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Color name
HEX #50C02E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50C02E it is the complementary color #AF3FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50C02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50C02E shade: #55C029, #66D23C, #77E44F, #88F662 and #99FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50C02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50C02E shade: #50C02E, #3FAE1B, #2E9C08, #1D8A00 and #0C7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50C02E shade: #50C02E, #78C02E, #9FC02E, #C0BA2E and #C0932E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50C02E shade: #50C02E, #2EC034, #2EC05B, #2EC082 and #2EC0AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50C02E shade matches the following richer shades: #50C02E, #46D41B and #3CE707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50C02E shade: #50C02E, #5BAD42, #659A55, #6F8668 and #7A737C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50C02E shade: #9EC02E, #77C02E, #50C02E, #2EC033 and #2EC05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50C02E shade: #347E1E, #429F26, #50C02E, #67D246 and #82DA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50C02E shade: #50C02E, #2EC0BC and #C02E8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50C02E shade: #50C02E, #2E50C0 and #C02E50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50C02E shade: #50C02E, #2EC0BC, #9E2EC0 and #C02E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50C02E shade: #50C02E, #2E99C0, #9E2EC0 and #C0552E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

Complementary color

CMYK 16 / 70 / 0 / 18

HEX #AF3FD1

RGB 175 63 209

HSL 286.03, 0.61%, 0.53%

LAB 48.6, 65.59, -54.41

 

CMYK 56 / 0 / 79 / 25

HEX #55C029

RGB 85 192 41

HSL 102.52, 0.65%, 0.46%

LAB 69.32, -56.2, 61.41

 

CMYK 51 / 0 / 71 / 18

HEX #66D23C

RGB 102 210 60

HSL 103.2, 0.63%, 0.53%

LAB 75.6, -56.92, 61.43

 

CMYK 48 / 0 / 65 / 11

HEX #77E44F

RGB 119 228 79

HSL 103.89, 0.73%, 0.6%

LAB 81.82, -57.35, 60.89

 

CMYK 45 / 0 / 60 / 4

HEX #88F662

RGB 136 246 98

HSL 104.59, 0.89%, 0.67%

LAB 87.98, -57.6, 60.05

 

CMYK 40 / 0 / 54 / 0

HEX #99FF75

RGB 153 255 117

HSL 104.35, 1%, 0.73%

LAB 91.49, -54.12, 56

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 64 / 0 / 84 / 32

HEX #3FAE1B

RGB 63 174 27

HSL 105.31, 0.73%, 0.39%

LAB 62.85, -56.06, 59.08

 

CMYK 71 / 0 / 95 / 39

HEX #2E9C08

RGB 46 156 8

HSL 104.59, 0.9%, 0.32%

LAB 56.46, -54.33, 57.11

 

CMYK 79 / 0 / 100 / 46

HEX #1D8A00

RGB 29 138 0

HSL 107.39, 1%, 0.27%

LAB 50.02, -51.77, 53.07

 

CMYK 90 / 0 / 100 / 53

HEX #0C7800

RGB 12 120 0

HSL 114, 1%, 0.24%

LAB 43.52, -48.31, 47.78

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 38 / 0 / 76 / 25

HEX #78C02E

RGB 120 192 46

HSL 89.59, 0.61%, 0.47%

LAB 70.79, -45.07, 61.75

 

CMYK 17 / 0 / 76 / 25

HEX #9FC02E

RGB 159 192 46

HSL 73.56, 0.61%, 0.47%

LAB 73.07, -30.23, 64.71

 

CMYK 0 / 3 / 76 / 25

HEX #C0BA2E

RGB 192 186 46

HSL 57.53, 0.61%, 0.47%

LAB 73.88, -13.39, 66.37

 

CMYK 0 / 23 / 76 / 25

HEX #C0932E

RGB 192 147 46

HSL 41.51, 0.61%, 0.47%

LAB 63.57, 7.27, 56.71

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 0 / 73 / 25

HEX #2EC034

RGB 46 192 52

HSL 122.47, 0.61%, 0.47%

LAB 68.41, -63.51, 56.52

 

CMYK 76 / 0 / 53 / 25

HEX #2EC05B

RGB 46 192 91

HSL 138.49, 0.61%, 0.47%

LAB 68.78, -59.05, 40.02

 

CMYK 76 / 0 / 32 / 25

HEX #2EC082

RGB 46 192 130

HSL 154.52, 0.61%, 0.47%

LAB 69.39, -52.02, 20.72

 

CMYK 76 / 0 / 11 / 25

HEX #2EC0AA

RGB 46 192 170

HSL 170.96, 0.61%, 0.47%

LAB 70.3, -42.38, 0.33

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 67 / 0 / 87 / 17

HEX #46D41B

RGB 70 212 27

HSL 106.05, 0.77%, 0.47%

LAB 75.12, -67.07, 69.96

 

