #0C5DB3

RGB 12 93 179

HSL 210.9, 0.87%, 0.37%

LAB 39.85, 11.5, -51.75

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 68 / 53 / 0 / 0

HEX #5177FF

RGB 81 119 255

HSL 226.9, 1%, 0.66%

LAB 54.2, 30.27, -71.68

 

CMYK 65 / 68 / 0 / 0

HEX #5A51FF

RGB 90 81 255

HSL 243.1, 1%, 0.66%

LAB 46.01, 53.95, -85.01

 

CMYK 46 / 68 / 0 / 0

HEX #8951FF

RGB 137 81 255

HSL 259.31, 1%, 0.66%

LAB 50.01, 60.81, -78.32

 

CMYK 28 / 68 / 0 / 0

HEX #B851FF

RGB 184 81 255

HSL 275.52, 1%, 0.66%

LAB 55.38, 69.4, -69.35

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 68 / 53 / 0 / 0

HEX #5177FF

RGB 81 119 255

HSL 226.9, 1%, 0.66%

LAB 54.2, 30.27, -71.68

 

CMYK 68 / 68 / 0 / 0

HEX #5151FF

RGB 81 81 255

HSL 240, 1%, 0.66%

LAB 45.43, 52.91, -85.98

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 60 / 31 / 0 / 6

HEX #5FA6F0

RGB 95 166 240

HSL 210.62, 0.83%, 0.66%

LAB 66.52, -0.45, -43.74

 

CMYK 52 / 27 / 0 / 11

HEX #6DA6E2

RGB 109 166 226

HSL 210.77, 0.67%, 0.66%

LAB 66.53, -1.95, -35.99

 

CMYK 42 / 21 / 0 / 17

HEX #7BA7D4

RGB 123 167 212

HSL 210.34, 0.51%, 0.66%

LAB 66.98, -3.17, -27.53

 

CMYK 31 / 16 / 0 / 22

HEX #89A7C6

RGB 137 167 198

HSL 210.49, 0.35%, 0.66%

LAB 67.3, -2.98, -19.21

 

CMYK 68 / 0 / 2 / 0

HEX #51FFF9

RGB 81 255 249

HSL 177.93, 1%, 0.66%

LAB 91.73, -44.57, -10.02

 

CMYK 68 / 16 / 0 / 0

HEX #51D6FF

RGB 81 214 255

HSL 194.14, 1%, 0.66%

LAB 80.21, -23.61, -30.59

 

CMYK 68 / 34 / 0 / 0

HEX #51A8FF

RGB 81 168 255

HSL 210, 1%, 0.66%

LAB 67.26, 1.03, -50.78

 

CMYK 68 / 52 / 0 / 0

HEX #517AFF

RGB 81 122 255

HSL 225.86, 1%, 0.66%

LAB 54.96, 28.43, -70.45

 

CMYK 66 / 68 / 0 / 0

HEX #5751FF

RGB 87 81 255

HSL 242.07, 1%, 0.66%

LAB 45.81, 53.59, -85.35

 

CMYK 100 / 52 / 0 / 0

HEX #007BFE

RGB 0 123 254

HSL 210.94, 1%, 0.5%

LAB 53.3, 21.54, -72.67

 

CMYK 84 / 44 / 0 / 0

HEX #2890FF

RGB 40 144 255

HSL 210.98, 1%, 0.58%

LAB 59.54, 10.6, -63.13

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 52 / 27 / 0 / 0

HEX #7ABBFF

RGB 122 187 255

HSL 210.68, 1%, 0.74%

LAB 74.12, -2.13, -39.89

 

CMYK 36 / 18 / 0 / 0

HEX #A4D0FF

RGB 164 208 255

HSL 210.99, 1%, 0.82%

LAB 81.96, -3.29, -27.62

 

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

CMYK 21 / 68 / 0 / 0

HEX #CA51FF

RGB 202 81 255

HSL 281.72, 1%, 0.66%

LAB 57.71, 72.97, -65.46

 

CMYK 7 / 0 / 68 / 0

HEX #EDFF51

RGB 237 255 81

HSL 66.21, 1%, 0.66%

LAB 96.05, -26.8, 76.94

 

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

CMYK 0 / 68 / 34 / 0

HEX #FF51A8

RGB 255 81 168

HSL 330, 1%, 0.66%

LAB 61.63, 72.35, -9.55

 

CMYK 34 / 0 / 68 / 0

HEX #A8FF51

RGB 168 255 81

HSL 90, 1%, 0.66%

LAB 91.88, -52.45, 71.38

 

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

CMYK 21 / 68 / 0 / 0

HEX #CA51FF

RGB 202 81 255

HSL 281.72, 1%, 0.66%

LAB 57.71, 72.97, -65.46

 

CMYK 0 / 34 / 68 / 0

HEX #FFA851

RGB 255 168 81

HSL 30, 1%, 0.66%

LAB 75.98, 24.5, 56.65

 

CMYK 48 / 0 / 68 / 0

HEX #85FF51

RGB 133 255 81

HSL 102.07, 1%, 0.66%

LAB 90.37, -63.32, 69.34

 

CMYK 69 / 35 / 0 / 0

HEX #50A5FF

RGB 80 165 255

HSL 210.86, 1%, 0.66%

LAB 66.39, 2.6, -52.15

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 34 / 68 / 0

HEX #FFA851

RGB 255 168 81

HSL 30, 1%, 0.66%

LAB 75.98, 24.5, 56.65

 

CMYK 68 / 0 / 68 / 0

HEX #51FF51

RGB 81 255 81

HSL 120, 1%, 0.66%

LAB 88.86, -75.3, 67.29

 

Description

Color code: HEX #50A5FF | qconv.com Color code: HEX #50A5FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 165 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 165 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 35 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 35% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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