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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50E18B it is the complementary color #AF1E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50E18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50E18B shade: #55E186, #66F399, #77FFAC, #88FFBF and #99FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50E18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50E18B shade: #50E18B, #3FCF78, #2EBD65, #1DAB52 and #0C993F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50E18B shade: #50E18B, #50E164, #63E150, #8AE150 and #B1E150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50E18B shade: #50E18B, #50E1B2, #50E1D9, #50C2E1 and #509BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50E18B shade matches the following richer shades: #50E18B and #40F188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50E18B shade: #50E18B, #61D08E, #71C091, #82AF94 and #929F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50E18B shade: #63E150, #50E163, #50E18A, #50E1B1 and #50E1D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50E18B shade: #20BF60, #2DDB74, #50E18B, #73E7A2 and #97EDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50E18B shade: #50E18B, #508AE1 and #E15050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50E18B shade: #50E18B, #8A50E1 and #E18A50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50E18B shade: #50E18B, #508AE1, #E150A7 and #E1A750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50E18B shade: #50E18B, #505FE1, #E150A7 and #E1D250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

Complementary color

CMYK 0 / 83 / 34 / 31

HEX #AF1E74

RGB 175 30 116

HSL 324.41, 0.71%, 0.4%

LAB 40.09, 61.93, -12.21

 

CMYK 62 / 0 / 40 / 12

HEX #55E186

RGB 85 225 134

HSL 141, 0.7%, 0.61%

LAB 80.46, -57.49, 33.6

 

CMYK 58 / 0 / 37 / 5

HEX #66F399

RGB 102 243 153

HSL 141.7, 0.85%, 0.68%

LAB 86.62, -57.64, 32.24

 

CMYK 53 / 0 / 33 / 0

HEX #77FFAC

RGB 119 255 172

HSL 143.38, 1%, 0.73%

LAB 90.97, -55.28, 28.62

 

CMYK 47 / 0 / 25 / 0

HEX #88FFBF

RGB 136 255 191

HSL 147.73, 1%, 0.77%

LAB 91.92, -47.7, 20.37

 

CMYK 40 / 0 / 18 / 0

HEX #99FFD2

RGB 153 255 210

HSL 153.53, 1%, 0.8%

LAB 92.99, -39.61, 12.24

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 70 / 0 / 42 / 19

HEX #3FCF78

RGB 63 207 120

HSL 143.75, 0.6%, 0.53%

LAB 74.21, -57.14, 32.45

 

CMYK 76 / 0 / 47 / 26

HEX #2EBD65

RGB 46 189 101

HSL 143.08, 0.61%, 0.46%

LAB 67.96, -56.42, 34.01

 

CMYK 83 / 0 / 52 / 33

HEX #1DAB52

RGB 29 171 82

HSL 142.39, 0.71%, 0.39%

LAB 61.65, -55.26, 35.66

 

CMYK 92 / 0 / 59 / 40

HEX #0C993F

RGB 12 153 63

HSL 141.7, 0.85%, 0.32%

LAB 55.3, -53.46, 37.35

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 56 / 0 / 64 / 12

HEX #63E150

RGB 99 225 80

HSL 112.14, 0.71%, 0.6%

LAB 80.23, -61.51, 58.55

 

CMYK 39 / 0 / 64 / 12

HEX #8AE150

RGB 138 225 80

HSL 96, 0.71%, 0.6%

LAB 81.75, -50.24, 60.64

 

CMYK 21 / 0 / 64 / 12

HEX #B1E150

RGB 177 225 80

HSL 79.86, 0.71%, 0.6%

LAB 83.85, -36.39, 63.52

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 0 / 21 / 12

HEX #50E1B2

RGB 80 225 178

HSL 160.55, 0.71%, 0.6%

LAB 81.17, -49.6, 11.75

 

CMYK 64 / 0 / 4 / 12

HEX #50E1D9

RGB 80 225 217

HSL 176.69, 0.71%, 0.6%

LAB 82.14, -39.92, -7.48

 

CMYK 64 / 14 / 0 / 12

HEX #50C2E1

RGB 80 194 225

HSL 192.83, 0.71%, 0.6%

LAB 73.37, -22.8, -24.99

 

