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Color name
HEX #50C3C7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50C3C7 it is the complementary color #AF3C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50C3C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50C3C7 shade: #55C3C2, #66D5D5, #77E7E8, #88F9FB and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50C3C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50C3C7 shade: #50C3C7, #3FB1B4, #2E9FA1, #1D8D8E and #0C7B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50C3C7 shade: #50C3C7, #50A3C7, #5083C7, #5063C7 and #5D50C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50C3C7 shade: #50C3C7, #50A3C7, #5083C7, #5063C7 and #5050C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50C3C7 shade matches the following richer shades: #50C3C7, #3ED5DA and #2BE6ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50C3C7 shade: #50C3C7, #63B2B5, #75A1A2, #888F90 and #9A7E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50C3C7 shade: #50C78C, #50C7AC, #50C3C7, #50A4C7 and #5084C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50C3C7 shade: #2F9396, #39B1B5, #50C3C7, #6FCED1 and #8FD9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50C3C7 shade: #50C3C7, #6C50C7 and #C79C50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50C3C7 shade: #50C3C7, #C750C3 and #C3C750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50C3C7 shade: #50C3C7, #6C50C7, #C75450 and #ACC750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50C3C7 shade: #50C3C7, #9050C7, #C75450 and #88C750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

Complementary color

CMYK 0 / 66 / 68 / 31

HEX #AF3C38

RGB 175 60 56

HSL 2.02, 0.52%, 0.45%

LAB 42.2, 46.57, 28.14

 

CMYK 56 / 0 / 1 / 24

HEX #55C3C2

RGB 85 195 194

HSL 179.45, 0.48%, 0.55%

LAB 72.8, -31.33, -8.99

 

CMYK 52 / 0 / 0 / 16

HEX #66D5D5

RGB 102 213 213

HSL 180, 0.57%, 0.62%

LAB 79.17, -31.54, -9.7

 

CMYK 49 / 0 / 0 / 9

HEX #77E7E8

RGB 119 231 232

HSL 180.53, 0.71%, 0.69%

LAB 85.45, -31.67, -10.37

 

CMYK 46 / 1 / 0 / 2

HEX #88F9FB

RGB 136 249 251

HSL 181.04, 0.93%, 0.76%

LAB 91.66, -31.74, -11

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 65 / 2 / 0 / 29

HEX #3FB1B4

RGB 63 177 180

HSL 181.54, 0.48%, 0.48%

LAB 66.36, -30.4, -10.96

 

CMYK 71 / 1 / 0 / 37

HEX #2E9FA1

RGB 46 159 161

HSL 181.04, 0.56%, 0.41%

LAB 59.84, -29.73, -10.12

 

CMYK 80 / 1 / 0 / 44

HEX #1D8D8E

RGB 29 141 142

HSL 180.53, 0.66%, 0.34%

LAB 53.24, -28.75, -9.17

 

CMYK 90 / 0 / 0 / 52

HEX #0C7B7B

RGB 12 123 123

HSL 180, 0.82%, 0.26%

LAB 46.54, -27.34, -8.07

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 60 / 18 / 0 / 22

HEX #50A3C7

RGB 80 163 199

HSL 198.15, 0.52%, 0.55%

LAB 63.36, -14.56, -26.04

 

CMYK 60 / 34 / 0 / 22

HEX #5083C7

RGB 80 131 199

HSL 214.29, 0.52%, 0.55%

LAB 54.09, 3.63, -40.48

 

CMYK 60 / 50 / 0 / 22

HEX #5063C7

RGB 80 99 199

HSL 230.42, 0.52%, 0.55%

LAB 45.29, 23.35, -54.49

 

CMYK 53 / 60 / 0 / 22

HEX #5D50C7

RGB 93 80 199

HSL 246.55, 0.52%, 0.55%

LAB 41.51, 37.58, -60.56

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 60 / 18 / 0 / 22

HEX #50A3C7

RGB 80 163 199

HSL 198.15, 0.52%, 0.55%

LAB 63.36, -14.56, -26.04

 

CMYK 60 / 34 / 0 / 22

HEX #5083C7

RGB 80 131 199

HSL 214.29, 0.52%, 0.55%

LAB 54.09, 3.63, -40.48

 

CMYK 60 / 50 / 0 / 22

HEX #5063C7

RGB 80 99 199

HSL 230.42, 0.52%, 0.55%

LAB 45.29, 23.35, -54.49

 

CMYK 60 / 60 / 0 / 22

HEX #5050C7

RGB 80 80 199

HSL 240, 0.52%, 0.55%

LAB 40.52, 35.23, -62.22

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 72 / 2 / 0 / 15

HEX #3ED5DA

RGB 62 213 218

HSL 181.92, 0.68%, 0.55%

LAB 78.27, -36.6, -13.83

 

