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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50E6B6 it is the complementary color #AF1949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50E6B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50E6B6 shade: #55E6B1, #66F8C4, #77FFD7, #88FFEA and #99FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50E6B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50E6B6 shade: #50E6B6, #3FD4A3, #2EC290, #1DB07D and #0C9E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50E6B6 shade: #50E6B6, #50E68E, #50E665, #64E650 and #8CE650

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50E6B6 shade: #50E6B6, #50E6DE, #50C5E6, #509DE6 and #5074E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50E6B6 shade matches the following richer shades: #50E6B6 and #40F6BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50E6B6 shade: #50E6B6, #61D6B0, #71C5AA, #81B5A5 and #91A59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50E6B6 shade: #50E664, #50E68C, #50E6B4, #50E6DC and #50C8E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50E6B6 shade: #1CC891, #2CE0A7, #50E6B6, #75EBC5 and #99F0D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50E6B6 shade: #50E6B6, #5064E6 and #E67850

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50E6B6 shade: #50E6B6, #B450E6 and #E6B450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50E6B6 shade: #50E6B6, #5064E6, #E65082 and #E6D250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50E6B6 shade: #50E6B6, #6950E6, #E65082 and #CDE650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

Complementary color

CMYK 0 / 86 / 58 / 31

HEX #AF1949

RGB 175 25 73

HSL 340.8, 0.75%, 0.39%

LAB 38.36, 59.22, 12.56

 

CMYK 63 / 0 / 23 / 10

HEX #55E6B1

RGB 85 230 177

HSL 158.07, 0.74%, 0.62%

LAB 82.75, -51.03, 14.54

 

CMYK 59 / 0 / 21 / 3

HEX #66F8C4

RGB 102 248 196

HSL 158.63, 0.91%, 0.69%

LAB 88.9, -51.19, 13.4

 

CMYK 53 / 0 / 16 / 0

HEX #77FFD7

RGB 119 255 215

HSL 162.35, 1%, 0.73%

LAB 91.84, -46.58, 7.85

 

CMYK 47 / 0 / 8 / 0

HEX #88FFEA

RGB 136 255 234

HSL 169.41, 1%, 0.77%

LAB 92.88, -38.58, -0.39

 

CMYK 40 / 0 / 1 / 0

HEX #99FFFD

RGB 153 255 253

HSL 178.82, 1%, 0.8%

LAB 94.05, -30.19, -8.42

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 70 / 0 / 23 / 17

HEX #3FD4A3

RGB 63 212 163

HSL 160.27, 0.63%, 0.54%

LAB 76.55, -50.35, 13.11

 

CMYK 76 / 0 / 26 / 24

HEX #2EC290

RGB 46 194 144

HSL 159.73, 0.62%, 0.47%

LAB 70.3, -49.7, 14.46

 

CMYK 84 / 0 / 29 / 31

HEX #1DB07D

RGB 29 176 125

HSL 159.18, 0.72%, 0.4%

LAB 63.99, -48.73, 15.96

 

CMYK 92 / 0 / 33 / 38

HEX #0C9E6A

RGB 12 158 106

HSL 158.63, 0.86%, 0.33%

LAB 57.63, -47.29, 17.63

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 65 / 0 / 38 / 10

HEX #50E68E

RGB 80 230 142

HSL 144.8, 0.75%, 0.61%

LAB 81.98, -58.92, 31.53

 

CMYK 65 / 0 / 56 / 10

HEX #50E665

RGB 80 230 101

HSL 128.4, 0.75%, 0.61%

LAB 81.42, -65.15, 50.69

 

CMYK 57 / 0 / 65 / 10

HEX #64E650

RGB 100 230 80

HSL 112, 0.75%, 0.61%

LAB 81.77, -63.06, 60.25

 

CMYK 39 / 0 / 65 / 10

HEX #8CE650

RGB 140 230 80

HSL 96, 0.75%, 0.61%

LAB 83.31, -51.62, 62.35

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 65 / 0 / 3 / 10

HEX #50E6DE

RGB 80 230 222

HSL 176.8, 0.75%, 0.61%

LAB 83.74, -40.84, -7.76

 

CMYK 65 / 14 / 0 / 10

HEX #50C5E6

RGB 80 197 230

HSL 193.2, 0.75%, 0.61%

LAB 74.41, -22.81, -26.09

 

CMYK 65 / 32 / 0 / 10

HEX #509DE6

RGB 80 157 230

HSL 209.2, 0.75%, 0.61%

LAB 62.95, -1.23, -43.88

 