CMYK 64 / 31 / 0 / 12

HEX #509BE1

RGB 80 155 225

HSL 208.97, 0.71%, 0.6%

LAB 62.16, -1.74, -42.37

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 73 / 0 / 44 / 5

HEX #40F188

RGB 64 241 136

HSL 144.41, 0.86%, 0.6%

LAB 84.88, -66.45, 38.27

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 53 / 0 / 32 / 18

HEX #61D08E

RGB 97 208 142

HSL 144.32, 0.54%, 0.6%

LAB 75.83, -46.64, 23.36

 

CMYK 41 / 0 / 24 / 25

HEX #71C091

RGB 113 192 145

HSL 144.3, 0.39%, 0.6%

LAB 71.73, -34.81, 16.22

 

CMYK 26 / 0 / 15 / 31

HEX #82AF94

RGB 130 175 148

HSL 144, 0.22%, 0.6%

LAB 67.68, -20.72, 9.01

 

CMYK 8 / 0 / 5 / 38

HEX #929F97

RGB 146 159 151

HSL 143.08, 0.06%, 0.6%

LAB 64.28, -6.2, 2.58

 

CMYK 56 / 0 / 64 / 12

HEX #63E150

RGB 99 225 80

HSL 112.14, 0.71%, 0.6%

LAB 80.23, -61.51, 58.55

 

CMYK 64 / 0 / 56 / 12

HEX #50E163

RGB 80 225 99

HSL 127.86, 0.71%, 0.6%

LAB 79.87, -63.66, 49.76

 

CMYK 64 / 0 / 39 / 12

HEX #50E18A

RGB 80 225 138

HSL 144, 0.71%, 0.6%

LAB 80.4, -57.74, 31.47

 

CMYK 64 / 0 / 21 / 12

HEX #50E1B1

RGB 80 225 177

HSL 160.14, 0.71%, 0.6%

LAB 81.14, -49.83, 12.25

 

CMYK 64 / 0 / 4 / 12

HEX #50E1D7

RGB 80 225 215

HSL 175.86, 0.71%, 0.6%

LAB 82.09, -40.46, -6.5

 

CMYK 83 / 0 / 50 / 25

HEX #20BF60

RGB 32 191 96

HSL 144.15, 0.71%, 0.44%

LAB 68.32, -59.58, 36.94

 

CMYK 79 / 0 / 47 / 14

HEX #2DDB74

RGB 45 219 116

HSL 144.48, 0.71%, 0.52%

LAB 77.57, -64.53, 38.7

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 50 / 0 / 30 / 9

HEX #73E7A2

RGB 115 231 162

HSL 144.31, 0.71%, 0.68%

LAB 83.66, -48.2, 23.73

 

CMYK 36 / 0 / 22 / 7

HEX #97EDBA

RGB 151 237 186

HSL 144.42, 0.7%, 0.76%

LAB 87.34, -36.71, 16.63

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 39 / 0 / 12

HEX #508AE1

RGB 80 138 225

HSL 216, 0.71%, 0.6%

LAB 57.38, 8.21, -49.91

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 39 / 64 / 0 / 12

HEX #8A50E1

RGB 138 80 225

HSL 264, 0.71%, 0.6%

LAB 47.72, 53.78, -65.19

 

CMYK 0 / 39 / 64 / 12

HEX #E18A50

RGB 225 138 80

HSL 24, 0.71%, 0.6%

LAB 65.56, 28.02, 44.45

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 39 / 0 / 12

HEX #508AE1

RGB 80 138 225

HSL 216, 0.71%, 0.6%

LAB 57.38, 8.21, -49.91

 

CMYK 0 / 64 / 26 / 12

HEX #E150A7

RGB 225 80 167

HSL 324, 0.71%, 0.6%

LAB 56.62, 64.45, -17

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 64 / 0 / 38 / 12

HEX #50E18B

RGB 80 225 139

HSL 144.41, 0.71%, 0.6%

LAB 80.42, -57.56, 30.99

 

CMYK 64 / 58 / 0 / 12

HEX #505FE1

RGB 80 95 225

HSL 233.79, 0.71%, 0.6%

LAB 46.08, 34.65, -68.08

 

CMYK 0 / 64 / 26 / 12

HEX #E150A7

RGB 225 80 167

HSL 324, 0.71%, 0.6%

LAB 56.62, 64.45, -17

 

CMYK 0 / 7 / 64 / 12

HEX #E1D250

RGB 225 210 80

HSL 53.79, 0.71%, 0.6%

LAB 83.27, -9.87, 63.98

 

Description

Color code: HEX #50E18B | qconv.com Color code: HEX #50E18B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 225 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 225 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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