CMYK 82 / 3 / 0 / 7

HEX #2BE6ED

RGB 43 230 237

HSL 182.16, 0.84%, 0.55%

LAB 83.56, -40.65, -16.03

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 45 / 2 / 0 / 29

HEX #63B2B5

RGB 99 178 181

HSL 182.2, 0.36%, 0.55%

LAB 67.89, -23.44, -9.1

 

CMYK 28 / 1 / 0 / 36

HEX #75A1A2

RGB 117 161 162

HSL 181.33, 0.19%, 0.55%

LAB 63.24, -14.5, -5.33

 

CMYK 6 / 1 / 0 / 44

HEX #888F90

RGB 136 143 144

HSL 187.5, 0.03%, 0.55%

LAB 58.87, -2.34, -1.42

 

CMYK 0 / 18 / 19 / 40

HEX #9A7E7D

RGB 154 126 125

HSL 2.07, 0.13%, 0.55%

LAB 55.35, 10.61, 4.6

 

CMYK 60 / 0 / 30 / 22

HEX #50C78C

RGB 80 199 140

HSL 150.25, 0.52%, 0.55%

LAB 72.53, -47.05, 19.81

 

CMYK 60 / 0 / 14 / 22

HEX #50C7AC

RGB 80 199 172

HSL 166.39, 0.52%, 0.55%

LAB 73.24, -39.82, 3.6

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 60 / 18 / 0 / 22

HEX #50A4C7

RGB 80 164 199

HSL 197.65, 0.52%, 0.55%

LAB 63.66, -15.1, -25.59

 

CMYK 60 / 34 / 0 / 22

HEX #5084C7

RGB 80 132 199

HSL 213.78, 0.52%, 0.55%

LAB 54.38, 3.03, -40.03

 

CMYK 69 / 2 / 0 / 41

HEX #2F9396

RGB 47 147 150

HSL 181.75, 0.52%, 0.39%

LAB 55.76, -26.98, -9.97

 

CMYK 69 / 2 / 0 / 29

HEX #39B1B5

RGB 57 177 181

HSL 181.94, 0.52%, 0.47%

LAB 66.25, -31, -11.7

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 47 / 1 / 0 / 18

HEX #6FCED1

RGB 111 206 209

HSL 181.84, 0.52%, 0.63%

LAB 77.36, -27.28, -10.22

 

CMYK 35 / 1 / 0 / 14

HEX #8FD9DB

RGB 143 217 219

HSL 181.58, 0.51%, 0.71%

LAB 82.15, -22.35, -8.29

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 46 / 60 / 0 / 22

HEX #6C50C7

RGB 108 80 199

HSL 254.12, 0.52%, 0.55%

LAB 42.84, 40.59, -58.35

 

CMYK 0 / 22 / 60 / 22

HEX #C79C50

RGB 199 156 80

HSL 38.32, 0.52%, 0.55%

LAB 66.9, 7.4, 45.24

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

CMYK 2 / 0 / 60 / 22

HEX #C3C750

RGB 195 199 80

HSL 62.02, 0.52%, 0.55%

LAB 77.89, -16.81, 57.48

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 46 / 60 / 0 / 22

HEX #6C50C7

RGB 108 80 199

HSL 254.12, 0.52%, 0.55%

LAB 42.84, 40.59, -58.35

 

CMYK 0 / 58 / 60 / 22

HEX #C75450

RGB 199 84 80

HSL 2.02, 0.52%, 0.55%

LAB 50.76, 45.61, 25.52

 

CMYK 14 / 0 / 60 / 22

HEX #ACC750

RGB 172 199 80

HSL 73.61, 0.52%, 0.55%

LAB 76.19, -26.19, 55.13

 

CMYK 60 / 2 / 0 / 22

HEX #50C3C7

RGB 80 195 199

HSL 182.02, 0.52%, 0.55%

LAB 72.8, -30.86, -11.72

 

CMYK 28 / 60 / 0 / 22

HEX #9050C7

RGB 144 80 199

HSL 272.27, 0.52%, 0.55%

LAB 46.7, 48.73, -51.93

 

CMYK 0 / 58 / 60 / 22

HEX #C75450

RGB 199 84 80

HSL 2.02, 0.52%, 0.55%

LAB 50.76, 45.61, 25.52

 

CMYK 32 / 0 / 60 / 22

HEX #88C750

RGB 136 199 80

HSL 91.76, 0.52%, 0.55%

LAB 73.97, -39.89, 52.04

 

Description

Color code: HEX #50C3C7 | qconv.com Color code: HEX #50C3C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 195 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 195 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 2 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 2% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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