CMYK 65 / 50 / 0 / 10

HEX #5074E6

RGB 80 116 230

HSL 225.6, 0.75%, 0.61%

LAB 51.73, 23.35, -61.75

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 74 / 0 / 24 / 4

HEX #40F6BC

RGB 64 246 188

HSL 160.88, 0.91%, 0.61%

LAB 87.31, -58.06, 15.17

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 55 / 0 / 18 / 16

HEX #61D6B0

RGB 97 214 176

HSL 160.51, 0.59%, 0.61%

LAB 78.33, -42.12, 8.84

 

CMYK 43 / 0 / 14 / 23

HEX #71C5AA

RGB 113 197 170

HSL 160.71, 0.42%, 0.61%

LAB 73.77, -31.89, 5.6

 

CMYK 29 / 0 / 9 / 29

HEX #81B5A5

RGB 129 181 165

HSL 161.54, 0.26%, 0.61%

LAB 69.78, -20.56, 2.65

 

CMYK 12 / 0 / 4 / 35

HEX #91A59F

RGB 145 165 159

HSL 162, 0.1%, 0.61%

LAB 66.08, -8.2, 0.73

 

CMYK 65 / 0 / 57 / 10

HEX #50E664

RGB 80 230 100

HSL 128, 0.75%, 0.61%

LAB 81.41, -65.27, 51.13

 

CMYK 65 / 0 / 39 / 10

HEX #50E68C

RGB 80 230 140

HSL 144, 0.75%, 0.61%

LAB 81.94, -59.27, 32.5

 

CMYK 65 / 0 / 22 / 10

HEX #50E6B4

RGB 80 230 180

HSL 160, 0.75%, 0.61%

LAB 82.7, -51.21, 12.87

 

CMYK 65 / 0 / 4 / 10

HEX #50E6DC

RGB 80 230 220

HSL 176, 0.75%, 0.61%

LAB 83.69, -41.37, -6.78

 

CMYK 65 / 13 / 0 / 10

HEX #50C8E6

RGB 80 200 230

HSL 192, 0.75%, 0.61%

LAB 75.28, -24.32, -24.77

 

CMYK 86 / 0 / 28 / 22

HEX #1CC891

RGB 28 200 145

HSL 160.81, 0.75%, 0.45%

LAB 71.96, -53.55, 16.21

 

CMYK 80 / 0 / 25 / 12

HEX #2CE0A7

RGB 44 224 167

HSL 161, 0.74%, 0.53%

LAB 79.97, -56.43, 15.77

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 50 / 0 / 16 / 8

HEX #75EBC5

RGB 117 235 197

HSL 160.68, 0.75%, 0.69%

LAB 85.62, -42.29, 8.27

 

CMYK 36 / 0 / 12 / 6

HEX #99F0D4

RGB 153 240 212

HSL 160.69, 0.74%, 0.77%

LAB 88.85, -32.32, 5.27

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 65 / 57 / 0 / 10

HEX #5064E6

RGB 80 100 230

HSL 232, 0.75%, 0.61%

LAB 47.67, 33.26, -68.33

 

CMYK 0 / 48 / 65 / 10

HEX #E67850

RGB 230 120 80

HSL 16, 0.75%, 0.61%

LAB 62.37, 39.37, 40.88

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 22 / 65 / 0 / 10

HEX #B450E6

RGB 180 80 230

HSL 280, 0.75%, 0.61%

LAB 53.12, 63.76, -59.06

 

CMYK 0 / 22 / 65 / 10

HEX #E6B450

RGB 230 180 80

HSL 40, 0.75%, 0.61%

LAB 76.1, 7.74, 56.44

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 65 / 57 / 0 / 10

HEX #5064E6

RGB 80 100 230

HSL 232, 0.75%, 0.61%

LAB 47.67, 33.26, -68.33

 

CMYK 0 / 65 / 43 / 10

HEX #E65082

RGB 230 80 130

HSL 340, 0.75%, 0.61%

LAB 56.26, 61.76, 4.28

 

CMYK 0 / 9 / 65 / 10

HEX #E6D250

RGB 230 210 80

HSL 52, 0.75%, 0.61%

LAB 83.7, -7.79, 64.56

 

CMYK 65 / 0 / 21 / 10

HEX #50E6B6

RGB 80 230 182

HSL 160.8, 0.75%, 0.61%

LAB 82.74, -50.76, 11.88

 

CMYK 54 / 65 / 0 / 10

HEX #6950E6

RGB 105 80 230

HSL 250, 0.75%, 0.61%

LAB 44.88, 49.08, -72.79

 

CMYK 0 / 65 / 43 / 10

HEX #E65082

RGB 230 80 130

HSL 340, 0.75%, 0.61%

LAB 56.26, 61.76, 4.28

 

CMYK 11 / 0 / 65 / 10

HEX #CDE650

RGB 205 230 80

HSL 70, 0.75%, 0.61%

LAB 87.07, -27.81, 67.47

 

Description

Color code: HEX #50E6B6 | qconv.com Color code: HEX #50E6B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 230 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 230 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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