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Color name
HEX #50CD6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CD6C it is the complementary color #AF3293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CD6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CD6C shade: #55CD67, #66DF7A, #77F18D, #88FFA0 and #99FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CD6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CD6C shade: #50CD6C, #3FBB59, #2EA946, #1D9733 and #0C8520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CD6C shade: #4FCD6C, #55CD4F, #77CD4F, #99CD4F and #BBCD4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CD6C shade: #4FCD6C, #4FCD8E, #4FCDAF, #4FC9CD and #4FA7CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CD6C shade matches the following richer shades: #4FCD6C, #3DDF62 and #2BF158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CD6C shade: #4FCD6C, #62BB76, #74A980, #86978A and #988594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CD6C shade: #77CD4F, #56CD4F, #4FCD6B, #4FCD8C and #4FCDAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CD6C shade: #2C9E46, #35BE54, #4FCD6C, #70D687 and #90DFA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CD6C shade: #50CD6C, #4F99CD and #CD4F67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CD6C shade: #50CD6C, #6B4FCD and #CD6B4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CD6C shade: #50CD6C, #4F99CD, #CD4FB2 and #CD844F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CD6C shade: #50CD6C, #4F73CD, #CD4FB2 and #CDAA4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

Complementary color

CMYK 0 / 71 / 16 / 31

HEX #AF3293

RGB 175 50 147

HSL 313.44, 0.56%, 0.44%

LAB 43.51, 59.9, -25.99

 

CMYK 59 / 0 / 50 / 20

HEX #55CD67

RGB 85 205 103

HSL 129, 0.55%, 0.57%

LAB 73.92, -54.77, 40.69

 

CMYK 54 / 0 / 45 / 13

HEX #66DF7A

RGB 102 223 122

HSL 129.92, 0.65%, 0.64%

LAB 80.18, -54.91, 39.33

 

CMYK 51 / 0 / 41 / 5

HEX #77F18D

RGB 119 241 141

HSL 130.82, 0.81%, 0.71%

LAB 86.38, -54.9, 38.02

 

CMYK 47 / 0 / 37 / 0

HEX #88FFA0

RGB 136 255 160

HSL 132.1, 1%, 0.77%

LAB 91.37, -53.17, 35.25

 

CMYK 40 / 0 / 30 / 0

HEX #99FFB3

RGB 153 255 179

HSL 135.29, 1%, 0.8%

LAB 92.37, -45.4, 27.2

 

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

CMYK 66 / 0 / 52 / 27

HEX #3FBB59

RGB 63 187 89

HSL 132.58, 0.5%, 0.49%

LAB 67.52, -54.75, 39.53

 

CMYK 73 / 0 / 59 / 34

HEX #2EA946

RGB 46 169 70

HSL 131.71, 0.57%, 0.42%

LAB 61.13, -53.99, 40.97

 

CMYK 81 / 0 / 66 / 41

HEX #1D9733

RGB 29 151 51

HSL 130.82, 0.68%, 0.35%

LAB 54.69, -52.69, 42.3

 

CMYK 91 / 0 / 76 / 48

HEX #0C8520

RGB 12 133 32

HSL 129.92, 0.83%, 0.28%

LAB 48.21, -50.56, 43.25

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6C

RGB 79 205 108

HSL 133.81, 0.56%, 0.56%

LAB 73.81, -55.36, 38.05

 

CMYK 59 / 0 / 61 / 20

HEX #55CD4F

RGB 85 205 79

HSL 117.14, 0.56%, 0.56%

LAB 73.65, -57.78, 51.54

 

CMYK 42 / 0 / 61 / 20

HEX #77CD4F

RGB 119 205 79

HSL 100.95, 0.56%, 0.56%

LAB 74.92, -48.27, 53.31

 

CMYK 25 / 0 / 61 / 20

HEX #99CD4F

RGB 153 205 79

HSL 84.76, 0.56%, 0.56%

LAB 76.68, -36.45, 55.76

 

CMYK 9 / 0 / 61 / 20

HEX #BBCD4F

RGB 187 205 79

HSL 68.57, 0.56%, 0.56%

LAB 78.92, -23.13, 58.85

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6C

RGB 79 205 108

HSL 133.81, 0.56%, 0.56%

LAB 73.81, -55.36, 38.05

 

CMYK 61 / 0 / 31 / 20

HEX #4FCD8E

RGB 79 205 142

HSL 150, 0.56%, 0.56%

LAB 74.37, -49.31, 21.27

 

CMYK 61 / 0 / 15 / 20

HEX #4FCDAF

RGB 79 205 175

HSL 165.71, 0.56%, 0.56%

LAB 75.09, -41.94, 4.65

 

CMYK 61 / 2 / 0 / 20

HEX #4FC9CD

RGB 79 201 205

HSL 181.9, 0.56%, 0.56%

LAB 74.73, -32.23, -12.1

 

CMYK 61 / 19 / 0 / 20

HEX #4FA7CD

RGB 79 167 205

HSL 198.1, 0.56%, 0.56%

LAB 64.73, -15.03, -27.28

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6C

RGB 79 205 108

HSL 133.81, 0.56%, 0.56%

LAB 73.81, -55.36, 38.05

 

CMYK 73 / 0 / 56 / 13

HEX #3DDF62

RGB 61 223 98

HSL 133.7, 0.72%, 0.56%

LAB 78.84, -66.41, 48.9

 