CMYK 74 / 0 / 97 / 9

HEX #3CE707

RGB 60 231 7

HSL 105.8, 0.94%, 0.47%

LAB 80.81, -75.05, 77.24

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 47 / 0 / 62 / 32

HEX #5BAD42

RGB 91 173 66

HSL 105.98, 0.45%, 0.47%

LAB 63.76, -45.2, 46.2

 

CMYK 34 / 0 / 45 / 40

HEX #659A55

RGB 101 154 85

HSL 106.09, 0.29%, 0.47%

LAB 58.54, -31.2, 30.7

 

CMYK 17 / 0 / 22 / 47

HEX #6F8668

RGB 111 134 104

HSL 106, 0.13%, 0.47%

LAB 53.42, -14.33, 13.47

 

CMYK 2 / 7 / 0 / 51

HEX #7A737C

RGB 122 115 124

HSL 286.67, 0.04%, 0.47%

LAB 49.32, 4.49, -3.98

 

CMYK 18 / 0 / 76 / 25

HEX #9EC02E

RGB 158 192 46

HSL 73.97, 0.61%, 0.47%

LAB 73, -30.64, 64.62

 

CMYK 38 / 0 / 76 / 25

HEX #77C02E

RGB 119 192 46

HSL 90, 0.61%, 0.47%

LAB 70.75, -45.42, 61.68

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 0 / 73 / 25

HEX #2EC033

RGB 46 192 51

HSL 122.05, 0.61%, 0.47%

LAB 68.4, -63.59, 56.87

 

CMYK 76 / 0 / 53 / 25

HEX #2EC05A

RGB 46 192 90

HSL 138.08, 0.61%, 0.47%

LAB 68.76, -59.2, 40.49

 

CMYK 59 / 0 / 76 / 51

HEX #347E1E

RGB 52 126 30

HSL 106.25, 0.62%, 0.31%

LAB 46.64, -41.16, 42.71

 

CMYK 58 / 0 / 76 / 38

HEX #429F26

RGB 66 159 38

HSL 106.12, 0.61%, 0.39%

LAB 58.13, -49.34, 51.36

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 51 / 0 / 67 / 18

HEX #67D246

RGB 103 210 70

HSL 105.86, 0.61%, 0.55%

LAB 75.71, -55.84, 57.74

 

CMYK 40 / 0 / 53 / 15

HEX #82DA67

RGB 130 218 103

HSL 105.91, 0.61%, 0.63%

LAB 79.54, -47.63, 47.93

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 0 / 2 / 25

HEX #2EC0BC

RGB 46 192 188

HSL 178.36, 0.61%, 0.47%

LAB 70.81, -37.37, -8.77

 

CMYK 0 / 76 / 28 / 25

HEX #C02E8B

RGB 192 46 139

HSL 321.78, 0.61%, 0.47%

LAB 45.67, 64.39, -17.57

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 58 / 0 / 25

HEX #2E50C0

RGB 46 80 192

HSL 226.03, 0.61%, 0.47%

LAB 38.06, 27.91, -62.22

 

CMYK 0 / 76 / 58 / 25

HEX #C02E50

RGB 192 46 80

HSL 346.03, 0.61%, 0.47%

LAB 43.86, 58.74, 16.18

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 0 / 2 / 25

HEX #2EC0BC

RGB 46 192 188

HSL 178.36, 0.61%, 0.47%

LAB 70.81, -37.37, -8.77

 

CMYK 18 / 76 / 0 / 25

HEX #9E2EC0

RGB 158 46 192

HSL 286.03, 0.61%, 0.47%

LAB 42.81, 65.13, -54.02

 

CMYK 0 / 76 / 73 / 25

HEX #C02E33

RGB 192 46 51

HSL 357.95, 0.61%, 0.47%

LAB 43.36, 57.13, 33.25

 

CMYK 58 / 0 / 76 / 25

HEX #50C02E

RGB 80 192 46

HSL 106.03, 0.61%, 0.47%

LAB 69.19, -57.18, 59.64

 

CMYK 76 / 20 / 0 / 25

HEX #2E99C0

RGB 46 153 192

HSL 196.03, 0.61%, 0.47%

LAB 59.13, -16.69, -28.73

 

CMYK 18 / 76 / 0 / 25

HEX #9E2EC0

RGB 158 46 192

HSL 286.03, 0.61%, 0.47%

LAB 42.81, 65.13, -54.02

 

CMYK 0 / 56 / 76 / 25

HEX #C0552E

RGB 192 85 46

HSL 16.03, 0.61%, 0.47%

LAB 49.38, 40.61, 42.57

 

Description

Color code: HEX #50C02E | qconv.com Color code: HEX #50C02E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 192 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 192 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 76% 25% C M Y K

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Provide designers and agencies with accurate color values.

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