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Color name
HEX #50C755

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50C755 it is the complementary color #AF38AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50C755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50C755 shade: #55C750, #66D963, #77EB76, #88FD89 and #99FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50C755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50C755 shade: #50C755, #3FB542, #2EA32F, #1D911C and #0C7F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50C755 shade: #50C755, #6BC750, #8BC750, #ACC750 and #C7C350

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50C755 shade: #50C755, #50C775, #50C795, #50C7B6 and #50B9C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50C755 shade matches the following richer shades: #50C755, #3EDA44 and #2BED33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50C755 shade: #50C755, #63B566, #75A277, #889088 and #9A7D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50C755 shade: #8CC750, #6CC750, #50C754, #50C774 and #50C794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50C755 shade: #2F9633, #39B53E, #50C755, #6FD174 and #8FDB92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50C755 shade: #50C755, #50ACC7 and #C7507C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50C755 shade: #50C755, #5450C7 and #C75450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50C755 shade: #50C755, #50ACC7, #C750C3 and #C76C50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50C755 shade: #50C755, #5088C7, #C750C3 and #C79050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

Complementary color

CMYK 0 / 68 / 3 / 31

HEX #AF38AA

RGB 175 56 170

HSL 302.52, 0.52%, 0.45%

LAB 45.42, 61.28, -36.75

 

CMYK 57 / 0 / 60 / 22

HEX #55C750

RGB 85 199 80

HSL 117.48, 0.52%, 0.55%

LAB 71.8, -55.46, 48.99

 

CMYK 53 / 0 / 54 / 15

HEX #66D963

RGB 102 217 99

HSL 118.47, 0.61%, 0.62%

LAB 78.08, -55.73, 47.79

 

CMYK 49 / 0 / 50 / 8

HEX #77EB76

RGB 119 235 118

HSL 119.49, 0.75%, 0.69%

LAB 84.3, -55.82, 46.54

 

CMYK 46 / 0 / 46 / 1

HEX #88FD89

RGB 136 253 137

HSL 120.51, 0.97%, 0.76%

LAB 90.46, -55.79, 45.3

 

CMYK 40 / 0 / 39 / 0

HEX #99FF9C

RGB 153 255 156

HSL 121.76, 1%, 0.8%

LAB 91.99, -49.1, 38.18

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 65 / 0 / 64 / 29

HEX #3FB542

RGB 63 181 66

HSL 121.53, 0.48%, 0.48%

LAB 65.36, -55.49, 47.74

 

CMYK 72 / 0 / 71 / 36

HEX #2EA32F

RGB 46 163 47

HSL 120.51, 0.56%, 0.41%

LAB 58.96, -54.47, 48.66

 

CMYK 80 / 0 / 81 / 43

HEX #1D911C

RGB 29 145 28

HSL 119.49, 0.68%, 0.34%

LAB 52.5, -52.79, 48.95

 

CMYK 91 / 0 / 93 / 50

HEX #0C7F09

RGB 12 127 9

HSL 118.47, 0.87%, 0.27%

LAB 46.01, -50.1, 47.91

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 46 / 0 / 60 / 22

HEX #6BC750

RGB 107 199 80

HSL 106.39, 0.52%, 0.55%

LAB 72.6, -49.44, 50.11

 

CMYK 30 / 0 / 60 / 22

HEX #8BC750

RGB 139 199 80

HSL 90.25, 0.52%, 0.55%

LAB 74.14, -38.81, 52.27

 

CMYK 14 / 0 / 60 / 22

HEX #ACC750

RGB 172 199 80

HSL 73.61, 0.52%, 0.55%

LAB 76.19, -26.19, 55.13

 

CMYK 0 / 2 / 60 / 22

HEX #C7C350

RGB 199 195 80

HSL 57.98, 0.52%, 0.55%

LAB 77.13, -13.13, 56.75

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 60 / 0 / 41 / 22

HEX #50C775

RGB 80 199 117

HSL 138.66, 0.52%, 0.55%

LAB 72.12, -51.37, 31.33

 

CMYK 60 / 0 / 25 / 22

HEX #50C795

RGB 80 199 149

HSL 154.79, 0.52%, 0.55%

LAB 72.71, -45.15, 15.25

 

CMYK 60 / 0 / 9 / 22

HEX #50C7B6

RGB 80 199 182

HSL 171.43, 0.52%, 0.55%

LAB 73.5, -37.31, -1.44

 

CMYK 60 / 7 / 0 / 22

HEX #50B9C7

RGB 80 185 199

HSL 187.06, 0.52%, 0.55%

LAB 69.84, -25.97, -16.17

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 72 / 0 / 69 / 15

HEX #3EDA44

RGB 62 218 68

HSL 122.31, 0.68%, 0.55%

LAB 77.03, -67.9, 59.59

 

