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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50D178 it is the complementary color #AF2E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50D178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50D178 shade: #55D173, #66E386, #77F599, #88FFAC and #99FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50D178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50D178 shade: #50D178, #3FBF65, #2EAD52, #1D9B3F and #0C892C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50D178 shade: #51D079, #51D056, #6ED051, #91D051 and #B3D051

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50D178 shade: #51D079, #51D09B, #51D0BD, #51C1D0 and #519FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50D178 shade matches the following richer shades: #51D079, #40E272 and #2EF46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50D178 shade: #51D079, #63BF7F, #75AD86, #869B8D and #988994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50D178 shade: #6FD051, #51D055, #51D077, #51D099 and #51D0BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50D178 shade: #2BA451, #34C561, #51D079, #72D992 and #92E2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50D178 shade: #50D178, #5191D0 and #D0515E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50D178 shade: #50D178, #7751D0 and #D07751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50D178 shade: #50D178, #5191D0, #D051AA and #D09151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50D178 shade: #50D178, #516BD0, #D051AA and #D0B751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

Complementary color

CMYK 0 / 74 / 23 / 31

HEX #AF2E87

RGB 175 46 135

HSL 318.6, 0.58%, 0.43%

LAB 42.49, 59.61, -20.28

 

CMYK 59 / 0 / 45 / 18

HEX #55D173

RGB 85 209 115

HSL 134.52, 0.57%, 0.58%

LAB 75.31, -54.5, 36.5

 

CMYK 55 / 0 / 41 / 11

HEX #66E386

RGB 102 227 134

HSL 135.36, 0.69%, 0.65%

LAB 81.56, -54.6, 35.13

 

CMYK 51 / 0 / 38 / 4

HEX #77F599

RGB 119 245 153

HSL 136.19, 0.86%, 0.71%

LAB 87.74, -54.56, 33.83

 

CMYK 47 / 0 / 33 / 0

HEX #88FFAC

RGB 136 255 172

HSL 138.15, 1%, 0.77%

LAB 91.56, -51.17, 29.52

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

CMYK 67 / 0 / 47 / 25

HEX #3FBF65

RGB 63 191 101

HSL 137.81, 0.5%, 0.5%

LAB 68.94, -54.4, 35.32

 

CMYK 73 / 0 / 53 / 32

HEX #2EAD52

RGB 46 173 82

HSL 137.01, 0.58%, 0.43%

LAB 62.57, -53.72, 36.85

 

CMYK 81 / 0 / 59 / 39

HEX #1D9B3F

RGB 29 155 63

HSL 136.19, 0.68%, 0.36%

LAB 56.15, -52.55, 38.4

 

CMYK 91 / 0 / 68 / 46

HEX #0C892C

RGB 12 137 44

HSL 135.36, 0.84%, 0.29%

LAB 49.68, -50.64, 39.84

 

CMYK 61 / 0 / 42 / 18

HEX #51D079

RGB 81 208 121

HSL 138.9, 0.57%, 0.57%

LAB 74.98, -53.99, 33.01

 

CMYK 61 / 0 / 59 / 18

HEX #51D056

RGB 81 208 86

HSL 122.36, 0.57%, 0.57%

LAB 74.53, -59, 49.41

 

CMYK 47 / 0 / 61 / 18

HEX #6ED051

RGB 110 208 81

HSL 106.3, 0.57%, 0.57%

LAB 75.46, -52.04, 52.95

 

CMYK 30 / 0 / 61 / 18

HEX #91D051

RGB 145 208 81

HSL 89.76, 0.57%, 0.57%

LAB 77.12, -40.55, 55.26

 

CMYK 14 / 0 / 61 / 18

HEX #B3D051

RGB 179 208 81

HSL 73.7, 0.57%, 0.57%

LAB 79.21, -27.64, 58.15

 

CMYK 61 / 0 / 42 / 18

HEX #51D079

RGB 81 208 121

HSL 138.9, 0.57%, 0.57%

LAB 74.98, -53.99, 33.01

 

CMYK 61 / 0 / 25 / 18

HEX #51D09B

RGB 81 208 155

HSL 154.96, 0.57%, 0.57%

LAB 75.59, -47.45, 16.09

 

CMYK 61 / 0 / 9 / 18

HEX #51D0BD

RGB 81 208 189

HSL 171.02, 0.57%, 0.57%

LAB 76.4, -39.42, -0.98

 

CMYK 61 / 7 / 0 / 18

HEX #51C1D0

RGB 81 193 208

HSL 187.09, 0.57%, 0.57%

LAB 72.52, -27.16, -17.03

 

CMYK 61 / 24 / 0 / 18

HEX #519FD0

RGB 81 159 208

HSL 203.15, 0.57%, 0.57%

LAB 62.59, -9.36, -32.24

 

CMYK 61 / 0 / 42 / 18

HEX #51D079

RGB 81 208 121

HSL 138.9, 0.57%, 0.57%

LAB 74.98, -53.99, 33.01

 

CMYK 72 / 0 / 50 / 11

HEX #40E272

RGB 64 226 114

HSL 138.52, 0.74%, 0.57%

LAB 80.01, -64.74, 42.81

 

CMYK 81 / 0 / 56 / 4

HEX #2EF46B

RGB 46 244 107

HSL 138.48, 0.9%, 0.57%

LAB 85.17, -73.88, 52.27

 

