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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50EC08 it is the complementary color #AF13F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50EC08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50EC08 shade: #55EC03, #66FE16, #77FF29, #88FF3C and #99FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50EC08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50EC08 shade: #50EC08, #3FDA00, #2EC800, #1DB600 and #0CA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50EC08 shade: #50EC08, #8DEC08, #CBEC08, #ECCF08 and #EC9208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50EC08 shade: #50EC08, #13EC08, #08EC3B, #08EC78 and #08ECB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50EC08 shade matches the following richer shades: #50EC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50EC08 shade: #50EC08, #57D81C, #5FC430, #66B043 and #6D9D57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50EC08 shade: #CAEC08, #8DEC08, #50EC08, #13EC08 and #08EC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50EC08 shade: #359C05, #42C407, #50EC08, #68F726 and #84F84E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50EC08 shade: #50EC08, #08ECD1 and #EC08AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50EC08 shade: #50EC08, #0850EC and #EC0850

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50EC08 shade: #50EC08, #08ECD1, #A408EC and #EC0823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50EC08 shade: #50EC08, #08C2EC, #A408EC and #EC3208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

Complementary color

CMYK 29 / 92 / 0 / 3

HEX #AF13F7

RGB 175 19 247

HSL 281.05, 0.93%, 0.52%

LAB 47.36, 84.26, -77.98

 

CMYK 64 / 0 / 99 / 7

HEX #55EC03

RGB 85 236 3

HSL 98.88, 0.97%, 0.47%

LAB 82.88, -72.09, 79.46

 

CMYK 60 / 0 / 91 / 0

HEX #66FE16

RGB 102 254 22

HSL 99.31, 0.99%, 0.54%

LAB 88.81, -73.78, 82.65

 

CMYK 53 / 0 / 84 / 0

HEX #77FF29

RGB 119 255 41

HSL 98.13, 1%, 0.58%

LAB 89.67, -69.38, 80.34

 

CMYK 47 / 0 / 76 / 0

HEX #88FF3C

RGB 136 255 60

HSL 96.62, 1%, 0.62%

LAB 90.36, -63.82, 76.34

 

CMYK 40 / 0 / 69 / 0

HEX #99FF4F

RGB 153 255 79

HSL 94.77, 1%, 0.65%

LAB 91.17, -57.48, 71.15

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 71 / 0 / 100 / 15

HEX #3FDA00

RGB 63 218 0

HSL 102.66, 1%, 0.43%

LAB 76.8, -70.82, 74.68

 

CMYK 77 / 0 / 100 / 22

HEX #2EC800

RGB 46 200 0

HSL 106.2, 1%, 0.39%

LAB 70.79, -68.14, 69.76

 

CMYK 84 / 0 / 100 / 29

HEX #1DB600

RGB 29 182 0

HSL 110.44, 1%, 0.36%

LAB 64.74, -65, 64.83

 

CMYK 93 / 0 / 100 / 36

HEX #0CA400

RGB 12 164 0

HSL 115.61, 1%, 0.32%

LAB 58.63, -61.27, 59.87

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 40 / 0 / 97 / 7

HEX #8DEC08

RGB 141 236 8

HSL 85, 0.93%, 0.48%

LAB 84.83, -56.74, 81.42

 

CMYK 14 / 0 / 97 / 7

HEX #CBEC08

RGB 203 236 8

HSL 68.68, 0.93%, 0.48%

LAB 88.31, -33.78, 85.63

 

CMYK 0 / 12 / 97 / 7

HEX #ECCF08

RGB 236 207 8

HSL 52.37, 0.93%, 0.48%

LAB 83.17, -5.92, 82.94

 

CMYK 0 / 38 / 97 / 7

HEX #EC9208

RGB 236 146 8

HSL 36.32, 0.93%, 0.48%

LAB 68.32, 26, 72.47

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 92 / 0 / 97 / 7

HEX #13EC08

RGB 19 236 8

HSL 117.11, 0.93%, 0.48%

LAB 81.92, -80.47, 77.87

 

CMYK 97 / 0 / 75 / 7

HEX #08EC3B

RGB 8 236 59

HSL 133.42, 0.93%, 0.48%

LAB 82.03, -78.81, 67.69

 

CMYK 97 / 0 / 49 / 7

HEX #08EC78

RGB 8 236 120

HSL 149.47, 0.93%, 0.48%

LAB 82.59, -71.83, 43.02

 