CMYK 82 / 0 / 78 / 7

HEX #2BED33

RGB 43 237 51

HSL 122.47, 0.84%, 0.55%

LAB 82.55, -77.4, 70.71

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 45 / 0 / 44 / 29

HEX #63B566

RGB 99 181 102

HSL 122.2, 0.36%, 0.55%

LAB 67.02, -41.52, 32.61

 

CMYK 28 / 0 / 27 / 36

HEX #75A277

RGB 117 162 119

HSL 122.67, 0.19%, 0.55%

LAB 62.47, -24.03, 17.61

 

CMYK 6 / 0 / 6 / 44

HEX #889088

RGB 136 144 136

HSL 120, 0.03%, 0.55%

LAB 58.94, -4.48, 3.24

 

CMYK 0 / 19 / 1 / 40

HEX #9A7D99

RGB 154 125 153

HSL 302.07, 0.13%, 0.55%

LAB 55.92, 16.25, -10.8

 

CMYK 30 / 0 / 60 / 22

HEX #8CC750

RGB 140 199 80

HSL 89.75, 0.52%, 0.55%

LAB 74.19, -38.45, 52.35

 

CMYK 46 / 0 / 60 / 22

HEX #6CC750

RGB 108 199 80

HSL 105.88, 0.52%, 0.55%

LAB 72.64, -49.14, 50.17

 

CMYK 60 / 0 / 58 / 22

HEX #50C754

RGB 80 199 84

HSL 122.02, 0.52%, 0.55%

LAB 71.69, -56.18, 47

 

CMYK 60 / 0 / 42 / 22

HEX #50C774

RGB 80 199 116

HSL 138.15, 0.52%, 0.55%

LAB 72.1, -51.54, 31.83

 

CMYK 60 / 0 / 26 / 22

HEX #50C794

RGB 80 199 148

HSL 154.29, 0.52%, 0.55%

LAB 72.69, -45.37, 15.76

 

CMYK 69 / 0 / 66 / 41

HEX #2F9633

RGB 47 150 51

HSL 122.33, 0.52%, 0.39%

LAB 54.72, -49.35, 42.43

 

CMYK 69 / 0 / 66 / 29

HEX #39B53E

RGB 57 181 62

HSL 122.42, 0.52%, 0.47%

LAB 65.17, -57.12, 49.22

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 47 / 0 / 44 / 18

HEX #6FD174

RGB 111 209 116

HSL 123.06, 0.52%, 0.63%

LAB 76.22, -47.82, 37.34

 

CMYK 35 / 0 / 33 / 14

HEX #8FDB92

RGB 143 219 146

HSL 122.37, 0.51%, 0.71%

LAB 81.06, -37.98, 28.67

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 60 / 14 / 0 / 22

HEX #50ACC7

RGB 80 172 199

HSL 193.61, 0.52%, 0.55%

LAB 66.01, -19.33, -21.99

 

CMYK 0 / 60 / 38 / 22

HEX #C7507C

RGB 199 80 124

HSL 337.82, 0.52%, 0.55%

LAB 51.08, 51.54, -0.3

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 58 / 60 / 0 / 22

HEX #5450C7

RGB 84 80 199

HSL 242.02, 0.52%, 0.55%

LAB 40.81, 35.92, -61.73

 

CMYK 0 / 58 / 60 / 22

HEX #C75450

RGB 199 84 80

HSL 2.02, 0.52%, 0.55%

LAB 50.76, 45.61, 25.52

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 60 / 14 / 0 / 22

HEX #50ACC7

RGB 80 172 199

HSL 193.61, 0.52%, 0.55%

LAB 66.01, -19.33, -21.99

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

CMYK 0 / 46 / 60 / 22

HEX #C76C50

RGB 199 108 80

HSL 14.12, 0.52%, 0.55%

LAB 55.53, 33.49, 31.57

 

CMYK 60 / 0 / 57 / 22

HEX #50C755

RGB 80 199 85

HSL 122.52, 0.52%, 0.55%

LAB 71.7, -56.06, 46.55

 

CMYK 60 / 32 / 0 / 22

HEX #5088C7

RGB 80 136 199

HSL 211.76, 0.52%, 0.55%

LAB 55.52, 0.67, -38.23

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

Description

Color code: HEX #50C755 | qconv.com Color code: HEX #50C755 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 199 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 199 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 57% 22% C M Y K

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Provide designers and agencies with accurate color values.

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