CMYK 61 / 0 / 42 / 18

HEX #51D079

RGB 81 208 121

HSL 138.9, 0.57%, 0.57%

LAB 74.98, -53.99, 33.01

 

CMYK 48 / 0 / 34 / 25

HEX #63BF7F

RGB 99 191 127

HSL 138.26, 0.42%, 0.57%

LAB 70.49, -41.66, 24.05

 

CMYK 32 / 0 / 23 / 32

HEX #75AD86

RGB 117 173 134

HSL 138.21, 0.25%, 0.57%

LAB 66.05, -26.69, 14.31

 

CMYK 14 / 0 / 9 / 39

HEX #869B8D

RGB 134 155 141

HSL 140, 0.1%, 0.57%

LAB 62.03, -10.25, 4.85

 

CMYK 0 / 10 / 3 / 40

HEX #988994

RGB 152 137 148

HSL 316, 0.07%, 0.57%

LAB 58.7, 7.67, -3.81

 

CMYK 47 / 0 / 61 / 18

HEX #6FD051

RGB 111 208 81

HSL 105.83, 0.57%, 0.57%

LAB 75.5, -51.74, 53.01

 

CMYK 61 / 0 / 59 / 18

HEX #51D055

RGB 81 208 85

HSL 121.89, 0.57%, 0.57%

LAB 74.52, -59.11, 49.85

 

CMYK 61 / 0 / 43 / 18

HEX #51D077

RGB 81 208 119

HSL 137.95, 0.57%, 0.57%

LAB 74.95, -54.33, 33.99

 

CMYK 61 / 0 / 26 / 18

HEX #51D099

RGB 81 208 153

HSL 154.02, 0.57%, 0.57%

LAB 75.55, -47.88, 17.09

 

CMYK 61 / 0 / 10 / 18

HEX #51D0BB

RGB 81 208 187

HSL 170.08, 0.57%, 0.57%

LAB 76.34, -39.93, 0.02

 

CMYK 74 / 0 / 51 / 36

HEX #2BA451

RGB 43 164 81

HSL 138.84, 0.58%, 0.41%

LAB 59.58, -51.1, 33.65

 

CMYK 74 / 0 / 51 / 23

HEX #34C561

RGB 52 197 97

HSL 138.62, 0.58%, 0.49%

LAB 70.54, -59.03, 39.28

 

CMYK 61 / 0 / 42 / 18

HEX #51D079

RGB 81 208 121

HSL 138.9, 0.57%, 0.57%

LAB 74.98, -53.99, 33.01

 

CMYK 47 / 0 / 33 / 15

HEX #72D992

RGB 114 217 146

HSL 138.64, 0.58%, 0.65%

LAB 79.2, -45.46, 25.95

 

CMYK 35 / 0 / 24 / 11

HEX #92E2AB

RGB 146 226 171

HSL 138.75, 0.58%, 0.73%

LAB 83.68, -35.93, 19.29

 

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

CMYK 61 / 30 / 0 / 18

HEX #5191D0

RGB 81 145 208

HSL 209.76, 0.57%, 0.57%

LAB 58.56, -1.43, -38.53

 

CMYK 0 / 61 / 55 / 18

HEX #D0515E

RGB 208 81 94

HSL 353.86, 0.57%, 0.57%

LAB 51.95, 51.18, 19.09

 

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

CMYK 43 / 61 / 0 / 18

HEX #7751D0

RGB 119 81 208

HSL 257.95, 0.57%, 0.57%

LAB 44.75, 44.86, -60.4

 

CMYK 0 / 43 / 61 / 18

HEX #D07751

RGB 208 119 81

HSL 17.95, 0.57%, 0.57%

LAB 59.16, 31.31, 35.77

 

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

CMYK 61 / 30 / 0 / 18

HEX #5191D0

RGB 81 145 208

HSL 209.76, 0.57%, 0.57%

LAB 58.56, -1.43, -38.53

 

CMYK 0 / 61 / 18 / 18

HEX #D051AA

RGB 208 81 170

HSL 317.95, 0.57%, 0.57%

LAB 54.24, 59.73, -22.63

 

CMYK 0 / 30 / 61 / 18

HEX #D09151

RGB 208 145 81

HSL 30.24, 0.57%, 0.57%

LAB 65.16, 17.27, 42.96

 

CMYK 62 / 0 / 43 / 18

HEX #50D178

RGB 80 209 120

HSL 138.6, 0.58%, 0.57%

LAB 75.24, -54.75, 33.86

 

CMYK 61 / 49 / 0 / 18

HEX #516BD0

RGB 81 107 208

HSL 227.72, 0.57%, 0.57%

LAB 48.03, 21.58, -55.25

 

CMYK 0 / 61 / 18 / 18

HEX #D051AA

RGB 208 81 170

HSL 317.95, 0.57%, 0.57%

LAB 54.24, 59.73, -22.63

 

CMYK 0 / 12 / 61 / 18

HEX #D0B751

RGB 208 183 81

HSL 48.19, 0.57%, 0.57%

LAB 74.74, -3.09, 53.89

 

Description

Color code: HEX #50D178 | qconv.com Color code: HEX #50D178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 209 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 209 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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