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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50F30B it is the complementary color #AF0CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50F30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50F30B shade: #55F306, #66FF19, #77FF2C, #88FF3F and #99FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50F30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50F30B shade: #50F30B, #3FE100, #2ECF00, #1DBD00 and #0CAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50F30B shade: #50F30B, #8FF30B, #CDF30B, #F3DA0B and #F39C0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50F30B shade: #50F30B, #11F30B, #0BF343, #0BF382 and #0BF3C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50F30B shade matches the following richer shades: #50F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50F30B shade: #50F30B, #58DE20, #61CA34, #69B549 and #71A15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50F30B shade: #CCF30B, #8EF30B, #51F30B, #13F30B and #0BF341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50F30B shade: #36A407, #43CC09, #50F30B, #6CF532 and #88F75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50F30B shade: #50F30B, #0BF3DC and #F30BAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50F30B shade: #50F30B, #0B51F3 and #F30B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50F30B shade: #50F30B, #0BF3DC, #AD0BF3 and #F30B22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50F30B shade: #50F30B, #0BC5F3, #AD0BF3 and #F3390B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

Complementary color

CMYK 28 / 95 / 0 / 4

HEX #AF0CF4

RGB 175 12 244

HSL 282.16, 0.91%, 0.5%

LAB 46.85, 84.5, -77.12

 

CMYK 65 / 0 / 98 / 5

HEX #55F306

RGB 85 243 6

HSL 100, 0.95%, 0.49%

LAB 85.02, -74.24, 80.93

 

CMYK 60 / 0 / 90 / 0

HEX #66FF19

RGB 102 255 25

HSL 99.91, 1%, 0.55%

LAB 89.12, -74.03, 82.5

 

CMYK 53 / 0 / 83 / 0

HEX #77FF2C

RGB 119 255 44

HSL 98.67, 1%, 0.59%

LAB 89.68, -69.27, 79.68

 

CMYK 47 / 0 / 75 / 0

HEX #88FF3F

RGB 136 255 63

HSL 97.19, 1%, 0.62%

LAB 90.37, -63.65, 75.46

 

CMYK 40 / 0 / 68 / 0

HEX #99FF52

RGB 153 255 82

HSL 95.38, 1%, 0.66%

LAB 91.19, -57.27, 70.08

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 72 / 0 / 100 / 12

HEX #3FE100

RGB 63 225 0

HSL 103.2, 1%, 0.44%

LAB 78.99, -72.92, 76.42

 

CMYK 78 / 0 / 100 / 19

HEX #2ECF00

RGB 46 207 0

HSL 106.67, 1%, 0.41%

LAB 73.03, -70.19, 71.55

 

CMYK 85 / 0 / 100 / 26

HEX #1DBD00

RGB 29 189 0

HSL 110.79, 1%, 0.37%

LAB 67.02, -67.01, 66.65

 

CMYK 93 / 0 / 100 / 33

HEX #0CAB00

RGB 12 171 0

HSL 115.79, 1%, 0.34%

LAB 60.96, -63.25, 61.74

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 41 / 0 / 95 / 5

HEX #8FF30B

RGB 143 243 11

HSL 85.86, 0.91%, 0.5%

LAB 86.98, -58.74, 82.93

 

CMYK 16 / 0 / 95 / 5

HEX #CDF30B

RGB 205 243 11

HSL 69.83, 0.91%, 0.5%

LAB 90.37, -36.13, 87.03

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

HEX #F3DA0B

CMYK 0 / 36 / 95 / 5

HEX #F39C0B

RGB 243 156 11

HSL 37.5, 0.91%, 0.5%

LAB 71.46, 23.71, 74.64

HEX #F39C0B

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 93 / 0 / 95 / 5

HEX #11F30B

RGB 17 243 11

HSL 118.45, 0.91%, 0.5%

LAB 84.09, -82.36, 79.39

 

CMYK 95 / 0 / 72 / 5

HEX #0BF343

RGB 11 243 67

HSL 134.48, 0.91%, 0.5%

LAB 84.27, -80.04, 67.28

 

CMYK 95 / 0 / 47 / 5

HEX #0BF382

RGB 11 243 130

HSL 150.78, 0.91%, 0.5%

LAB 84.89, -72.36, 41.1

 

CMYK 95 / 0 / 21 / 5

HEX #0BF3C0

RGB 11 243 192

HSL 166.81, 0.91%, 0.5%

LAB 86, -59.7, 11.17

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 60 / 0 / 86 / 13

HEX #58DE20

RGB 88 222 32

HSL 102.32, 0.75%, 0.5%

LAB 78.71, -66.26, 72.25

 

