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Color name
HEX #50CE64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CE64 it is the complementary color #AF319B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CE64 shade: #55CE5F, #66E072, #77F285, #88FF98 and #99FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CE64 shade: #50CE64, #3FBC51, #2EAA3E, #1D982B and #0C8618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CE64 shade: #4FCD63, #5DCD4F, #7FCD4F, #A1CD4F and #C3CD4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CE64 shade: #4FCD63, #4FCD85, #4FCDA7, #4FCDC9 and #4FAFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CE64 shade matches the following richer shades: #4FCD63, #3DDF57 and #2BF14B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CE64 shade: #4FCD63, #62BB70, #74A97C, #869789 and #988595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CE64 shade: #80CD4F, #5ECD4F, #4FCD62, #4FCD84 and #4FCDA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CE64 shade: #2C9E3E, #35BE4B, #4FCD63, #70D680 and #90DF9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CE64 shade: #50CE64, #4FA1CD and #CD4F6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CE64 shade: #50CE64, #624FCD and #CD624F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CE64 shade: #50CE64, #4FA1CD, #CD4FBA and #CD7B4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CE64 shade: #50CE64, #4F7BCD, #CD4FBA and #CDA14F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

Complementary color

CMYK 0 / 72 / 11 / 31

HEX #AF319B

RGB 175 49 155

HSL 309.52, 0.56%, 0.44%

LAB 43.77, 61.43, -30.41

 

CMYK 59 / 0 / 54 / 19

HEX #55CE5F

RGB 85 206 95

HSL 124.96, 0.55%, 0.57%

LAB 74.13, -56.24, 44.8

 

CMYK 54 / 0 / 49 / 12

HEX #66E072

RGB 102 224 114

HSL 125.9, 0.66%, 0.64%

LAB 80.38, -56.45, 43.48

 

CMYK 51 / 0 / 45 / 5

HEX #77F285

RGB 119 242 133

HSL 126.83, 0.83%, 0.71%

LAB 86.56, -56.49, 42.17

 

CMYK 47 / 0 / 40 / 0

HEX #88FF98

RGB 136 255 152

HSL 128.07, 1%, 0.77%

LAB 91.24, -54.42, 39.04

 

CMYK 40 / 0 / 33 / 0

HEX #99FFAB

RGB 153 255 171

HSL 130.59, 1%, 0.8%

LAB 92.24, -46.75, 31.04

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 66 / 0 / 57 / 26

HEX #3FBC51

RGB 63 188 81

HSL 128.64, 0.5%, 0.49%

LAB 67.74, -56.2, 43.64

 

CMYK 73 / 0 / 64 / 33

HEX #2EAA3E

RGB 46 170 62

HSL 127.74, 0.57%, 0.42%

LAB 61.38, -55.32, 44.94

 

CMYK 81 / 0 / 72 / 40

HEX #1D982B

RGB 29 152 43

HSL 126.83, 0.68%, 0.35%

LAB 54.96, -53.85, 45.98

 

CMYK 91 / 0 / 82 / 47

HEX #0C8618

RGB 12 134 24

HSL 125.9, 0.84%, 0.29%

LAB 48.5, -51.48, 46.33

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD63

RGB 79 205 99

HSL 129.52, 0.56%, 0.56%

LAB 73.69, -56.67, 42.32

 

CMYK 55 / 0 / 61 / 20

HEX #5DCD4F

RGB 93 205 79

HSL 113.33, 0.56%, 0.56%

LAB 73.9, -55.79, 51.9

 

CMYK 38 / 0 / 61 / 20

HEX #7FCD4F

RGB 127 205 79

HSL 97.14, 0.56%, 0.56%

LAB 75.29, -45.67, 53.83

 

CMYK 21 / 0 / 61 / 20

HEX #A1CD4F

RGB 161 205 79

HSL 80.95, 0.56%, 0.56%

LAB 77.16, -33.42, 56.43

 

CMYK 5 / 0 / 61 / 20

HEX #C3CD4F

RGB 195 205 79

HSL 64.76, 0.56%, 0.56%

LAB 79.52, -19.86, 59.67

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD63

RGB 79 205 99

HSL 129.52, 0.56%, 0.56%

LAB 73.69, -56.67, 42.32

 

CMYK 61 / 0 / 35 / 20

HEX #4FCD85

RGB 79 205 133

HSL 145.71, 0.56%, 0.56%

LAB 74.2, -51.08, 25.78

 

CMYK 61 / 0 / 19 / 20

HEX #4FCDA7

RGB 79 205 167

HSL 161.9, 0.56%, 0.56%

LAB 74.9, -43.85, 8.68

 

CMYK 61 / 0 / 2 / 20

HEX #4FCDC9

RGB 79 205 201

HSL 178.1, 0.56%, 0.56%

LAB 75.79, -35.22, -8.35

 

CMYK 61 / 15 / 0 / 20

HEX #4FAFCD

RGB 79 175 205

HSL 194.29, 0.56%, 0.56%

LAB 67.07, -19.26, -23.68

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD63

RGB 79 205 99

HSL 129.52, 0.56%, 0.56%

LAB 73.69, -56.67, 42.32

 