CMYK 97 / 0 / 23 / 7

HEX #08ECB6

RGB 8 236 182

HSL 165.79, 0.93%, 0.48%

LAB 83.66, -59.51, 13.07

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 60 / 0 / 87 / 15

HEX #57D81C

RGB 87 216 28

HSL 101.17, 0.77%, 0.48%

LAB 76.81, -64.63, 71.4

 

CMYK 52 / 0 / 76 / 23

HEX #5FC430

RGB 95 196 48

HSL 100.95, 0.61%, 0.48%

LAB 70.96, -54.49, 60.88

 

CMYK 42 / 0 / 62 / 31

HEX #66B043

RGB 102 176 67

HSL 100.73, 0.45%, 0.48%

LAB 65.18, -42.86, 47.49

 

CMYK 31 / 0 / 45 / 38

HEX #6D9D57

RGB 109 157 87

HSL 101.14, 0.29%, 0.48%

LAB 59.94, -29.5, 31.51

 

CMYK 14 / 0 / 97 / 7

HEX #CAEC08

RGB 202 236 8

HSL 68.95, 0.93%, 0.48%

LAB 88.24, -34.18, 85.55

 

CMYK 40 / 0 / 97 / 7

HEX #8DEC08

RGB 141 236 8

HSL 85, 0.93%, 0.48%

LAB 84.83, -56.74, 81.42

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 92 / 0 / 97 / 7

HEX #13EC08

RGB 19 236 8

HSL 117.11, 0.93%, 0.48%

LAB 81.92, -80.47, 77.87

 

CMYK 97 / 0 / 76 / 7

HEX #08EC39

RGB 8 236 57

HSL 132.89, 0.93%, 0.48%

LAB 82.02, -78.95, 68.32

 

CMYK 66 / 0 / 97 / 39

HEX #359C05

RGB 53 156 5

HSL 100.93, 0.94%, 0.32%

LAB 56.63, -52.93, 57.78

 

CMYK 66 / 0 / 96 / 23

HEX #42C407

RGB 66 196 7

HSL 101.27, 0.93%, 0.4%

LAB 69.93, -63.29, 68.47

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 58 / 0 / 85 / 3

HEX #68F726

RGB 104 247 38

HSL 101.05, 0.93%, 0.56%

LAB 86.8, -70.56, 78.27

 

CMYK 47 / 0 / 69 / 3

HEX #84F84E

RGB 132 248 78

HSL 100.94, 0.92%, 0.64%

LAB 88.25, -61.23, 68.23

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 97 / 0 / 11 / 7

HEX #08ECD1

RGB 8 236 209

HSL 172.89, 0.93%, 0.48%

LAB 84.3, -52.69, -0.18

 

CMYK 0 / 97 / 28 / 7

HEX #EC08AB

RGB 236 8 171

HSL 317.11, 0.93%, 0.48%

LAB 52.89, 83.98, -24.89

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 97 / 66 / 0 / 7

HEX #0850EC

RGB 8 80 236

HSL 221.05, 0.93%, 0.48%

LAB 40.97, 42.16, -82.76

 

CMYK 0 / 97 / 66 / 7

HEX #EC0850

RGB 236 8 80

HSL 341.05, 0.93%, 0.48%

LAB 50.2, 76.85, 26.14

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 97 / 0 / 11 / 7

HEX #08ECD1

RGB 8 236 209

HSL 172.89, 0.93%, 0.48%

LAB 84.3, -52.69, -0.18

 

CMYK 31 / 97 / 0 / 7

HEX #A408EC

RGB 164 8 236

HSL 281.05, 0.93%, 0.48%

LAB 44.41, 82.07, -76.67

 

CMYK 0 / 97 / 85 / 7

HEX #EC0823

RGB 236 8 35

HSL 352.89, 0.93%, 0.48%

LAB 49.65, 75.34, 51.18

 

CMYK 66 / 0 / 97 / 7

HEX #50EC08

RGB 80 236 8

HSL 101.05, 0.93%, 0.48%

LAB 82.76, -73.04, 78.9

 

CMYK 97 / 18 / 0 / 7

HEX #08C2EC

RGB 8 194 236

HSL 191.05, 0.93%, 0.48%

LAB 72.69, -25.5, -32.08

 

CMYK 31 / 97 / 0 / 7

HEX #A408EC

RGB 164 8 236

HSL 281.05, 0.93%, 0.48%

LAB 44.41, 82.07, -76.67

 

CMYK 0 / 79 / 97 / 7

HEX #EC3208

RGB 236 50 8

HSL 11.05, 0.93%, 0.48%

LAB 51.99, 67.97, 62.5

 

Description

Color code: HEX #50EC08 | qconv.com Color code: HEX #50EC08 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 236 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 236 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 97 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 97% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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