CMYK 52 / 0 / 74 / 21

HEX #61CA34

RGB 97 202 52

HSL 102, 0.59%, 0.5%

LAB 72.91, -55.9, 61.48

 

CMYK 42 / 0 / 60 / 29

HEX #69B549

RGB 105 181 73

HSL 102.22, 0.43%, 0.5%

LAB 66.92, -43.38, 46.78

 

CMYK 30 / 0 / 42 / 37

HEX #71A15D

RGB 113 161 93

HSL 102.35, 0.27%, 0.5%

LAB 61.47, -29.14, 30.35

 

CMYK 16 / 0 / 95 / 5

HEX #CCF30B

RGB 204 243 11

HSL 70.09, 0.91%, 0.5%

LAB 90.3, -36.53, 86.95

 

CMYK 42 / 0 / 95 / 5

HEX #8EF30B

RGB 142 243 11

HSL 86.12, 0.91%, 0.5%

LAB 86.94, -59.06, 82.87

 

CMYK 67 / 0 / 95 / 5

HEX #51F30B

RGB 81 243 11

HSL 101.9, 0.91%, 0.5%

LAB 84.93, -74.96, 80.42

 

CMYK 92 / 0 / 95 / 5

HEX #13F30B

RGB 19 243 11

HSL 117.93, 0.91%, 0.5%

LAB 84.1, -82.27, 79.4

 

CMYK 95 / 0 / 73 / 5

HEX #0BF341

RGB 11 243 65

HSL 133.97, 0.91%, 0.5%

LAB 84.25, -80.2, 67.94

 

CMYK 67 / 0 / 96 / 36

HEX #36A407

RGB 54 164 7

HSL 102.04, 0.92%, 0.34%

LAB 59.3, -55.35, 59.67

 

CMYK 67 / 0 / 96 / 20

HEX #43CC09

RGB 67 204 9

HSL 102.15, 0.92%, 0.42%

LAB 72.49, -65.6, 70.35

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 56 / 0 / 80 / 4

HEX #6CF532

RGB 108 245 50

HSL 102.15, 0.91%, 0.58%

LAB 86.37, -68.39, 75.06

 

CMYK 45 / 0 / 64 / 3

HEX #88F75A

RGB 136 247 90

HSL 102.42, 0.91%, 0.66%

LAB 88.21, -58.72, 63.6

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 95 / 0 / 9 / 5

HEX #0BF3DC

RGB 11 243 220

HSL 174.05, 0.91%, 0.5%

LAB 86.67, -52.55, -2.48

 

CMYK 0 / 95 / 29 / 5

HEX #F30BAD

RGB 243 11 173

HSL 318.1, 0.91%, 0.5%

LAB 54.36, 85.35, -23.69

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 95 / 67 / 0 / 5

HEX #0B51F3

RGB 11 81 243

HSL 221.9, 0.91%, 0.5%

LAB 41.89, 44.16, -85.2

 

CMYK 0 / 95 / 67 / 5

HEX #F30B51

RGB 243 11 81

HSL 341.9, 0.91%, 0.5%

LAB 51.71, 78.31, 27.76

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 95 / 0 / 9 / 5

HEX #0BF3DC

RGB 11 243 220

HSL 174.05, 0.91%, 0.5%

LAB 86.67, -52.55, -2.48

 

CMYK 29 / 95 / 0 / 5

HEX #AD0BF3

RGB 173 11 243

HSL 281.9, 0.91%, 0.5%

LAB 46.44, 84.17, -77.25

 

CMYK 0 / 95 / 86 / 5

HEX #F30B22

RGB 243 11 34

HSL 354.05, 0.91%, 0.5%

LAB 51.16, 76.8, 53.5

 

CMYK 67 / 0 / 95 / 5

HEX #50F30B

RGB 80 243 11

HSL 102.16, 0.91%, 0.5%

LAB 84.91, -75.15, 80.4

 

CMYK 95 / 19 / 0 / 5

HEX #0BC5F3

RGB 11 197 243

HSL 191.9, 0.91%, 0.5%

LAB 73.85, -24.59, -34.06

 

CMYK 29 / 95 / 0 / 5

HEX #AD0BF3

RGB 173 11 243

HSL 281.9, 0.91%, 0.5%

LAB 46.44, 84.17, -77.25

 

CMYK 0 / 77 / 95 / 5

HEX #F3390B

RGB 243 57 11

HSL 11.9, 0.91%, 0.5%

LAB 54.03, 68.04, 63.63

 

Description

Color code: HEX #50F30B | qconv.com Color code: HEX #50F30B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 243 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 243 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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