CMYK 73 / 0 / 61 / 13

HEX #3DDF57

RGB 61 223 87

HSL 129.63, 0.72%, 0.56%

LAB 78.73, -67.75, 53.67

 

CMYK 82 / 0 / 69 / 5

HEX #2BF14B

RGB 43 241 75

HSL 129.7, 0.88%, 0.56%

LAB 83.93, -76.77, 64.14

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD63

RGB 79 205 99

HSL 129.52, 0.56%, 0.56%

LAB 73.69, -56.67, 42.32

 

CMYK 48 / 0 / 40 / 27

HEX #62BB70

RGB 98 187 112

HSL 129.44, 0.4%, 0.56%

LAB 68.97, -42.81, 29.93

 

CMYK 31 / 0 / 27 / 34

HEX #74A97C

RGB 116 169 124

HSL 129.06, 0.24%, 0.56%

LAB 64.6, -26.93, 17.78

 

CMYK 11 / 0 / 9 / 41

HEX #869789

RGB 134 151 137

HSL 130.59, 0.08%, 0.56%

LAB 60.79, -8.87, 5.32

 

CMYK 0 / 13 / 2 / 40

HEX #988595

RGB 152 133 149

HSL 309.47, 0.08%, 0.56%

LAB 57.67, 10.15, -5.9

 

CMYK 38 / 0 / 61 / 20

HEX #80CD4F

RGB 128 205 79

HSL 96.67, 0.56%, 0.56%

LAB 75.34, -45.33, 53.9

 

CMYK 54 / 0 / 61 / 20

HEX #5ECD4F

RGB 94 205 79

HSL 112.86, 0.56%, 0.56%

LAB 73.94, -55.53, 51.94

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD62

RGB 79 205 98

HSL 129.05, 0.56%, 0.56%

LAB 73.68, -56.81, 42.78

 

CMYK 61 / 0 / 36 / 20

HEX #4FCD84

RGB 79 205 132

HSL 145.24, 0.56%, 0.56%

LAB 74.18, -51.27, 26.28

 

CMYK 61 / 0 / 20 / 20

HEX #4FCDA5

RGB 79 205 165

HSL 160.95, 0.56%, 0.56%

LAB 74.85, -44.32, 9.69

 

CMYK 72 / 0 / 61 / 38

HEX #2C9E3E

RGB 44 158 62

HSL 129.47, 0.56%, 0.4%

LAB 57.4, -51.48, 40.4

 

CMYK 72 / 0 / 61 / 25

HEX #35BE4B

RGB 53 190 75

HSL 129.64, 0.56%, 0.48%

LAB 68.09, -59.45, 46.77

 

CMYK 61 / 0 / 52 / 20

HEX #4FCD63

RGB 79 205 99

HSL 129.52, 0.56%, 0.56%

LAB 73.69, -56.67, 42.32

 

CMYK 48 / 0 / 40 / 16

HEX #70D680

RGB 112 214 128

HSL 129.41, 0.55%, 0.64%

LAB 77.93, -47.78, 33.5

 

CMYK 35 / 0 / 30 / 13

HEX #90DF9C

RGB 144 223 156

HSL 129.11, 0.55%, 0.72%

LAB 82.44, -37.82, 25.37

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

CMYK 0 / 61 / 46 / 20

HEX #CD4F6F

RGB 205 79 111

HSL 344.76, 0.56%, 0.56%

LAB 51.52, 52.56, 8.25

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 52 / 61 / 0 / 20

HEX #624FCD

RGB 98 79 205

HSL 249.05, 0.56%, 0.56%

LAB 42.15, 40.95, -62.98

 

CMYK 0 / 52 / 61 / 20

HEX #CD624F

RGB 205 98 79

HSL 9.05, 0.56%, 0.56%

LAB 54.32, 40.9, 30.81

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

CMYK 0 / 61 / 9 / 20

HEX #CD4FBA

RGB 205 79 186

HSL 309.05, 0.56%, 0.56%

LAB 54.15, 62.17, -32.09

 

CMYK 0 / 40 / 61 / 20

HEX #CD7B4F

RGB 205 123 79

HSL 20.95, 0.56%, 0.56%

LAB 59.63, 27.82, 37.32

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 61 / 40 / 0 / 20

HEX #4F7BCD

RGB 79 123 205

HSL 219.05, 0.56%, 0.56%

LAB 52.1, 10.28, -47.04

 

CMYK 0 / 61 / 9 / 20

HEX #CD4FBA

RGB 205 79 186

HSL 309.05, 0.56%, 0.56%

LAB 54.15, 62.17, -32.09

 

CMYK 0 / 21 / 61 / 20

HEX #CDA14F

RGB 205 161 79

HSL 39.05, 0.56%, 0.56%

LAB 68.78, 7.19, 48.04

 

Description

Color code: HEX #50CE64 | qconv.com Color code: HEX #50CE64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 206 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 206 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 51 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 51% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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