CMYK 82 / 0 / 63 / 5

HEX #2BF158

RGB 43 241 88

HSL 133.64, 0.88%, 0.56%

LAB 84.03, -75.5, 59.15

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6C

RGB 79 205 108

HSL 133.81, 0.56%, 0.56%

LAB 73.81, -55.36, 38.05

 

CMYK 48 / 0 / 37 / 27

HEX #62BB76

RGB 98 187 118

HSL 133.48, 0.4%, 0.56%

LAB 69.07, -41.8, 26.92

 

CMYK 31 / 0 / 24 / 34

HEX #74A980

RGB 116 169 128

HSL 133.58, 0.24%, 0.56%

LAB 64.68, -26.19, 15.69

 

CMYK 11 / 0 / 9 / 41

HEX #86978A

RGB 134 151 138

HSL 134.12, 0.08%, 0.56%

LAB 60.81, -8.67, 4.79

 

CMYK 0 / 13 / 3 / 40

HEX #988594

RGB 152 133 148

HSL 312.63, 0.08%, 0.56%

LAB 57.64, 9.95, -5.37

 

CMYK 42 / 0 / 61 / 20

HEX #77CD4F

RGB 119 205 79

HSL 100.95, 0.56%, 0.56%

LAB 74.92, -48.27, 53.31

 

CMYK 58 / 0 / 61 / 20

HEX #56CD4F

RGB 86 205 79

HSL 116.67, 0.56%, 0.56%

LAB 73.68, -57.54, 51.58

 

CMYK 61 / 0 / 48 / 20

HEX #4FCD6B

RGB 79 205 107

HSL 133.33, 0.56%, 0.56%

LAB 73.8, -55.51, 38.53

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8C

RGB 79 205 140

HSL 149.05, 0.56%, 0.56%

LAB 74.33, -49.72, 22.28

 

CMYK 61 / 0 / 15 / 20

HEX #4FCDAE

RGB 79 205 174

HSL 165.24, 0.56%, 0.56%

LAB 75.06, -42.18, 5.15

 

CMYK 72 / 0 / 56 / 38

HEX #2C9E46

RGB 44 158 70

HSL 133.68, 0.56%, 0.4%

LAB 57.49, -50.41, 36.64

 

CMYK 72 / 0 / 56 / 25

HEX #35BE54

RGB 53 190 84

HSL 133.58, 0.56%, 0.48%

LAB 68.19, -58.3, 42.7

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6C

RGB 79 205 108

HSL 133.81, 0.56%, 0.56%

LAB 73.81, -55.36, 38.05

 

CMYK 48 / 0 / 37 / 16

HEX #70D687

RGB 112 214 135

HSL 133.53, 0.55%, 0.64%

LAB 78.04, -46.63, 30.07

 

CMYK 35 / 0 / 27 / 13

HEX #90DFA2

RGB 144 223 162

HSL 133.67, 0.55%, 0.72%

LAB 82.55, -36.78, 22.41

 

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

CMYK 61 / 25 / 0 / 20

HEX #4F99CD

RGB 79 153 205

HSL 204.76, 0.56%, 0.56%

LAB 60.65, -7.34, -33.59

 

CMYK 0 / 61 / 50 / 20

HEX #CD4F67

RGB 205 79 103

HSL 348.57, 0.56%, 0.56%

LAB 51.32, 51.82, 12.78

 

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

CMYK 48 / 61 / 0 / 20

HEX #6B4FCD

RGB 107 79 205

HSL 253.33, 0.56%, 0.56%

LAB 42.95, 42.69, -61.64

 

CMYK 0 / 48 / 61 / 20

HEX #CD6B4F

RGB 205 107 79

HSL 13.33, 0.56%, 0.56%

LAB 56.15, 36.3, 33.08

 

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

CMYK 61 / 25 / 0 / 20

HEX #4F99CD

RGB 79 153 205

HSL 204.76, 0.56%, 0.56%

LAB 60.65, -7.34, -33.59

 

CMYK 0 / 61 / 13 / 20

HEX #CD4FB2

RGB 205 79 178

HSL 312.86, 0.56%, 0.56%

LAB 53.8, 60.94, -28

 

CMYK 0 / 36 / 61 / 20

HEX #CD844F

RGB 205 132 79

HSL 25.24, 0.56%, 0.56%

LAB 61.69, 22.95, 39.8

 

CMYK 61 / 0 / 47 / 20

HEX #50CD6C

RGB 80 205 108

HSL 133.44, 0.56%, 0.56%

LAB 73.84, -55.15, 38.09

 

CMYK 61 / 44 / 0 / 20

HEX #4F73CD

RGB 79 115 205

HSL 222.86, 0.56%, 0.56%

LAB 49.9, 15.21, -50.56

 

CMYK 0 / 61 / 13 / 20

HEX #CD4FB2

RGB 205 79 178

HSL 312.86, 0.56%, 0.56%

LAB 53.8, 60.94, -28

 

CMYK 0 / 17 / 61 / 20

HEX #CDAA4F

RGB 205 170 79

HSL 43.33, 0.56%, 0.56%

LAB 71.07, 2.36, 50.64

 

Description

Color code: HEX #50CD6C | qconv.com Color code: HEX #50CD6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 205 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 205 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 47% 20% C M Y K

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Provide designers and agencies with accurate color values.

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